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Trek 09 disapproval questioned.

Granted, this is kind of a precursor for how most of the rest of the film turns out... but even so, the dominant impression it leaves isn't "I'm clever" but "I'm cheating."

(It also bugged me, BTW, that once the enemy ships are defenseless, he chooses to destroy them rather than offering terms for surrender.)

But this Kirk was raised without a Dad, so his reactions may vary.

This is the "new and improved" Star Trek. Mercy is not a trait that is admired in this universe.

"New", yes. Made to appeal to young audiences in 2009, yes. "Improved" not necessarily.

If you insist on seeing JJ's film as an attack on everything you hold dear about the 60s, then, yeah, you'll keep feeling put-upon.

I love how IDIC only seems to flow one way in regards to this film. :guffaw:

IDIC suggests that I should allow you to have your own opinions on the movie. Go for your life. I know I'll never change your mind. But you'll have to work hard to convince me that this film is crap. Because if it is, I love crap!
 
The fact that rather than changing the parameters to allow for some plausible alternative outcome, he just arranges for an inexplicable stroke of miraculous luck to save him, and moreover swaggers through the exercise making it clear that he knows what the result will be.

Of course he knows what the result will be, he set that up as the result, and he made it quite obvious in both his tone and his behavior to the simulator crew and the simulation programmers. It's all over that scene. He intended for them not only to find out that something was changed, but that he was the one behind the whole thing.

Granted, this is kind of a precursor for how most of the rest of the film turns out... but even so, the dominant impression it leaves isn't "I'm clever" but "I'm cheating."
It appears to me more as "I don't take this test seriously because it's not plausible". It's even stated overtly in the film, but the impression is already there.

(It also bugged me, BTW, that once the enemy ships are defenseless, he chooses to destroy them rather than offering terms for surrender.)
Yes, because we all know that's how you beat the Kobayashi Maru, because you can bet the programmed Klingons who are in several Klingon attack cruisers to use a defenseless and ailing ship as bait to lure in another starship, are just chomping at the bit to come to peaceful terms with said ship.
 
Of course he knows what the result will be, he set that up as the result, and he made it quite obvious in both his tone and his behavior... It appears to me more as "I don't take this test seriously...
Yes, I know. What I'm saying is that I don't like that approach to the test. I don't buy it. It's not what I ever imagined based on the reminiscence in TWOK (nor even what anyone else has imagined, apparently, based on the way it's been discussed in various Trek novels). It's brash, obvious, and in-your-face, rather than the sort of clever, strategic reprogramming that would allow a plausible solution.

That's consistent with the overall style of this film... and perhaps even consistent with this new, rebellious, fatherless Kirk (as Therin observes), but my point is that this shift in style is not an improvement. It's a vivid illustration of how this Kirk is different from the version we all admired in the past.

Yes, because we all know that's how you beat the Kobayashi Maru, because you can bet the programmed Klingons who are in several Klingon attack cruisers to use a defenseless and ailing ship as bait to lure in another starship, are just chomping at the bit to come to peaceful terms with said ship.
Sarcastic much? Since when is it not Starfleet policy to at least give enemies a chance to surrender, Klingons or otherwise? (And as long as Kirk was programming in unlikely outcomes, why not have them surrender as well, anyway? Arranging things so he could blow them up was entirely his choice.)
 
One day when someone takes something you love and changes it in a way you don't like then things will have come full circle and you'll "get it."

But it's not our fault that you love TOS in such a narrow way that no one can ever make a new version that meets with your approval. I'm actually surprised you include TMP in your personal canon, because it's quite a departure from the previous body of ST work.

Some of us love TOS, TAS, TMP, ST II, ST IV, TMP, TNG and JJ's ST 2009 equally. It's sad that you can't enjoy the many variations of ST that many of us do, and that you chose not to see this new film on opening night and drink in the excitement of the crowds relishing a revival of a great franchise. Infinite Diversity in Infinite Combinations (IDIC), after all.
I'm not blaming anyone for liking it, but right in your response you're accusing me of something because I don't embrace it.
 
