You know what's important about these two reviews?
This is the voice of the Industry. This is the Movie industry telling collective Hollywood that Abrams just hit the jackpot and that everyone who eats lunch on Robinson Street better get the fuck on the train before it leaves the station.
OTOH, Hollywood is a pretty famous circle-jerk; I can't place a lot of faith in the knowledge and abilities of an industry that counts "waiter" as the second - or first - job of a rather large number of its "creatives." Not that I have a problem with waiters - they work a lot harder than a lot of filmmakers, and for a lot less.
It's a good review; I still remain cautious. It clearly points toward a great popcorn film for non-fans, and I like a good popcorn film occasionally, but I'm not convinced by critics that what they consider a good film is what
I consider a good film,
especially given the hyperbole for which
Variety is famous, and which just drips from this review.
Maybe I'm just not that emotionally tied to
Trek that I need it to 'succeed' - so I don't have a problem with a film that isn't slam-bang action all the time, and reading this review, it seems pretty clear that that has become a real factor in deciding how 'effective' a movie is. As much as I like
Iron Man, it has many of the same earmarks as those mentioned in the review, but I don't think
Iron Man would be a good template for
Star Trek - it's the ways that
Star Trek is
different from the mainstream that appeal to me - homogenize and glamorize it too much, and it's just not
Star Trek to me any more.
We'll see. I'll watch the movie, of course, and if I like it, it won't be because
Variety either panned it or gave it a fist-bump. At this point, the best I can say is I'm not going to bother checking the calendar every day nor hold my breath, and I won't be anxiously standing in line the first week (as I did 4 times with
Serenity 
).