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Re-Watching DS9

"Contagion" (TNG)

I decided to put this episode on before "To the Death", since both episodes deal with the Iconians. The Enterprise finds about Iconia through the Yamato, which travelled into the Neutral Zone to learn about the Iconian Gateway, to try to keep it from falling into Romulan hands.

The mystery of the Iconians keeps the audience wondering about them right up until the end of the episode when it's revealed they might not have used the Gateways to conquer but to escape from conquers of their own. Picard going through Captain Varley's log entries add the sense of mystery and build up a sense of suspense about the power of the Iconians.

This episode made much better use of the Romulans than "The Neutral Zone", where their appearance amounted to "We're back!" and nothing else. The Romulan sets look dark and sinister, which befits an adversary worthy of the Federation. Carolyn Seymour was perfect as Sub-Commander Taris. I can see why they wanted to bring the actress back as Commander Toreth in "Face of the Enemy".

The virus from the Iconian probe that affects the Yamato then spreads to the Enterprise and the Romulan Warbird was an effective diversion since only discovering an Iconian Gateway would've been too thin for an entire episode. The systems failures on the Enterprise and the Romulan Warbird make it look like anything could go wrong at any moment.

Highlights: the music. Have to mention the soundtrack. Every musical beat is there for a dramatic reason, rather than just being in the background, adding to the tension. From the appearance of the Romulans to the fear that the Romulans might fire on the Enterprise to the increasing dread that grows over the course of Varley's long entries.

The craziest scenes were 1) the Enterprise crew thinking they were about to be fired on, like I already mentioned, 2) the turbolift malfunctioning and tossing Geordi around like a ragdoll, including right into the bridge; and 3) Picard stepping through the Gateway and onto the Romulan bridge! O'Brien manages to get Picard out of there, and nice of Riker to help Taris so her ship wouldn't be destroyed by accident.

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Getting to the part that's relevant to DS9. Picard wanted all information they gathered about the Iconians to be destroyed. The last surviving station on Iconia was also destroyed. The Federation definitely didn't want this technology to fall into the wrong hands. And it's interesting that the DS9 writers thought back to this episode of all things to follow up on from TNG. But it makes perfect sense. If the Dominion had the Iconian Gateway, they could bypass the Wormhole and put Jem'Hadar troops anywhere they want.
 
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I think people generally think Contagion is okay. Not the best episode of season two, but somewhere in the upper third.

For me though? It's my favourite of the season. Top of my ranking, just above Q Who and Measure of a Man. It's got another great Romulan commander, an away mission to a planet, the only other Galaxy class ship in TNG, some interesting lore about the Iconians, and Geordi's wild ride in the turbolift. Plus I'll award it a bonus point for giving us To the Death.

I should take a point away for being a blatant remake of The Last Outpost, but nah. 9/10.
 
I absolutely love "Contagion"!. It was excellent from start to finish.

From seeing the Yamato blow herself up to the Enterprise and the warbird leaving orbit as we watch the installation on the surface blow up.

Plus, Riker gives us a great explanation on why the Enterprise is so lucky.

"Fate. Protects fools, little children, and ships named Enterprise."
 
I should take a point away for being a blatant remake of The Last Outpost, but nah. 9/10.
"The Last Outpost" deserved this opportunity to redeem itself. :)

I seem to remember it being pretty shocking when Yamato was destroyed with all hands, presumably including families and children! That might have deserved a little more of a dramatic beat, but it's fine as-is.

To me the only weakness of the episode, besides Varley's woeful failure to appreciate the status of his ship, was that the solution amounts to, "Turn it off and back on again", which seems like something that should have occurred to Our Heroes before things reached critical mass (literally in the case of Yamato).
 
"The Last Outpost" deserved this opportunity to redeem itself. :)

I seem to remember it being pretty shocking when Yamato was destroyed with all hands, presumably including families and children! That might have deserved a little more of a dramatic beat, but it's fine as-is.

To me the only weakness of the episode, besides Varley's woeful failure to appreciate the status of his ship, was that the solution amounts to, "Turn it off and back on again", which seems like something that should have occurred to Our Heroes before things reached critical mass (literally in the case of Yamato).
In a sense, "The Last Outpost" DID have its chance to redeem itself... by DS9 later casting Armin Shimernan as Quark.