Yes, I know. What I'm saying is that I don't like that approach to the test. I don't buy it. It's not what I ever imagined based on the reminiscence in TWOK (nor even what anyone else has imagined, apparently, based on the way it's been discussed in various Trek novels). It's brash, obvious, and in-your-face, rather than the sort of clever, strategic reprogramming that would allow a plausible solution.

That's consistent with the overall style of this film... and perhaps even consistent with this new, rebellious, fatherless Kirk (as Therin observes), but my point is that this shift in style is not an improvement. It's a vivid illustration of how this Kirk is different from the version we all admired in the past.

Okay, you don't like it. Life goes on. Your view of how it should be doesn't match up with what is on screen.
Unfortunately for you, this is the direction in which Trek is traveling. You still have 700+ episodes and 10 previous movies to enjoy at your leisure.
Fortunately for me, I get to have all of that, AND this great new movie that I really enjoyed.

Sarcastic much? Since when is it not Starfleet policy to at least give enemies a chance to surrender, Klingons or otherwise? (And as long as Kirk was programming in unlikely outcomes, why not have them surrender as well, anyway? Arranging things so he could blow them up was entirely his choice.)
Since it's a simulation given by Starfleet instructors to test a no win scenario involving a hostile and non-passive enemy where you will most certainly die every time.
 
Okay, you don't like it. Life goes on. Your view of how it should be doesn't match up with what is on screen.
Unfortunately for you, this is the direction in which Trek is traveling. You still have 700+ episodes and 10 previous movies to enjoy at your leisure...
What's your point, Axiom? I'm not trying to argue that the scene didn't happen, obviously; I saw the movie too. Nor am I unaware that "this is the direction in which Trek is traveling," although I'm not particularly happy about it.

What I'm talking about is how it could have been done differently, and how those differences would have made for a better movie and a more textured characterization of Kirk. And as always, I've been trying to lay out my reasons; this isn't just a matter of tossing off arbitrary assertions that XYZ Suckz and ZYX Rulez.

Your remarks here seem to boil down to "The movie is what it is, whether you like it or not, so suck it up." Which is not an attitude that's really conducive to discussion about... well, anything.

Trek09 simply doesn't seem to stand for the same kind of values that Star Trek used to represent... either artistically or ethically. I think that's something worth discussing.
 
What's your point, Axiom? I'm not trying to argue that the scene didn't happen, obviously; I saw the movie too. Nor am I unaware that "this is the direction in which Trek is traveling," although I'm not particularly happy about it.

Just discussion, really.

What I'm talking about is how it could have been done differently, and how those differences would have made for a better movie and a more textured characterization of Kirk. And as always, I've been trying to lay out my reasons; this isn't just a matter of tossing off arbitrary assertions that XYZ Suckz and ZYX Rulez.

I understand that in this case, the artistic differences are too divergent for your taste. However, the characterizations, to me, are within the bounds of believability when referenced to their origins. Kirk is Kirk, yes a little more rugged but the circumstances explain this fairly well. Spock is Spock, although, again, in this timeline Spock seems to have embraced his human half better than previously. McCoy is McCoy, Uhura is Uhura, Sulu is Sulu, Scotty is Scotty (a touch different but I like the portrayal), Chekov is Chekov.

The characterizations are not off the mark. They're presented with more flair and drama, but the core components are still there.

Your remarks here seem to boil down to "The movie is what it is, whether you like it or not, so suck it up." Which is not an attitude that's really conducive to discussion about... well, anything.

No, no, I don't tell people to suck it up. They don't have to like the movie. I'm more likely to find a common ground. The only thing that annoys me is the "big deal" people. For example, Star Trek wins an Oscar, the first one ever in it's more than 30 years of motion pictures, and it's "big deal". If it were any of the previous incarnations, those same people would have been more inclined to be thrilled. Not all, but most.

