Well, that was a big improvement over the last few years which I thought were dull, dull, dull.
Some random thoughts I wrote while watching (hence the mix of present/past tense).
Cirque de Soliel has always had a strong European sensibility, fitted in well here.
Dimar Bilan. It's supposed to be a representation of his life? Looks like he's a puppet...
Lithuania: TV host: "I challenge you not to think of Freddie Mercury when the song starts". True. He did try harder tonight, I have to say.
Israel: it's a good song with a good message, but seemed a bit strained compared to their original performance. Still, pretty good.
France: And they said Piaf was dead... Every couple of years they bring out this song or a variant thereof. Why don't they get Johnny Halliday in to rock it up a bit?
Sweden: The first popera song of the night. She's quite a singer, but I dunno, doesn't quite carry off the transition like Tarja Turninen (ex-Nightwish) does. She looks really happy to be there though. Note the guy does most of the singing. Apparently it's not getting a lot of airplay at home - too rock/pop for the classical stations, too classical for the rock/pop stations
Croatia: a bit waily, but well done, I suppose. Though why the judges chose it to go through I'm not sure. A little bland, but I'd call this the low end of the spectrum for this year.
Portugal: the song is really nice, and like others they're giving a little more tonight, but I can't see it as a ESC winner.
Have to say everyone seems to be trying a little harder in the final, than last year, when they all seemed tired.
Iceland: I was going to say meh, but actually it's a nice song. TV Hosts: "it's a song that grows on you". True. Certainly grew on the viewing audience.
Greece: an Aussie connection, two of the songwriters from here. Very lively and uptempo.
I'll have to say it again. Compared to the last couple of years, the songs overall are a vast improvement. Yes, some of them are still very 'Eurovision', but not as many duds as we've seen in the last couple of years.
Armenia: I really like this song, the fusing of ethnic and pop (which I prefer much more than popera). It has that real old-timey feel mixed with some young sass. Damn, it's good. TV hosts: "It's the macarena of 2009!"
Russia: I don't think the staging was right - the flying monitors were impressive, but her singing didn't quite sync up with the video on them, which was a distraction. And I saw the film clip for the single, and I dunno, it seemed more convincing. I think she tried too hard with her singing as well. Sometimes less is more. TV host: "Very Chekhovian". Were they going to Wulcan?
Azerbaijan: it's a fun song that bounces along with that ethnic feel rather than sticking to a pop 12 bar format. And the girl singer is stunningly pretty. The story goes that he wrote the song for her, and they're getting married later. [cynic] Hmm, they didn't win... maybe not.[/cynic]
Bosnia/Herzegovina: it's not quite a typical 'Euroballad', but it's close. It is well performed, I have to say. Mmmm. Yeah, I see the point, but not my speed, ymmv.
The Aussie TV hosts appear onscreen. One's wearing a t-shirt saying "Terry Wogan's not doing it this year", the other's shirt says "Yeah, we miss him too". A real laugh out loud moment.
Moldova: Bring on the dancing boys! Folk song set to a rock, almost a ska, beat, with lots of national dress. Again , its exuberance is infectious. She's a good singer, and she's having a great time.
Malta: A really good song, but to me not a ESC winner. The staging is very simple but very effective. A damned good voice, I see why she's represented her country three times.
Estonia: a nice change of pace, measured but not slow, a bit of popera, a bit more sophisticated that the average Eurovision song. And the singer also plays the violin. Competition for Norway? I like it a lot after a second listen. TV host: "Part voice, part fringe!"
Denmark: TV Hosts: "Apparently Ronan Keating doesn't let anyone sing his songs who doesn't look like him. Or sing like him". A bit too generic for me. He's much less nervous than he was in the semifinals.
Germany: Gak, silver pants! It certainly swings! But do we want Eurovision to go that far back in tome? It's disconcerting enough when they go back to the 70s! The appearance of Dita von Teese was, I have to say, jaw dropping.
Turkey: To recap what I said earlier: This song had a bet each way, trying to repeat the success of 'Every Way That I Can' from a few years ago combined with Shakira, down to a very similar pan pipe sound.
Albania: the singer's only 17 but has a big voice, I'd go so far to say she has a big future. Mind you, she's an Idol winner, which is a mark down in my book. The song sadly is a little ordinary, very Eurobeat, only her voice saves it at all. And let's face it, it can't be easy to sing when standing on a mime's back, but the best place to do it, I suppose. Or possibly on his neck.
Norway: Hmm, the Norway entry... it's good, but the guy seems a bit concewited, like he's taking the win for granted. He knows the ladies like him! All the young girls and the mums, I'd say. I think it works for the simple fact it has a sort of a Russian feel (where he was born and lived his early life). Again, he brings a little extra to tonight's performance. The crowd went off at the end. Did he deserve the win? I suppose he did, but I wouldn't have given him douze points.
Why do the onstage hosts feel THEY HAVE TO SHOOOUUUUTTT??!!
Ukraine: Eurovision meets Cirque de Soliel, with a smattering of Thunderdome thrown in. Oh wait, we've had real Cirque. Very sexy. Trying to be sexy. Seems to want to capture the vibe of 'Wild Dances' a few years back. Graphics of thrusting pistons... what are they trying to say? She's only 18 or 19 too. She takes a turn on percussion, acts like she'd make a fairly decent drummer. But the whole rampant sexuality and kinetic energy of the thing disguises a fairly ordinary song.
Romania: This song let me a bit... meh. It was just... dull, I suppose. Didn't do a thing for me, musically or to look at.
UK: Good singer. But the song is a bit dull, despite the weight put behind it. Hmm, nonetheless, a big step up from Scootch and Jemini. They did OK, though you'd expect better from the writing team.
Finland: again, a fairly ordinary Eurodance song, with a slight rap influence. This is the successor to Lordi? lordy lordy lordy.
Spain: That was really well performed, but the writers phoned it in.
Interval, finally! Liked the little comedy act with the bears and the KGB agents and the et cetera. The onstage hosts aren't funny, though.
The Interval Act: the suspended tanks, that's pretty cool. Especially the big tanks sloshing back and forth. It's quite a spectacle, which is what a Eurovision interval act's about.
Then the onstage hosts and more SHOUTING! "ARE YOU ENJOYING MY FLAWLESS BRITISH ACCENT?!" Stil not bringing teh funni.
The voting will take ages - 42 countries casting one this time. the presenters from each country listing the points are a bit on the crazy side this year - loud shirts, mad behaviour, some behaving like they have a stick up their bum. Or auditioning for next year's singing gig.
Second little comedy sequence - the Russian folk version of a tATu song. Mildly amusing.
While Norway was waaaayy in front, watching the voting for second and third was interesting, really tight.
The song from Finland should have been last, the most ordinary of the night.
Point to ponder: I do wonder what goes through the collective national mind when they choose a song. "Yeah (or si, or oui, or ja, or da), that sounds like a winner!"
Apparently it's all available on
www.eurovision.tv if you've missed anything.
What you Brits need is a three minute version of 'Bohemian Rhapsody'. As performed by Bill Bailey. So I suppose it'd be co-written by Bill Bailey and Brian May. Yeah, that'd work... I'm being semi serious there.