He did a phenomenal job bringing layers to the Ferengi on DS9. I think he redeemed them.
 
To me the only weakness of the episode, besides Varley's woeful failure to appreciate the status of his ship, was that the solution amounts to, "Turn it off and back on again", which seems like something that should have occurred to Our Heroes before things reached critical mass (literally in the case of Yamato).
It's funny how the solution seems too obvious now. But it was written back in 1988, by a computer technician, so the problem is mostly that we're all more computer literate now.
 
It's funny how the solution seems too obvious now. But it was written back in 1988, by a computer technician, so the problem is mostly that we're all more computer literate now.
I'm not sure about that...I would have seen it when I was 13 years old, apparently, and while I was (coughs) a nerd, I think even at the time the solution felt a bit dopey and/or obvious, especially given that these people were supposed to be smarter than I was.
 
Overthinking for a solution is a flaw with some people.

This is why Colonel O'Neill was able to come up with some good solutions... he kept it simple. Like in "THE TORMENT OF TANTALUS". ("What if we tried doing the Ben Franklin thing?")
 
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It's funny how the solution seems too obvious now. But it was written back in 1988, by a computer technician, so the problem is mostly that we're all more computer literate now.
Turning the system on and off worked in 1989 for different reasons than it does now. In 1989, it purged the malware from the system by purging it from active memory. In 2026, there is the hope that the cybersecurity team has designed diagnostic tools in the OS that will patch the system on restart. However, it's possible that the malware still exists on the drive (hopefully not BIOS or UEFI) and will reassert itself as an autorun.
 
I had a VIC-20. Type in dozens of commands and it would play some music.

But back to the '90s. I'm having a time-crunch. Work and other things afterwards, so I'm going to try to get "To the Death" out before I leave for the day. Besides the Iconians, the other interesting thing about "To the Death" is that -- according to the Deep Space Nine Companion -- it's the first episode of Star Trek to be edited for violence. Going in knowing that, it'll be interesting to see if I'll be able to spot where they might've made any cuts. If I can't, or I have a hard time, then they'll have done a good job.

EDIT: Out of time. I'll post my review (and my count-by-count of the battle) later. It'll be worth the wait.
 
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I had a VIC-20. Type in dozens of commands and it would play some music.

But back to the '90s. I'm having a time-crunch. Work and other things afterwards, so I'm going to try to get "To the Death" out before I leave for the day. Besides the Iconians, the other interesting thing about "To the Death" is that -- according to the Deep Space Nine Companion it's the first episode of Star Trek to be edited for violence. Going in knowing that, it'll be interesting to see if I'll be able to spot where they might've made any cuts. If I can't, or I have a hard time, then they'll have done a good job.
When "TO THE DEATH" initially aired, I was surprised to find it was not the usual 44 minutes and 40-50 seconds of episode time (with theme, but not counting end credits) that we got for TNG, DS9, and VOY up to that point. I later found out about the editing for violent content.

I love "TO THE DEATH", and look forward to your take on that one.
 
This episode gave me a lot of different things to work with, so I'll have to break it up into different parts. But still the same post!

"To the Death"

Even though both episodes deal with an Iconian Gateway, "Contagion" and "To the Death" couldn't be more different from each other. After some banter on the Defiant between Worf and Bashir because Bashir's sitting in Worf's seat in the mezz hall (uh-oh!), the Defiant returns to DS9 with one of the upper pylons destroyed! (We'll totally ignore that by next episode it'll already be completely rebuilt.) There are a ton of casualties, a lot of wreckage, and then the Defiant heads out again to find who was responsible. Out of one situation and into another. Then the credits, then title "To the Death". If there were music from a Bruce Lee Movie as that title appeared, it would've fit like a love. That's just what type of episode this is.

The Defiant comes across a wrecked Jem'Hadar ship that they quickly determine wasn't responsible, but Sisko doesn't want to take any chances. All the security guards surrounding the transporter when the Defiant is about to beam the survivors of a wrecked Jem'Hadar ship aboard, even though their weapons have been removed. This extra level of precaution wasn't even taken with the Klingons in TOS in "The Day of the Dove". Once again showing how the Jem'Hadar are a next level opponent.

