
Up Next, a detailed Side view, and the War Tardis!
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It looks like something the Timelords would build, that's for sure
This relates to the fact that the Tardis outside (Police Box) is Relative to the Interior Space ship..they are one and the same..The TARDIS interior has a vast number of rooms and corridors. The exact dimensions of the interior have not been specified, but apart from living quarters, the interior includes an art gallery (which is actually an ancillary power station), a greenhouse, library, a bathroom with a swimming pool (which was jettisoned by the Seventh Doctor in Paradise Towers after it sprang a leak), a medical bay, several brick-walled storage areas (all seen in The Invasion of Time, 1978), and a secondary control room (with ornate wood panels, and was used for a time by the Fourth Doctor).[4] Portions of the TARDIS can also be isolated or reconfigured; the Doctor was able to jettison 25% of the TARDIS's structure in Castrovalva to provide additional "thrust".
Despite a widespread assumption that the interior of the TARDIS is infinite, there are indications that it is not. In Full Circle (1980), Romana stated that the weight of the TARDIS in Alzarius' Earth-like gravity was 5 × 106 kilograms (5000 tonnes). This presumably refers to its internal weight, as the external part of the TARDIS is light enough for it to be lifted or otherwise moved with relative ease (although most real police boxes were concrete and hence quite difficult to move): several men lift it up in Marco Polo, a group of small blue maintenance workers on Platform One push it along the ground in "The End of the World", and a quartet of Weeping Angels are able to rock it back and forth in "Blink", to name a few. If the exterior of the TARDIS is moved, the movement is transmitted to its interior.
From the Writer Peter Darvill-Evans is where the coined description of the Tardis is based off of (and many other writers have also based their descriptions on), and which is my central core theory of what the tardis is.. you can find his work in the Novel Deceit. Also there are other materials related to this Novel, with doctor who magazine, which also includes Abslom Daak, and the Planet Arcadia.distinctive architectural feature of the TARDIS interior is the "roundel".[24] In the context of the TARDIS, a roundel is a circular decoration that adorns the walls of the rooms and corridors of the TARDIS, including the console room. Some roundels conceal TARDIS circuitry and devices, as seen in the serials The Wheel in Space (1968), Logopolis, Castrovalva (1981), Arc of Infinity (1983), Terminus (1983), and Attack of the Cybermen (1985). The design of the roundels has varied throughout the show's history, from a basic circular cut-out with black background to a photographic image printed on wall board, to translucent illuminated discs in later serials. In the secondary console room, most of the roundels were executed in recessed wood panelling, with a few decorative ones in what appeared to be stained glass. In the TARDIS design from 2005-January 2010, the roundels are built into hexagonal recesses in the walls. It is was announced by Steven Moffat that this design will change when the series returns later in 2010.
Other rooms seen include living quarters for many of the Doctor's companions, although the Doctor's own bedroom has never been mentioned or seen. The TARDIS also had a "Zero Room"—a chamber that was shielded from the rest of the universe and provided a restful environment for the Fifth Doctor to recover from his regeneration in Castrovalva—which was among the 25% jettisoned. However, the Seventh Doctor spin-off novel Deceit indicated that the Doctor rebuilt the Zero Room shortly before the events of that novel. In some of the First Doctor serials, a nearby room contains a machine that dispenses food or nutrition bars to the Doctor and his companions. This machine disappears after the first few serials, although mention is occasionally made of the TARDIS kitchen.
Although the interior corridors were not seen in the 2005 series, the fact that they still exist was established in "The Unquiet Dead", when the Doctor gives Rose some very complicated directions to the TARDIS wardrobe. The wardrobe is mentioned several times in the original series and spin-off fiction, and seen in The Androids of Tara (1978), The Twin Dilemma (1984) and Time and the Rani (1987). The redesigned version, from which the Tenth Doctor chooses his new clothes, was seen in "The Christmas Invasion" (2005) as a large multi-levelled room with a helical staircase. Designer Ed Thomas has suggested that more rooms may be seen in coming episodes.[25] The Doctor also mentions in "The Shakespeare Code" that the TARDIS has an attic.
In The Eleventh Hour the Doctor mentions that the TARDIS has a library and a swimming pool.
I think you have done a tremendous job of putting a lot of disparant data together to make a unified whole. Great job!
How does this design fit with "Voyage of the damned" and "The Mind Robber"?
In Voyage of the Damned the Starship Titanic struck the TARDIS and the bow penetrated into the console room.
In The Mind Robber; the exterior was torn apart and we were left with Zoe and Jammie clinging to the console.
Personally, I've always preferred the TARDIS actually being bigger inside than outside. The exterior we see being a sort of hologram or morphing exterior of an actual device. I imagine that inside the TARDIS the higher spacial dimentions are "uncurrled" (http://www.pbs.org/wgbh/nova/elegant/dimensions.html) so they become usable.
