Continuing my production order re-watch as I head into the second season:
Been a minute since I caught up here and I'm getting through the second season.
The Doomsday Machine ******************* My all time favorite episode and my favorite Star Trek story franchise wide. I can't say nearly enough good things about it. Everything works: story, performances (William Windom is a marvel), the AMT Model kit Constellation and the (definitely not a windsock) planet killer. The music is to die for. Fantastic 51 minutes of entertainment. Once I captured this episode on cassette tape in the 70's, I memorized it. I never get tired of this episode.
Wolf inthe Fold **½ Not bad. It's spooky and fun. The goofy laughing crew is a little weird but Piglet shouting "Kill kill kill you alllll" is priceless. Scotty resenting females over an accident is a stretch and probably the only thing that I don't buy. But they were so vauge about the incident, I don't know...was it a crewmember or the Enterprise herself that's the female in question?
The Changeling *** Classic Trek. Would be better if they took more care inthe Uhura plot, but overall, a great fun episode. Shatner is on fire in the climax. The security guards are kinda trigger happy - both times. Instead of firing, why not call the Cap'n? "Blooey!"
The Apple ** Meh, planet of blonde white people don't know how to make love and the show has to be coy about it. Climax is too direct a swipe from
Who Mourns for Adonias? Funniest line: "I won't hurt you," Kirk to Akuta seconds afterr he clouts Acuta in the face. Spock saying "good clevage" really needs to be used in an action figure or something. This episode is one I play when I want to do a MST2K night with my friends. Chekov is especially annoying, but there are moments of real darkness. Like when Akuta demonstrates how to kill... I feel like they wrote this episode to justify the Spock/Satan line at the end.
Mirror, Mirror **** Excellent! Star Trek at its best! Almost as good as
The Doomsday Machine. I really wish Marc Daniels was better at staging fights with his stunt doubles. Fantastic all around. Takei is at his best here and Nichelle is sublime. Anyone who says these two were bad actors needs to watch this one again. Even Walter Koenig is great. It's lovely to have the whole cast havily involved. I always forget this episode takes place in the span of like two hours. Spock with a beard! With just some minor set alterations and costume changes, they established an entirely different universe. Everyone was on their game here.
The Deadly Years **½ Performances and makeup are on point. I could take or leave the rest of it. Janet Wallace is just kind of there and ittle snooty for Kirk, IMO. Still, Kirk gets a killer line: "What are you offering me, Jan? Love? Or a going away present?" Stocker is a tool. The production really needed a few more bucks to make the climactic battle less clumsy. To everyone who says Harve Bennett didn't watch the series in preparation fotr
Star Trek II, there are lots of references to this episode peppered in the dialog of the Kobyashi Maru sequence.
I, Mudd - * Ugh. I was dreading this one. I'm sure this is someone's favorite, so I'll just leave it at: my pick for worst episode to this point. I don't like Star Trek as an all out comedy.
Having said that....
The Trouble with Tribbles *** This one works! Why? Because everyone is in character. No jumping around singing and dancing and being illogical. No dressing up as gangsters and doing Edward G. Robinson impressions (yeah I can't wait for that one). The situation is (mostly) serious and real. Star Trek's humor works for me when it's in character. Nothing fails to make me laugh more than when a normally serious show is obviosuly
trying to be funny. The only time I feel like they pushed it in this one was in the bar fight. It's got the "funny" music and the physical gags and it's really kind of at odds with the rest of the episode, which was mostly character humor. The tribbles falling on Kirk isn't as hilarious as all that, but McCoy's entance line is. That makes it worth it. Otherwise, I find this to be the series' most successful comedy and a real winner.
Bread and Circuses ***½ now we get a nice run of really good stories. This one is great. Again, it's got a lot of humor, but it's sharp satire by way of Gene Roddenberry and it all works. It's got likeable and relatable characters with some very strong performances. They establish that the Enterprise is a "Starship"
class of vessel, which takes a special skipper and crew. And recently my life has taken a few turns which has made me apprciate things I used to take for granted. So the "son of God" reveal hits me differently today than it used to. I love this one. It has a few faults (Kirk, Spock and McCoy really should have been wearing appropriate clothing rather than uniforms), but it's excellent. The famous Spock/McCoy discussion is great.
Journey to Babel ***** Perfection! Okay, the awkward reveal of Spock's parents aside (Kirk should have known and the last thing he should have done was suggest Spock go see his folks in front of the ambassador who was disrespecting him), but after that, this episode is just one strong scene after another. Sarek and Amanda are beautiful characters and Mark Lenard in particular is the second best Vulcan in
Star Trek. This is Dorothy Fontana's best script for the series and showcases the show at it's best and most confident.
Whew that's where I left off.