Amidst all of this is the first appearance of Weyoun, who fills Sisko in on what's going on. The Renegade Jem'Hadar who ambushed DS9 for supplies to restore an Iconian Gateway that was discovered in the Gamma Quadrant. This episode has finally addressed the question of Jem'Hadar loyalty. If they were so loyal, why would they need the white? And this episode shows what could happen if Jem'Hdadar who aren't loyal can operate without any restraints.


Later on, as an editor, I felt a true moment of inspiration:

There's a tactical briefing scene with both crews. It's in what looks like the Defiant mezz hall and it has to be the widest shot of that set I've ever seen. Either they took out the wall behind the camera crew could get a wide enough shot, or they were backed right up against an entire wall. I looked up who was the DP for this episode and it looks like there were actually two DPs: Jonathan West and Kris Koosgove. It makes sense. This episode had far more shots than usual, they still had the same limited amount of time to shoot it presumably, so they'd need an extra DP to make sure they could get all the coverage.

With the way the tactical briefing was handled, I could just imagine the First Contact soundtrack underneath it when there was a similar scene with Picard, Data, Worf, and some randos as the planned to retake the Enterprise-E from the Borg. In fact, I just played the tactical briefing scene and actually played First Contact soundtrack at the same time and it fit like a glove. So much so that I'm going to do a fan-edit of that scene with that music. It really hits when the Jem'Hadar say that Odo has betrayed Heaven, Sisko points out the targets of the mission, and one of the Jem'Hadar challenges Worf. More on that later. But first...

If you want to play that scene with the First Contact soundtrack, then:

First line up "To the Death" to exactly the 16:00-mark.


Then cue up the music. Here are the two pieces of music I listened to that scene with.

Here starting from the 2:30-mark:
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And then here starting from the 0:10-mark, because the previous video ran a little short:
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Now tell me that's not fucking perfect. I dare you! In my fan-edit, I can tweak this to get all the beats to hit in exactly the right spots. I don't say this often, but that would be epic.


On with the rest of the episode:

The Battle Drill was interesting, contrasting the Starfleet way of doing things with the Jem'Hadar way of doing things. I actually hate to admit this, but the Jem'Hadar First was right. Don't plan on abandoning a location if you can't be sure the explosives are secure. That's the grisly reality of war and making sure you win.

I love the scene in the turbolift, afterward, with Sisko, the First, and Weyoun, when the First reveals he and his men already knew about the Gateway that Weyoun was trying to keep secret from them and that they didn't have to be lied to. What I like best about this is that it shows how the different parts of the Dominion aren't all on the same page. And I'm positive Sisko is taking mental notes of all this to tell Starfleet Command.

Elsewhere there's also a payoff from a line that happened almost two full seasons ago. In "The Jem'Hadar", Third Talak Talan was disappointed that he didn't get to a meet a Klingon. So, for two seasons, the idea of a Klingon vs. Jem'Hadar fight has been in the background and "To the Death" finally delivered on that idea. When the Jem'Hadar Second tries to force O'Brien to resume training, Worf intervenes, then Worf and the Second get into a physical fight. Too bad it wasn't allowed to finish. Crazy as that sounds. But I can see Sisko and the First wanting to end the fight. They just go about it in two completely different ways. The First kills the Second. Sisko confines Worf to quarters when not on duty. And the Jem'Hadar is like, "You call that discipline?" I can't blame the First for thinking that way. To him, it doesn't even look like a slap on the wrist. Then the First says he'll kill Sisko in Worf's place for being so weak. This sets up a mini-arc within the episode where Sisko has to earn the First's respect.

Things remain tense, even though Dax tries to break it up with small talk with one of the Jem'Hadar. When they finally reach the planet the Iconian Gateway is located at, there's a brief pause when O'Brien initially hesitates to start giving the Jem'Hadar phaser-rifles.

The First gives his "Victory Is Life" Speech, then O'Brien mocks it. "I'm alive and intend to very much stay that way!" If you'll notice, as soon as the Jem'Hadar leave, Weyoun stays and tells Sisko and his crew sarcastically, "A delightful people." The fact that Weyoun is standing with the Starfleet Officers and didn't leave with the Jem'Hadar is a visual cue that he's not on the Jem'Hadar's side.