How the heck have I managed to miss this thread in the midst of waiting until my copy of the Doctor Who Tardis Handbook arrives in a couple of weeks? Damn all of those are excellent...I'll have to examine them further.
Thanks, I appreciate that you like what I have done and notice how I haven't added very much into the designs.. I just did a conceptualization based on the descriptions and such that I was presented in various resources..novels and so on.. Yes the 91 will also include the bottom and other side view, coming soon, and I would love to do a huge version of the default spire for it as well.. should be nice to do..Pretty 'effin incredible, man. Now THAT is research! I am more than impressed at the clarity, thought, perception, conceptualization, and heart put into all of this. It's amazing you have been able to unify the entire strata of media concerning Gallifrey's key technical achievement into a cohesive, plausible, and perfectly realized technical guide. LOVE the specs. I love how you haven't glossed it up or made it prettier than the facts you are drawing from. No real embellishment is a fresh approach from such an obviously dedicated fan (more dedicated than me, anyway).
Personally, I'm a fan of your Type 91 design. However, I'm waiting to see the Time War's Sentient Type 120. And you theorize that Compassion (that was the sentient TARDIS from the McGann novels, right?) is the mother of all War Tardii?
Look forward to more man!![]()
How does this design fit with "Voyage of the damned" and "The Mind Robber"?
In Voyage of the Damned the Starship Titanic struck the TARDIS and the bow penetrated into the console room.
In The Mind Robber; the exterior was torn apart and we were left with Zoe and Jammie clinging to the console.
Personally, I've always preferred the TARDIS actually being bigger inside than outside. The exterior we see being a sort of hologram or morphing exterior of an actual device. I imagine that inside the TARDIS the higher spacial dimentions are "uncurrled" (http://www.pbs.org/wgbh/nova/elegant/dimensions.html) so they become usable.
How does this design fit with "Voyage of the damned" and "The Mind Robber"?
In Voyage of the Damned the Starship Titanic struck the TARDIS and the bow penetrated into the console room.
In The Mind Robber; the exterior was torn apart and we were left with Zoe and Jammie clinging to the console.
Personally, I've always preferred the TARDIS actually being bigger inside than outside. The exterior we see being a sort of hologram or morphing exterior of an actual device. I imagine that inside the TARDIS the higher spacial dimentions are "uncurrled" (http://www.pbs.org/wgbh/nova/elegant/dimensions.html) so they become usable.
We can rationalize The Mind Robber by saying it was in the Land of Fiction, so anything that happened could be taken with a grain of salt.
Those are good enough justifications I suppose.
Don't get me wrong, your idea is as good as any other, I was just pointing out my preference.
Are you planning on incorporating the coral? As I recall Captain Jack is/was trying to grow a TARDIS from a piece of coral on his desk. It must be a (or the) principal component if he expects to have a functional TARDIS from it.
-frank
Another interesting property or two of them there carbon nanotubes is that substances such as crystalline proteins and water tend to self-organise in a helical shape around them, sort of like this:
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Dunno if that's the sort of thing that might spontaneously generate, say, some kind of a helical staircase?
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Or I might have entirely misunderstood your whole mission. Either way, love the pictures!!
I'm not sure I understand what you're asking.the only problem I have is how do you justify with the string theory and just dimensions..
Honestly I've never put much thought into it.as how the Tardis can jettison a section of itself??
Honestly I've never put much thought into it.as how the Tardis can jettison a section of itself??
But it seems to me it could get jettisoned into one of the uncurled spacial dimensions. which could either collapse on it and destroy it, or the jettisoned section, now free to float around 4 dimensional space could easily get caught by gravity and shift away from the TT Capsule.
Actually where would you jettison it to in the pocket universe?
It would still be in the pocket universe, isn't that universe sustained by the TARDIS? So wouldn't the mass of the jettisoned section sill effect the TARDIS?
I do like the design; I just question the pocket universe theory.
-frank
The Section Jettisoned would shift outward towards the perimeter of the pocket universe, and would eventually move beyond the limits and fade into nothing.. because beyond the outer limits of that Artifical Sustained reality, is nothing, Literally Nothing..or as the doctor says it.. The "Void"
These designs actually look a lot like the flying Gallifreyan spaceship we see in the beginning of The Mysterious Planet, Trial of a Timelord Part 1, imagine that Gallifreyan spaceship inside a box, that is what I have always imagined the TARDIS to look like on the inside. Although the one inside the TARDIS is on a much grander scale. The tall columns/towers are certainly a staple of Timelord spaceships.
Watch it on Youtube - http://www.youtube.com/watch?v=K1G2uXkYzCI Here is a clearer video - http://www.youtube.com/watch?v=g9w2P4_-Ggo&feature=related
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