Until I looked up the reference, I thought it was a reference to Peter Jurasik's "compound interest program" from
TRON.
(Which I just saw again this weekend. My way of thumbing my nose at the sequels. Does anybody
really think that
Tron: Legacy or
Tron: Ares will hold up even remotely as well as the original does, when
they're 43 years old? The only real flaw was that they threw out half of Wendy's close music, cutting it off after the organ solo, and cutting to a Journey song)
Speaking of film scores, and getting back on-topic, I'm now in the final chapter of
John Williams: A Composer's Life. He has conducted his music in Vienna, Berlin, and Milan. The Vienna Philharmonic
asked him to conduct his
Imperial March, informing him that it has become the new
Radetzky March. And he's written his second violin concerto, during the COVID lockdown, as a long-delayed gift to Anne-Sophie Mutter (who's young enough to be his daughter, two years younger than his youngest son). He's finally starting to tire of scoring films (especially J. J. Abrams films, that never seem to get locked down until it's time to start striking release prints).