TLD is like TND (Initials not withstanding.) in which the "other" song is much, much better than the title song.
It’s James Norton, the star of Happy Valley and, perhaps more pertinently, McMafia, where he got to look handsome and dashing in a tux.Forgive if this has already been posted.
...as I read it, I thought of Edward Norton as an interesting choice, but after his reaction to and the outcome of Mashkov and Russian Mob at the end of the remake of "The Italian Job", maybe the plot should not have Russians?...
https://www.the-independent.com/art...aron-taylor-johnson-omega-watch-b2757535.html
Michael's sons are Gregg and David, so the name is probably just a coincidence.Bit of an odd one here. The defendant is called Wilson but doesn’t seem to be related to Barbara and Michael, at least, if he is, it’s not spelled out in the report.
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Man denies breaking restraining order to contact James Bond boss
Daniel Wilson denies 11 counts of breaching orders banning him from contacting Barbara Broccoli.www.bbc.co.uk
It’s James Norton, the star of Happy Valley and, perhaps more pertinently, McMafia, where he got to look handsome and dashing in a tux.
It does seem a bit odd doing a FL spinoff but having him in the Pinkerton agency rather than the CIA. I do like the 1952 setting but would’ve been more interested in a Cold War type setting or background than a private eye one.Possible future fodder for an Amazon spinoff, The Hook and the Eye, a Felix Leiter adventure by Raymond Benson.
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The Hook and the Eye - Ian Fleming
The Hook and the Eye, penned by 007 continuation author Raymond Benson, is the first novel focusing on Felix Leiter, James Bond’s trusted American ally.www.ianfleming.com
It sounds like he becomes embroiled in espionage so I do wonder if at the end of it he winds up back in the CIA!It does seem a bit odd doing a FL spinoff but having him in the Pinkerton agency rather than the CIA. I do like the 1952 setting but would’ve been more interested in a Cold War type setting or background than a private eye one.
Three a decade probably would be the best case scenario. Assuming there's a well-oiled machine in place, I can't imagine a gap of less than three years between modern movies.What are people's realistic expectations? I know we're never going to get back to five films a decade, not without some serious back to back filming, but surely three films a decade isn't unreasonable? That allows three years between films (even allows for a gap of four years between two of them).
Ah…there’s the rub…Assuming there's a well-oiled machine in place
Three a decade probably would be the best case scenario. Assuming there's a well-oiled machine in place, I can't imagine a gap of less than three years between modern movies.
I base the three years thing on the MCU, where there is usually a minimum of three years between movies of a particular series, and that seems to work out fine enough for them. Granted, there is an exception, the second Iron Man came out two years after the first. But given the pressures from the studio got so bad Jon Favreau refused to direct the third one, that's probably not a optimum example selling a two year gap.It is possible, there's only two years between the modern Jumanji films, there's been small gaps between some of the Fast and the Furious films and the Final Reckoning will come out only 2 years after Dead Reckoning, er...part 1 (and though there was talk of them being filmed back to back my understanding is they weren't).
To go off on a tangent, it really hurts me that The Gray Man movie is basically the poster child for generic mindless films. The novel series the movie is based on is awesome and it's unfortunate they didn't do a faithful adaptation of it, which would have been so much better. Again, strictly IMO of course.And yes I realise that might mean more generic films and yes, given the choice between waiting four years between Casino Royale and Skyfall levels of Bond films and two years but getting The Gray Man/Red One levels of Bond films I'll obviously take the former,
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