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greebles

My frustration isn't that people are disagreeing with me. It's that they're missing my point.

Let's say I posted side-by-side photos of an old fashioned shirt and a super modern shirt. And I pointed out that the newer shirt looks more futuristic because of the way it's constructed. The old shirt has obvious seams, showing that it's multiple pieces of fabric stitched together. The modern shirt has almost no visible seams, as though its single piece of fabric that was made in one go.

Based on the responses I've gotten so far, I guaranty some people would ignore the differences in the garments' construction.

Instead, they'd argue the newer shirt looks more modern simply because it's a more contemporary fashion style. Of course its up-to-date style would speak to its modernity, but that's not the only reason it would look newer. The construction of the shirt would be a major visual cue.

Or they'd argue the shirts look different because they were made for different purposes (one was made for the winter, while the other was made the summer). Perhaps their varying functionality does in some way date them, but that's not the only reason. The construction of the shirts would major visual cue.

The same is true for tech. The tech's shape, style and function may contribute to dating it. But the tech's construction is a major visual cue.
 
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Let's say I posted side-by-side photos of an old fashioned shirt and a super modern shirt. And I pointed out that the newer shirt looks more futuristic because of the way it's constructed. The old shirt has obvious seams, showing that it's multiple pieces of fabric stitched together. The modern shirt has almost no visible seams, as though its single piece of fabric that was made in one go.

The most high-tech clothing I can think of is elite athletic wear, especially for swimmers (they actually call them “tech suits”), made for maximum flexibility and minimum drag, and it actually is common for them to accentuate seam lines either directly or with contrasting-color panels.

I think you might need to test your theory a little more vigorously, rather than finding all these cherry-picked just-so examples to try and back up your preconceptions.
 
Let's put the engine of the Wright Flyer next to a typical jet engine manufactured in the 21st century and see which looks "less mechanical". :techman: :lol:
 
The ships on the right have less visible mechanical parts,
Yes, modern ships with a required stealth design goals has to minimize surface mounted equipment.
That's the nature of Stealth Vehicles.
Most vehicles & vessels have moved to hide all their mechanical parts underneath the body panels a long time ago.

less visible joins,
Modern manufacturing & paint can easily hide rivets and joint lines.

more unibody construction,
Actually, modern ships are made in modular parts.
Same with combat aircraft.
They're all joined together with incredible levels of precision.

Older vessels like the one you shown on the left have closer a unibody style construction where it was built from the keel up as a single piece.
So you have that completely backwards. Appearance & how it's actually made are different.

Some modern cars have unibody construction, but large vessels & aircraft that you shown are not done that way in modern times.

A modern Stealth Fighter like the F-35 has incredible level of tolerances between joints.
The F-35 Rear Fuselage has Build Tolerances of (7/10000)" = 0.0178 mm
That's according to BAE who helps assemble the F-35.
They use Microscopes to help level the aircraft to that level of precision, you couldn't feel the difference with your hand.
You need Electronic Microscopes to validate every gap.

That's how the F-35 achieves the superior level of stealth, the metrology behind their work is effectively world class in the aerospace industry.

and overall more simple aesthetics. If you can't concede these objective facts, then you're not having a serious discussion with me.
The aesthetics of combat vehicles & vessels are completely determined by operational requirements, technology of the day, & design doctrines; not just what you feel like for military hardware.

Consumer products are based on trends in design going on at the time.

Don't try to conflate correlation with causation.

Military design & aesthetics are a seperate thing.
Same with most large pieces of hardware like vehicles & vessels.

Consumer products are more likely to be the ones chasing design trends, regardless of if its good or bad, and if it looks futuristic or not with simpler shapes and less visible seems.
 
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Those two toasters operate so differently as to be two separate technologies.

The two toasters in the photo operate identically and are 99.9% the same technology. Both send an electric current through a heating element made of a heat resistant metal. In fact, I believe both toasters even use the same metal, nichrome (but it's possible the older one used iron).

If you wanted to argue my examples were unfairly comparing two different technologies, the toaster was the last one you should have picked. It was the one example that's inarguable the same exact technology, not separate tech.
 
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The two toasters in the photo operate identically and are 99% the same technology. Both send an electric current through a heating element made of a heat resistant metal. In fact, I believe both toasters even use the same metal, nichrome (but it's possible the older one used iron).

If you wanted to argue my examples were unfairly comparing two different technologies, the toaster was the last one you should have picked. It was the one example that's inarguable the same exact technology, not separate tech.
One is meant to be loaded from the top, the other from the sides, if it works the way I think it does.
 
I think a good balance is possible.

The LexisNexis UBIQ is the most beautiful terminal ever made. A perfect combination of detail and sleekness.

I also loved the Apple iMacG3s I did not like the G4....at all. Too executive.


The Mecha conveyances at the end of the movie "A.I." were an example of a lot of bits, and zero detail. In THE SPACE SENTINELS there was a craft that was just on screen as a change le geometric shape.... pyramid for firing, cylinder for holding, etc.
 
I also loved the Apple iMacG3s I did not like the G4....at all. Too executive.
What? My adorable Pixar-Lamp-meets-R2-D2 looking friend? It had charm that the all-screen models that followed lacked (even though bigger screens and smaller computing components meant that having that kind of adjustable-position screen was no longer possible, just because of weight distribution), without the excesses of the final gumdrop models.
 
I think a good balance is possible.

Agreed. In the fictional world I pointed to the Enterprise-D as a great example of balance and compromise. It had an organic shape and smooth hull to make it look futuristic. But at the same time it had the details of windows, escape pods and aztecing to make it look real on film.
 
Yes…I would not call it a craft even. Bele’s mode of transportation in “LET THAT-“ and the bubble in the early 70’s SOLARIS aren’t even spaceships in my book…the Warp 9 torpedo? …eh…
 
the Warp 9 torpedo? …eh…

If you're referring to using the class eight probe, which externally looked similar to a photon torpedo, as an emergency makeshift travel pod for one person capable of warp nine travel, I'm going to have to hard disagree on that. Its use in TNG's "The Emissary" to convey K'Ehleyr to the rendezvous was magnificent.
 
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