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Spoilers Star Trek: Strange New Worlds 2x09 - "Subspace Rhapsody"

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What a weird episode. I kind of loved it. But I also kinda feel that Star Treks somehow jumped the shark. Conflicted I am.

If Star Trek survived the space hippies, Uhura's fan dance, a couple of lackluster TNG movies, plenty of wacky Ferengi comedies and holodeck eps, and any number of oddball, offbeat episodes (of varying degrees of quality), it can survive a musical ep.

Trek is nothing if not resilient.
 
SPOCK'S BRAIN was the initial launch, SUBSPACE RHAPSODY is just the show landing on the other ramp.
:techman:
 
Fonzie is the shark.
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If Star Trek survived the space hippies, Uhura's fan dance, a couple of lackluster TNG movies, plenty of wacky Ferengi comedies and holodeck eps, and any number of oddball, offbeat episodes (of varying degrees of quality), it can survive a musical ep.

Trek is nothing if not resilient.
I don't care what anybody says, I loved Uhura's fan dance. I still lament that we never got to hear her actually singing the full "The Moon Is A Window to Heaven" on the soundtrack, as fine a job as Hiroshima did with it.
 
holodeck eps
oh right there's a point. We don't have those (yet) so we gotta get in our jollies with improbability anomalies, and parallel earths. I now demand a strange new world who's culture revolved around the intercepted transmissions of a classic earth show called Captain Proton: Phase II.
 
Let's also not forget all the terrible eps in which the Transporter and its malfunctions were the main plot device.
 
It's really hard for me to put a finger on this episode. I wanted to like it. I'm a hobby musician, but I don't like musicals. I'm more of a classic rock, metal with sung vocals, blues, funk, jazz sort of listener.

Similarly to other people here, I thought that in contrast to the producers' apparent intent to have Gooding as the star, for me Chong had the far better voice. I listened to Gooding's live performances on Youtube way before this episode, and she blew me away (as had her mom), but in Subspace Rhapsody they made her go falsetto for her high parts and I hated that, because I'd heard that she can belt those ranges out. Chong on the other hand had free reign in her highs and it was glorious. I don't know whose choice it was to have them sing this way. This was the musician's rant part.

I would have preferred to have the emotional arcs to play out in normal episodes instead of these *fun* ones of 7 and 9.

I appreciate the risktaking and I still love SNW especially opposed to the bleakness of DIS.

Dunno... undefined or middle of the road for me. Wouldn't rewatch it, apart from some non-sung parts.
 
Despite my initial struggles with the episode, I did not think it horrible, and certainly feel than an anomaly/virus/alien that makes everyone act strangely is a Trek staple. From Naked Now (with signing!) to Subspace Rhapsody.

And while I think Chong & Gooding obviously stole the show, I thought Romjin, Bush, & Peck were also good. Particularly Romjin.
 
If Star Trek survived the space hippies, Uhura's fan dance, a couple of lackluster TNG movies, plenty of wacky Ferengi comedies and holodeck eps, and any number of oddball, offbeat episodes (of varying degrees of quality), it can survive a musical ep.

Trek is nothing if not resilient.

It survived doing a grocery-store erotica novella episode.
 
Spock begins life as a Vulcan-human hybrid who is unaccepted by his peers in school and even his father until later in life. He ends his life in an alternate timeline having lost every friend he ever had but still fighting for what's right and to save what's left of his civilization.
 
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