I confess that I don't get what Ayer is talking about.
Exactly, at this stage it’s as associated with the character as the James Bond theme is with 007. It withstands reboots.I remain is support of the idea of keeping the main John Williams themes simply because it is such a powerful theme. If the idea of the film fits that theme, why recreate the wheel, so to speak.
If the idea of the film fits that theme, why recreate the wheel, so to speak.
You were saying ...?Exactly, at this stage it’s as associated with the character as the James Bond theme is with 007. It withstands reboots.
And, yes, I know certain people* will be along soon to give me chapter and verse from Wikipedia about how many themes there were before the 1978 film, but IDGAF, nobody wants to hear the soundtrack from the Barry Nelson version of Casino Royale on a Bond film.
*if they hadn’t muted me.
Like clockworkYou were saying ...?![]()
Did you know though, that if you use any variation of the Williams theme then any new material that is generated for the majority of the score is automatically moot? Crazy, but it's true. Sorry.Exactly, at this stage it’s as associated with the character as the James Bond theme is with 007. It withstands reboots.
Taking that rationalization seriously would render negligable the importance of creative work done for any preexistng franchise property.Because artists deserve to create their own art rather than just copying what people did decades before them. Williams himself was homaging Sammy Timberg's Superman cartoon/radio theme and Leon Klatzkin's Adventures of Superman TV theme. Those are just three entries in a rich tradition of Superman themes/marches that includes multiple other excellent, memorable themes such as Ron Jones's '88 cartoon theme, Kevin Kiner's syndicated Superboy theme (which he's revived for the different Superboy in Titans), Jay Gruska's Lois and Clark theme (a favorite of mine), Shirley Walker's S:TAS theme, Louis Febre's hero motif in later Smallville seasons, and Blake Neely's Superman motif from Supergirl.
If people stop trying to innovate and just copy the past over and over, then creativity dies and culture becomes stagnant. The way to honor the great creations of the past is to carry forward the spirit of innovation that created them. We wouldn't have the Williams theme if Williams had just quoted Sammy Timberg. He took the essence of the past and created something new from it, rather than just copying it. We shouldn't deprive today's composers of the chance to create the next great Superman theme.
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