You know, Nemesis is not my favorite Trek by any means. However, if Westmore would have won for "Best Makeup", I would have been thrilled! Star Trek deserves to be seen, it deserves to be noted. It has earned that right to be where it is, and finally, finally, someone took notice.

My point is not that people should "suck it up", but that they need to understand things change, they always change. Be happy for those who find something in this incarnation of Trek. Hey, who knows? They may look back and find a whole treasure trove of great adventure, maybe become Trek fans that consist of more than the new movie. Not in spite of it, but because of it. I'm not telling anyone to suck it up.

Trek09 simply doesn't seem to stand for the same kind of values that Star Trek used to represent... either artistically or ethically. I think that's something worth discussing.

You don't see that, and that's okay. I do see those values inherent in this movie, but you know what? The greatest common denominator about Star Trek as a whole and what it represents is that we all get something out of it that we love. You don't see the values you want reflected from yourself in the new movie. That's okay. I do see great values in the new movie, and that's okay too.

Art is subjective. Ethics are even moreso. We can all agree on some basics, but when it gets into the finer details, it really is in the eye of the beholder. We can discuss that, which I would do so (and have done in the past many times with others) gladly.
 
So. The Abomination won an Oscar?
eh. Big Deal.
Wasn't MY Trek that won....


Abomination
in the sense that what you refer to as "your Trek" was very much a corpse before this movie came out and resurrected it. As this discussion has played out over various threads I'm finding that this is more and more my problem; they made this movie to appease this relatively small and generally older faction in Trek that covets%
 
So. The Abomination won an Oscar?
eh. Big Deal.
Wasn't MY Trek that won....


Abomination
in the sense that what you refer to as "your Trek" was very much a corpse before this movie came out and resurrected it. As this discussion has played out over various threads I'm finding that this is more and more my problem; they made this movie to appease this relatively small and generally older faction in Trek that covets%
I'm not quite sure what happened to your conclusion, there, but I'm afraid you're misunderstanding Bob somewhat. It helps to have been reading his posts all along; the running joke is easier to recognize that way and so also the meaning behind it.

Oh, and I wouldn't be too quick to attribute anything (particularly coveting %s) to belonging to a particular age group, if I were you. That notion has been shown again and again not to hold much water, where this movie is concerned.
 
I don't know what happened to the rest of that post either but it's nice to know that 1/5 of it was enough to garner an immediate critique on my assumed line of thought. The sentence might not have been complete (for whatever reason) but the intent got through no doubt, right? If only people read the Constitution like that :)


The rest of it went something like this; they went to great efforts to appease this relatively small, generally older (you'll note the qualifying words before each of those assessments) group in the fandom that covet the TOS era as the “Golden Age of Star Trek.” That faction has been expressing their disapproval of pretty much everything since the first episodes of TNG anyway. So why the lip service? Why make this movie about the TOS era characters at all? Since that group of fans won't be happy with anything but acting appropriate for the 1960's and the special effects to match and since the people who were happy with this film would have likely been just as happy with different characters the reason behind focusing on the TOS era (again- for now the 7th film) seems to fall flat.


Obviously it worked. The film made money and was a critical success. But to make a successful Star Trek action film did not require the exhuming of James Kirks corpse from the graveyard of pop culture. It's Star Trek; it isn't a big enough universe to find a tale to tell that won't illicit all of this “it's not Trek so far as I'm concerned?”


Abomination in the sense that what was is a corpse. Stop poking it. Leave it alone. Rather than digging this thing up every so often for a flight around the galaxy how about giving birth to some new life? (Not that people don't hate babies... I'm just saying.)


(Apologies if that was too hostile. I keep trying to Neelix-it-up for this particular area and keep falling short.)
-Withers-​
 
Withers, despite my indulgences in curmudgeonry (it's what passes for "fun and games" in my sad post-Trek existence)--I find myself pretty much in perfect agreement with you.