Then they head off to fight 150 Renegade Jem'Hadar on the planet's surface.


Play-by-Play, Shot-for-Shot:

And now for a different part of the review where I analyze the battle sequences. I'm going to look at how well the battle scenes were edited together and see if I can spot what was edited out for violence.

When the Renegade Jem'Hadar begin attacking at the 38:53-mark to the 39:05-mark. Every time it looks like characters are in the thick of fighting, the episode cuts to a reaction shot. I'm assuming this is where extended fighting was cut. Sisko finds one of the Starfleet Officers is dead, and it's a woman, so I'm assuming a Jem'Hadar striking her down was cut. Censors would be a lot more sensitive about women in combat situations than men. At least if they're losing. Then Odo comes over and tells Sisko, "Ramirez is dead." We don't see any of that at all, so I'm assuming that's another cut. Otherwise, Ramirez's entire fight happened off camera.

The First: "I suppose you want to call off the mission."
Sisko: "Guess again!"

The fighting picks up from the 39:23-mark and goes to the 39:46-mark. Three quick wide shots of the Jem'Hadar fighting the Renegade Jem'Hadar, the second shot is the widest of all with the other two a little bit tighter. You don't really get to see much for long. Just a sense of "They're fighting!" and that's it. Then there's a shot of the Starfleet Officers arriving, before cutting back to the fighting. Worf comes in from behind, starts slashing at Jem'Hadar, and the camera quickly cuts away to another shot. Worf did a lot more for sure.

Dax knocks down a Jem'Hadar in a quick shot. Worf and Dax are the only two who get shots of them fighting. They really needed a shot of Sisko too in this part of the battle, just to show off more of Avery Brooks in bad-ass fighting mode. But instead, it's a shot of the Defiant crew working their way inside the building.

The fighting picks up again at the 40:00-mark. The Defiant Crew and Our Jem'Hadar fighting against the Renegade Jem'Hadar. More quick cuts, I'm not going to go over all of them. But Dax is holding off the Renegade Jem'Hadar with some other people, while Worf goes on ahead. Worf holds his own. Dax holds her own.

Dax starts a conversation with the Jem'Hadar she had a conversation with earlier in the episode, saying he'll make honored elder yet. A good line of dialogue but, in this type of situation, where everything's moving so fast, and split-seconds make all the difference, there's no time for those types of discussions. So that was a little forced. It's true they're still fighting Renegade Jem'Hadar while talking, but in hand-to-hand, concentration needs to be 100%. The slightest distraction can kill.

One of the goldshirts with Worf was struck down when Worf finds out where the Iconian Gateway is. I'm guessing he was struck down while the episode cut away to Dax. And it was definitely something that could've been cut for violence. There's a gash on his face just like there was a gash on the woman's face earlier, when the combat began. So, I'm assuming bladed weapons directly to the head where a no-no to the censors.

Ending this sequence at the 40:50-mark is Worf dropping a back, it morphs into Odo and then he takes out three Jem'Hadar in one move. So, Odo gets his bad-ass sci-fi fighting shot in!

The 40:50-mark to the 41:40-mark is the last act of the combat scenes.

We finally see Sisko and O'Brien after the pathway is clear. So, sent Worf and Dax ahead. That makes more sense now. Especially since O'Brien is the one with the device to destroy the Gateway.

Sisko and the First finally get to combat some Renegade Jem'Hadar now that they're at the Gateway, while O'Brien sets up what he needs to set up. Sisko has his badass fighting shot. The First has his badass fighting shot. Guess they were saving the Top Two for last. Then Sisko stops a shrouded Renegade Jem'Hadar from killing the First, and the First gains respect for Sisko. Nothing cut here. It also makes sense that these Renegade Jem'Hadar would have a Jem'Hadar even guarding the guards for the Sisko and the First gain an understanding through actions instead of words. Whereas the Vorta are all about words. And you know what they say: talk is cheap.

So, it makes total sense that the First would kill Weyoun. He says he did it for Weyoun questioning their loyalty, but I think he subconsciously did it because he knew that Weyoun wasn't truly on their side because he's the one who couldn't be trusted. Which would work its way back to the First conscious level of thought: Weyoun is the one who was disloyal.


