^Two chapters totaling about 30 pages take place during Destiny.
This was one of the things I didn't care for in the book. I've always felt Janeway's heroics were over-the-top to start with, and giving Janeway an added reason for going off and facing the Borg only added to her sainthood. I know (hard not to, given the multitude of dead Janeway threads) some people felt her death wasn't dignified enough, but I kind of liked the idea that she died just doing her job. Personally, I would have preferred it if she met her demise by slipping in the sonic shower or something. I do like the irony of that by running interference for the sake of her crew, she may have inadvertently made things worse, though.Oh, and Janeway was Janeway, for damn sure, and it isn't for nothing that even after all the arguing I've done about her death and how Before Dishonor was worthwhile I'd still like to say, for the revelation that she was trying to help her crew by flying off to the Borg cube alone, a simple thank you. It brought a warmth to her death that was, while technically unnecessary in my view, greatly appreciated.
Just finished. This is one of the more emotionally laden and complicated stories Trek has ever given us, and if nothing else, I highly commend the ambition and care on display here.
There were two big problems I had with the book, though. First, one of my real annoyances with Golden's relaunch was how it took dramatic possibilities/plotlines from the end of the series and got rid of them as rapidly as possible(...)I realize, as an author, given the opportunity to write characters you believe in and are fascinated by and no particular compunction to keep the others around, it's understandable to take that option, but it doesn't make it less annoying to read. Especially since none of the main characters from the series were killed, sort of blatantly reinstating the "TV show characters are invincible even though everyone else drops like flies!" stereotype that Janeway's death worked so hard to dispel.
Second, the organization of this book was wacky. It felt like two separate novels, not only in timeline but also in manner of execution.
There was also a lot of weirdness of flow in other ways. It always bugs me when there's a whole scene about one character telling another character something, but the author skips over what they're talking about, and we got that a fair amount in this book. The idea that Batiste wanted to send Voyager back to the Delta Quadrant wouldn't have been any less cool if we'd heard about it 100 pages earlier, when he was talking about it to everyone else except us.
And there was also a lot of skipping time to start a scene, only to then narrate within that scene the events that had come to pass to get there (like when Torres showed up on Voyager towards the beginning, only to then describe her escape from the Klingon ship). In and of itself, it wouldn't have been a problem, but on top of the rapid pace of the novel and the general disjointedness of it all, it just added to the scatter.
Now, that all said? Overall?
This book was fantastic.
Oh, and Janeway was Janeway, for damn sure, and it isn't for nothing that even after all the arguing I've done about her death and how Before Dishonor was worthwhile I'd still like to say, for the revelation that she was trying to help her crew by flying off to the Borg cube alone, a simple thank you. It brought a warmth to her death that was, while technically unnecessary in my view, greatly appreciated.
I can't wait for what's next.
Oh, and PS? "Voyager will return to the Delta Quadrant over my dead body"? Feeling a littlethat day, huh?
First let's talk plot. We've got a rogue Changeling and we've got the Klingon story. We just did two books on a Changeling. Changelings, while fabulous characters were done ad naseum in DS9 and continue to play an admittedly limited role in the DS9 relaunch. I see no compelling reason to make that story any bigger. It's not particularly "Voyager" but it is something that has to be resolved. I chose the Klingon plot over the Changeling plot because I felt it had more potential for emotional resonance for the characters involved. YMMV.
Characters: <<long post cut for space>>
...
So of the seven discussed, three have the potential for ongoing development, one transferred, and three died (two of them in a battle that killed half the crew). When you pile it all up it may look like it was all conveniently dismissed. It wasn't. It was always weighing what we had vs. what we needed. When what we had worked with the bigger picture, it stayed. When it didn't, or too severly limited possibilties, we went a different direction.
Again, I agree, it was just the contrast that was hard not to notice. Introduced by Golden? Greater than 50% chance of transferring or dying. Introduced by the show? 0%. Good reasons for all the choices, but it does produce some difficulties along the way.Finally, as to why they died instead of other series regulars... are you kidding me? Permeating the whole book is the death of Janeway. If any of the other regulars are going to die, they're going to get their own damn book. They've earned it.
I was actually going to ask this question, but I thought it would end up sounding snotty if I was totally off-base. Yes, it felt EXACTLY like it was developed as two separate books, and I think I'm going to think about it that way in my head from now on. The first book fits so beautifully right in between KRAD's A Burning House and A Time For War/Peace as part of the arc of the Klingon Empire that it feels weird to attach it to a post-Destiny story as well; the tone of the two is so different. The tie-in with the hologram is so cool.Would it suprise you to learn that it was originally developed as two books? It was. Two 100,000 word stories. However, when those outlines were presented, I was asked by my editor to turn these two books into one, containing much of what I had developed characterwise, but ending with the launch of the fleet. So basically 200,000 words of material had to become no more than 135,000 words and still have the same emotional resonace and tell the same story.
I can see both sides of this one. I think it would be weird to have a new author take over and then have the huge shift in creative direction happen between her first and second books; that would've been quite jarring.I suppose I could have turned him down and let this whole thing be someone else's problem. I did argue that I believed the Voyager fans deserved as much material as we could give them. I think he overruled that choice because he felt strongly that it was critical we establish the new direction by the end of this book. So that was a trade-off.