I would've loved something absolutely new, even if it was flashy and frenetic and a little dumb. I wish they'd gone that route.
They didn't though, they opted for rebootery which is the absolute ONE thing I could never have tolerated from any film with the word "Trek" in the title.
They killed my sacred cow!
And carved it up!
And ground it into wee little bite-sized, lense-flaring chunks.
And the public just LOVED the horrid Trek-burgers made from it and scarfed them down by the millions.
All I can do about that is grumble.
So. I grumbles!
*shrug*
 
A reboot/reimagining was almost inevitable. That said it doesn't mean everyone will instantly agree with how it would be done. It could have happened that they pulled off something that many of us loved and others didn't and then our roles could have been reversed. (*Sigh*... in a parallel universe somewhere...)
 
A JJ movie that was not a crowd-pleaser, but thrilled every ST fan, would certainly not have made sufficient money to guarantee a sequel. So some compromise is necessary. As it has always been.
Fallacy of the excluded middle. What about a movie (even a reboot! whether by Abrams or not) that pleased both Trek fans and enough casual viewers to make good money? You seem to be operating on the same assumption as the executives I hypothesized: that we can have art or commerce, but there's no middle ground.
...or good art and good money...

That depends on whether you think one basher here isn't alone when he proclaims that he wants Star Trek to be a small niche instead of being a massive success.
I missed this comment. Did someone really say that, or did you invent it, in a manner similar to lying? In your defense, I searched for "niche" and only found your post.

As I'm the most prominent critic in this thread at the moment, I'll assume you're speaking of me. I dislike being dismissed as "one basher," however.
If you bring up legitimate, profound defects detectable by an alert 11 year old, some fans are going to consider you a "basher", "hater", and other negative labels which reassure such fans that they know all they need to about critical observation and have nothing to learn from those whose opinion threatens their (misguided, IMO) emotional attachment and need to be "right". Objective reason and classical didactic is perceived as a threatening.

For one thing, I'm hardly the only one to point out the film's flaws. Even a lot of its fans acknowledge them; they just try to excuse them for one reason or another.
I can't say I'm a fan of the film, but there's much about it which I LOVE, but the horrific defects would seem to be the appropriate place to focus.

Second, I didn't approach this film predisposed to dislike it, I assure you. I was really excited when I first heard about it, and when images started to be released. It was the end product that ruined it for me. Making patient attempts to explain why is hardly "bashing."
1) I was also very enthusiastic, unlike my reaction to TNG, which I wouldn't even see for the first year - cautious with DS9, and excited about ENT.

2) You're far more patient that I. If people have no interest in objective standards, and "my enjoyment" is the ultimate standard, my experience is like trying to explain to someone that their faith is indistinguishable from self-delusion - they cannot bring themselves to care, even if they somehow wanted to. Such discussions feature fallacy after fallacy as we both have noted.

Either way, I'm not trying to limit Trek to a "small niche."
I think that Aragorn's claim was a strawman, and can't find anything to support it, but would like to see it supported if someone really thought the franchise should appeal only the small cadre of hardcore fans.

I'm not a middle-school student: I don't care whether the stuff I like is popular with other kids. I care whether it's worth liking according to my own standards, about which I try to be relatively consistent.
It should be said that you also have a commitment to generally accepted standards, as evidenced by your identification of a "fallacy of the excluded middle". People who discuss to learn and gain insight into truth understand and appreciate the tools that have been developed to accomplish these things, but for those who do not understand them, tools like logic, reasoning, and standards of evidence seem like trickery, especially when used against their position, which they mistakenly believe is against them.

I think such people include the writers who made the Vulcans in ENT so bigoted, emotional, arrogant jerks. That's the way a person with a really sharp mind seems to us when they cut our cherished beliefs to shreds with arguments we can't answer, and we stand there like a moron. Irrational anger and lashing out is a normal response, so much so that it could make us want to rewrite Trekverse with no planet for logical races at all... :rommie:
 
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are we still talking about Star Trek the flaws the movie had personally I don't care because I can just enjoy it the film for what it is weird you may be thinking but that is my opinion
 
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