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News Season 2 will be the last (show cancelled)

It's a lot of fun and the Easter eggs and continuity references are so much fun for me, but damn, the movie gives you a headache after the first 10 minutes (which are also far and away the best part of the whole film).

I remember being really intrigued by the 2009 trailer; surely they were teasing a major unknown plot development that would explain putting cadet Kirk in the big chair, right?

Nope, it was just as inexplicable in the film as it was in the trailer.
I must be stupid or something because I followed it just fine.
 
Chekov was 17. I still have no idea what they were thinking beyond they had to give him something to do, no matter if it made sense or not.

In all honesty, Kirk being on academic suspension, he should've been ineligible to take a place in the chain of command.
Chekov just being there already made no sense.

'09 was full of stupidity.
 
Everyone hated Raffi in the first two seasons of Picard until old Tezza came along with season 3 and regressed the character and suddenly everyone wants her in a new show. So if he had done glitter vomit people would probably have had no issues.
And some of us hated her in all three seasons.

I have nothing against the actress it's all the way the character was written.
 
This is something fans of old properties really need to come to grips with. The reason you see modern Trek shows getting more in touch with the feelings of the characters is because that's what film and television as a whole has evolved into. It's not a trend that Trek is chasing. The days of static characters just doing jobs or missions without big emotional arcs is just not a thing anymore. Star Trek is just a rare example of a franchise that has been around long enough that you can actually see how writing styles have evolved within that franchise rather that just looking at the broader scope of film/tv medium. It's why DS9 was heavily criticized as being too soap opera-ish for its time.

The one other franchise you can point out to is the James Bond films. At first the films were largely episodic and the protagonist rarely ever actually had emotional story arcs in any film, because he was just a cool unflappable spy that was on a mission. Then the 80s happened. That's when a lot of films started to delve more into the emotional arcs of its characters. Indiana Jones. Rambo. RoboCop. John McClane. A sea change was happening. That's when Timothy Dalton stepped in and suddenly there's a push for Bond to show more emotional depth than prior (with exceptions like OHMSS). Pierce Brosnan would continue that, always having a personal stake in each of the films. Craig pushed it even further. I see Bond fans lament over how the films are no longer like they used to be in the 60s, without realizing why that happened in the broader scheme of things.

This is nonsense at best...a useful distraction at worst. Dalton's Bond appreciating a calm moment with Kara is not the same as Bond discussing his feelings during a shootout with mooks, a chase, the setting of a trap, et cetera (what Captain Janeway might call "crunch time"). TNG - for instance - had its moments where characters conversed about deep topics, but those occurred at the appropriate time (e.g., Deanna counseling Worf in "The Bonding"); on the bridge, during a crisis, Picard's crew were professionals.

As for what audiences want? I find it more believable that this attitude of imposing your issues on others during wholly inappropriate moments is being pushed by writers of a certain stripe.
 
Of course but to ascribe that it's current state is a direct result of the choices made comes with the implication that an alternative would have yielded a better outcome an alternative to the preference of the one making the implication.

Well, one cannot get around the fact that the current ST-PTB's failure was the result of their choices (as posed to heretofore unknown external factors) which torpedoed the franchise as a product with new content, yet why would anyone jump to the hypothesis that an alternative would fail just the same? This goes back to starting at the heart of the matter--at the how and why of the Kurtzman era, and its decisions, which are unique to itself.

Why would one would assume any other show/franchise-runner would make so many wrongheaded decisions in their approach to ST without some sort of justification? That would be the equivalent of saying just because Pilot A took a course which resulted in a crash must mean Pilot B would chart a similar course leading to similar results. Obviously, no two individuals--or group approach anything the same, or in a way leading to a similarly disastrous outcome, so there's no point is playing the "others would screw it up, too" game.

For anyone to consistently avoid analyzing Kurtzman and Company's self-motivated decisions and why the viewing public rejected it stems from a form of hyper-defensive fanaticism that explains--in part--why the franchise's problems continued unabated. ...and where does that leave the Star Trek franchise now?
 
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Star Trek boss Alex Kurtzman talking about how he never watched Star Trek:• At an April 2008 Paramount “Star Trek” junket, Kurtzman said he’d never sat through a full episode before being hired. “I was not a fan. I had watched maybe two or three episodes years ago—and they weren’t really my thing. Then JJ and Bob [Orci] asked me to help, and I thought, ‘I’d better go back and binge this, or I’ll look like an idiot.’” (Entertainment Weekly, April 2008 press junket)•

THEY WEREN'T REALLY MY THING??

In an MTV News feature from May 2008, he again confessed, “You know, I’m a Spider-Man guy, so I grew up with comics, not sci-fi TV. When they handed me Star Trek, I honestly had to do a crash-course: watch the original series in two weeks, read some reference books—just so I didn’t butcher the lore.” (MTV News, May 2008)•

Consider it butchered.

At the San Diego Comic-Con “Star Trek” panel in July 2008, during a writers’ roundtable, Kurtzman quipped, “It’s a weird feeling showing up in the writers’ room and everyone’s speaking Klingon and quoting Roddenberry—you realize you’ve got some homework. I basically learned Trek the way you learn a foreign language in college: all-nighters and flash cards.” (SDCC, July 2008 transcript)

I would have begun booing and throwing stuff

tenor.gif


I blame Paramount. They hired him instead of someone who knew his shite. Fuck them, and Kurtzman too.
 
Star Trek boss Alex Kurtzman talking about how he never watched Star Trek:• At an April 2008 Paramount “Star Trek” junket, Kurtzman said he’d never sat through a full episode before being hired. “I was not a fan. I had watched maybe two or three episodes years ago—and they weren’t really my thing. Then JJ and Bob [Orci] asked me to help, and I thought, ‘I’d better go back and binge this, or I’ll look like an idiot.’” (Entertainment Weekly, April 2008 press junket)•

THEY WEREN'T REALLY MY THING??

In an MTV News feature from May 2008, he again confessed, “You know, I’m a Spider-Man guy, so I grew up with comics, not sci-fi TV. When they handed me Star Trek, I honestly had to do a crash-course: watch the original series in two weeks, read some reference books—just so I didn’t butcher the lore.” (MTV News, May 2008)•

Consider it butchered.

At the San Diego Comic-Con “Star Trek” panel in July 2008, during a writers’ roundtable, Kurtzman quipped, “It’s a weird feeling showing up in the writers’ room and everyone’s speaking Klingon and quoting Roddenberry—you realize you’ve got some homework. I basically learned Trek the way you learn a foreign language in college: all-nighters and flash cards.” (SDCC, July 2008 transcript)

I would have begun booing and throwing stuff

tenor.gif


I blame Paramount. They hired him instead of someone who knew his shite. Fuck them, and Kurtzman too.
Nicholas Meyer never watched Star Trek either. Neither did Brannon Braga, and I think Kurtzman got Star Trek better than Braga ever did.
 
Nicholas Meyer never watched Star Trek either. Neither did Brannon Braga, and I think Kurtzman got Star Trek better than Braga ever did.
I said this in another thread, but I personally wouldn't wish running Star Trek on my worse enemy. It's an impossible task because you have to be a fan but only the right kind of fan and associate with the right kind of people as fans while appealing to current and new fans.
 
Yeah that doesn't surprise me about Kurtzman, he always did sound like he was basically reading from a brief that someone had given him about what Star Trek is "meant" to be.

I wonder how hands-on he's been creatively with the shows.
 
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