Tilly was one of the best things about DSC.
Sorry I know this makes me a minority but I can't stand her, I want to throw things at the screen whenever she is on it.
Tilly was one of the best things about DSC.
"I want everything the same as it has always been, but make it fresh and different."
My favorite comment from a "fan" about Star Trek: Discovery: I loved Voyager, but I don't want a show with a female captain!OP lost me at “Voyager is my favourite” I’m afraid
Gra
(Serial lurker)
Everybody knows ze Beatles vere famous Russian brand from Suzdal.Screaming was a Russian inwention.
You know, that's one of the things that I don't like about Berman era Trek, the stilted unnatural dialogue, but giving credit where credit is due, I actually thought they improved that IMMENSELY in Picard Season 3. I felt like the TNG crew were speaking like real people instead of the cardboard cutouts they were in the series.On the subject of dialogue, I love that the folks on the new shows actually talk like normal people, and not in some sort of formal elevated diction. From where I sit, that's a welcome return to the kind of colorful colloquial dialogue we got from the TOS crew, back in the day.
"In a pig's eye!"
"I'll bet you credits to navy beans . . . ."
"Aye, and if my mother had wheels she'd be a wagon."
"Let's get the hell out of here."
"Hell of a time to ask."
Etc.
Spock uses very precise and formal diction because he's Spock. But not every character on STAR TREK needs to talk like a Vulcan.
You know, that's one of the things that I don't like about Berman era Trek, the stilted unnatural dialogue, but giving credit where credit is due, I actually thought they improved that IMMENSELY in Picard Season 3. I felt like the TNG crew were speaking like real people instead of the cardboard cutouts they were in the series.
Yeah, well, not everybody has tasteThe natural sounding dialogue in Picard is one of the things the "true fans" have a meltdown over, as we've seen in this thread by Parrot hammering on that one point
I absolutely love (/s) how colloquial and everyday language is brought up as evidence of the current writers not understanding Star Trek, as though leaving it behind is what best proves that it's the future and an utopian one.
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