And this is, much more concisely, sort of what I was trying to get across in my review; it's jarring as you go along, but when you get to the end you feel like you're in the right place. I finished the book completely satisfied with the journeys everyone had been on, even though while I was reading it, it was often jarring and I had to keep flipping around to make sure I knew where I was.I think there is something to the fact that it's jarring as you go along, but when you get to the end you feel like you're in the right place. I always felt that way and still can't imagine what I would cut or rearrange without losing something vital to someone. There's also something okay with me in the fact that it's not pretty, but it's right. As always, YMMV.
A lot of authors I love do it a lot! And, like I said, on its own, not really a problem; just kind of frustrating because of the other jumpiness. And, well, sure, why not!I do that a lot don't I? I think it comes from my personal love of tension and trying to figure out how tight I can pull a string. I like these smaller puzzles that people might pause and try to figure out at the time but will get the answer to soon enough if they couldn't. I'll watch it though. I actually don't think I did it even once in Unworthy. You'll let me know, though, right?![]()
Fair enough. And thank you tremendously for explaining your thought processes here; I don't think authors owe their fans much of anything, and it's a real pleasure to have you and so many of the other authors on here address posts like mine. It always makes me understand the books better or differently, and that's what I'm here for. Again, thank you.Yes. Absolutely. And those were scenes that would have happened in real time if I had 100,000 words to tell each half of the story instead of 65,000.
Again...these are perfectly valid complaints. But now you know where my head was as I worked these problems.
Me too! I can't wait!I just want to say again how much I appreciate your thoughtful review, the good and the less good, and I truly hope you enjoy Unworthy.
I finally got my hands on this book today! And before even reading the first page... I'm prejudging this book as a 5 star book based solely on the quote before the Prologue.
"Destiny... is a fickle bitch." --Benjamin Linus
NICE!! Quoting Lost! I love it.
Fair enough. And thank you tremendously for explaining your thought processes here; I don't think authors owe their fans much of anything, and it's a real pleasure to have you and so many of the other authors on here address posts like mine. It always makes me understand the books better or differently, and that's what I'm here for. Again, thank you.
If I might trouble you to answer one last question, out of curiosity, what's the timeline of Unworthy's development? Is it done and written already, was it written 6 months ago... I'm curious, since it seems like Full Circle has been in development so long, how far ahead of schedule you were on this one. And how much was it affected by the editor changeover? I'm not a writer, but I'd imagine switching editors halfway through the process might be a bit frustrating.
how's this for a chronology mashup?
The more I dwell on this character, the more intrigued I am. I have this mental perception of Cambridge as a Hugh Laurie/House-esque type of character ...Glad to hear it. You're going to get your wish, at least in Unworthy.
I think I was thrown by a couple of lines in the latter part of the book where I expected him to be referred to as Lt. Cmdr rather than Cmdr but thanks for clearing that up.the convention is to refer to him as Commander Paris rather than Lieutenant or Lieutenant Commander.
I wanted to add, although it may not have been your intention, but I liked how all the different threads of the story were woven around that of the Paris family - it felt like a supporting structure particularly in Part Two with the threads and POVs moving around so much. I did mentally read Parts One and Two as two quasi-seperate books; the non-linear approach with flashbacks actually reminded me of several Alias episodes. Could be that eased the transitions for me or I'm just easy to please!I know if I was one of his friends, I'd be pissed. Indeed, more to come there as well.
And her friends. Remember it's not just about what happens to Miral, though that's paramount. It's also about putting the lives of the rest of the people she loves in danger because of Miral.
I'm determined to get a hold of a copy of TNG episode 'Darmok' before Unworthy ... I wonder if I could ask another question? Does Lt. Barclay's attendance at Batiste's briefing mean he's also with the DQ fleet? (Apologies if this is in the book already, I really need to read it at a normal speed again!).Patience. Devi Patel is indeed continuing on with us and in time, she'll get more development as will Sharak.
I just did a mental tot-up and I get six female characters - main characters or on the Senior Staff. Can't complain about that!(Yes, once again, I have betrayed the sisterhood.)
Now I have to go tiptoe into the Voy forum and try to spread a little of this love around. I'll be back if they chase me out with sticks . . .
The more I dwell on this character, the more intrigued I am. I have this mental perception of Cambridge as a Hugh Laurie/House-esque type of character ...
I'm determined to get a hold of a copy of TNG episode 'Darmok' before Unworthy ...
I wonder if I could ask another question? Does Lt. Barclay's attendance at Batiste's briefing mean he's also with the DQ fleet?
Kirsten -
I sat down and read "Full Circle" from start to finish and really loved it. You completly nailed all of the characters; when Chakotay makes peace and intruduces himself to Hugh, it felt like we were really being introducted to Chakotay for the first time. I enjoyed all the clues (at least I hope they are clues) about things to come. I cannot believe the trip back to the DQ will be as smooth as Starfleet thinks, and I think that our dear Admiral Batiste is going to have some medical issues come to light very soon. Any hints on "Unworthy" you are willing to share?
Again, bravo on "Full Circle"!
Now I have to go tiptoe into the Voy forum and try to spread a little of this love around. I'll be back if they chase me out with sticks . . .
Many thanks! Now...wear something warm and take emergency rations. You never know.![]()
Please don't tell us you have an opinion of the forum without posting there.![]()
We use essential cookies to make this site work, and optional cookies to enhance your experience.