Wrapping This Up:

One more thing I want to say about Weyoun before moving on. At one point, Weyoun tells Odo in private that the Founders want Odo to return. Odo rejects the offer. I think Weyoun was trying to get Odo to return so they could judge him for killing the other Changeling in "The Adversary". They tried the carrot. Next, they're going to try the stick, and that's going to be in "Broken Link". Weyoun tried nicely, now they'll be not-so-nice.

Overall, this isn't the type of episode that I would've expected to give a 10. It seriously isn't. But here we are. Any episode that can make me imagine how a scene would play out with movie music, any episode that has such craziness going on in it, and any episode that makes me to do a play-by-play is one that kept me entertained and captivated throughout. And we get to find out more about the Jem'Hadar in an episode that's perfect for them. Plus, the first appearance of Weyoun! I give it a 10.
 
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"One more thing I want to say about Weyoun before moving on. At one point, Weyoun tells Odo in private that the Founders want Odo to return. Odo rejects the offer. I think Weyoun was trying to get Odo to return so they could judge him for killing the other Changeling in "The Adversary". They tried the carrot. Next, they're going to try the stick, and that's going to be in "Broken Link". Weyoun tried nicely, now they'll be not-so-nice."

The thing is, the Founders fundamentally want Odo to return to them. The Female Changeling herself will later claim that Odo means more to the Dominion than the entire AQ. So while they will indeed end up judging Odo, that doesn't change the underlying truth of them wanting him back either.
 
10 inches of snow on Sunday. And it's going to continue into Monday. Got to love January. Needless to say, I'm not going anywhere on Sunday. So, that's going to be the day where, first I'm watching Target Audience react to Star Trek: Generations. Then, sometime afterwards that day, I'm putting on both parts of "War Without End".

I'm not in the mood for "Tuvix" right now, on the VOY end. Can you blame me? So, the next episodes I'm giving my take on are going to be:

"Interludes and Examinations" (B5)
"The Quickening" (DS9)
"War Without End" (B5)

The next DS9 episode after that is "Body Parts". "The Quickening" aired on 5/20/96 and "Body Parts" aired on 6/10/96. My family first got the Internet around Memorial Day 1996. So, "Body Parts" is the first episode of DS9 where I was the Internet. Starting from that point on, Young Lord Garth was online posting his comments about the latest episodes somewhere on websites that have long since been taken down! :p
 
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10 inches of snow on Sunday. And it's going to continue into Monday. Got to love January. Needless to say, I'm not going anywhere on Sunday. So, that's going to be the day where, first I'm watching Target Audience react to Star Trek: Generations. Then, sometime afterwards that day, I'm putting on both parts of "War Without End".
Same, except it's going to be ice, not as pretty, twice as dangerous. Luckily, I have a new laptop to configure (I'm thinking Debian with XFCE and Awesome Wm and QEMU).
 
10 inches of snow on Sunday. And it's going to continue into Monday. Got to love January. Needless to say, I'm not going anywhere on Sunday. So, that's going to be the day where, first I'm watching Target Audience react to Star Trek: Generations. Then, sometime afterwards that day, I'm putting on both parts of "War Without End".

I'm not in the mood for "Tuvix" right now, on the VOY end. Can you blame me? So, the next episodes I'm giving my take on are going to be:

"Interludes and Examinations" (B5)
"The Quickening" (DS9)
"War Without End" (B5)

The next DS9 episode after that is "Body Parts". "The Quickening" aired on 5/20/96 and "Body Parts" aired on 6/10/96. My family first got the Internet around Memorial Day 1996. So, "Body Parts" is the first episode of DS9 where I was the Internet. Starting from that point on, Young Lord Garth was online posting his comments about the latest episodes somewhere on websites that have long since been taken down! :p
"INTERLUDES AND EXAMINATIONS", "THE QUICKENING", "WAR WITHOUT END" two-parter... I love all of these!
 
Same, except it's going to be ice, not as pretty, twice as dangerous. Luckily, I have a new laptop to configure (I'm thinking Debian with XFCE and Awesome Wm and QEMU).
ice is plenty pretty, just not when it's a sheet blocking your door from opening, a ten foot icicle hanging over your head, or hiding under the snow and causing signifigant delay to finishing your paper route as you have to carefully hop and crawl back up the hill to your apartment and call the ambulance....
 
Expect my take on multiple episodes today, thanks to The Blizzard of '26.

"Interludes and Examinations" (B5 S3E15)

Normally, when there are multiple storylines in the same episode, I separate between the A-Plot, the B-Plot, and sometimes the C-and-D-Plot. This time I'm not doing that. They're all of equal weight. "Interludes and Examinations" is a character study on multiple levels and shows what everyone is willing to do when they're pushed into a corner and they're backs are up against the wall with no way out.

Might as well start off with Londo. How fucking stupid are you Londo? The man who says that everything that could've happened to him has happened. Then Morden, in a textbook gangster move, goes after people Londo cares about instead of Londo himself. Adira's finally on her way back to Babylon 5 to visit Londo, but she gets poisoned to death and the body taken on the way to Medlab right in front of him. After this, Londo, who'd wanted to pull back on Centauri attacking other worlds now pushes forward again. Just like Morden wanted. Londo could think clearly when Adira was alive, and he was able to figure out that the Shadows were only using the Centauri as "Agents of Chaos" but now he can't think straight anymore and wants to let the Universe burn. Once again, I ask, how can you be so stupid Londo? How can you not see what's right in front of you?

To be totally 100% clear, this is NOT an attack on the writing. Just if Londo were a real person, I'd be like, "You're a fucking idiot!" He can't tell that Morden is manipulating him yet again because he's blinded by rage and blinded by mourning. Londo has always been mentally weak. He's the living embodiment of all seven of the deadly sins. And how friendly or hostile his policies and stances are at the mercy of his current emotional state at the moment.

That brings me to Franklin: the next character who's in an emotionally volatile state. Franklin's stem use has finally boiled over to the point where he looks like he's crazy. And he's also missing things right in front of him and making sloppy mistakes. Garibaldi sees it when Franklin almost loses one of his officers. Normally, I'd say that Richard Biggs was overacting, except he's not. Franklin really does seem like a worker who's going crazy and someone who's addicted to drugs and in deep denial that he is or that anything's wrong.

When Garibaldi approaches Franklin in private to tell him that there's a problem, Franklin is just getting out the shower, shirtless, looking buff, and it seems like the Director, Jesus Travino, wanted to use the muscles to show "Franklin's a tough guy!" when Garibaldi approaches him. Franklin pushes Garibaldi away, doubles down on insisting everything's fine (a clear sign everything's not), and then Garibaldi has to investigate for himself whether or not there's medical proof Franklin's an addict.

The difference between Londo and Franklin is that Franklin can see and admit that he has a problem, finally doesn't deny it to Garibaldi, and then it's his own idea to step down Chief Medical Officer. Sheridan is very understandably reluctant when he accepts Franklin's resignation.

It's a lot harder now for Sheridan to find replacements for anyone -- in general -- after declaring independence from Earth. Without Earth's backing, Babylon 5 has to use the combined strength of all its allies in its war against the Shadows. And different worlds are reluctant to join Babylon 5 if they don't think Babylon 5 has equal or greater strength than the Shadows. This finally prompts Sheridan to approach Kosh. Babylon 5 needs a victory against the Shadows, and the Vorlons can give them one.

Kosh is reluctant because, though he doesn't tell Sheridan at the time, he expects to die if he does. Sheridan doesn't know any of that when he confronts Kosh and, to Sheridan, it looks like he's just being a cryptic asshole. When Sheridan refuses to back down after Kosh initially refuses to battle the Vorlons at this time, you can see the frustration Sheridan has had with Kosh after all this time finally coming out. Especially since Sheridan sees Kosh is trying to stop them from achieving a crucial victory.

When the Vorlons finally fight the Shadows, we see some neat CGI battle but luckily this episode doesn't show it for too long because space battles aren't the point of this episode. The point is showing what drives everyone to their breaking point. Overall, I give it a 9.

Morden:
"What can I do to help?"
Vir: "Besides dying? Nothing much!"

Off to get something to eat and to put on "The Quickening". Coming real soon. Like "a few hours" soon, if even. Then I'm taking a break before "War Without End" tonight.
 
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