The central problem with what Martin wrote is it's from the unreliable narration of a Maester. He tries to do the best possible within his society to untangle which of the three primary sources is accurate, but he's noble-born, and has some inherent bias which is quite obvious because of this. The historical accounts focus on the dragon battles, how the nobility betray one another, and such, and they gloss over the huge collateral damage to the smallfolk. I think once the Dance really gets going in Seasons 2/3, we'll either need a character who was lowborn (like Davos) or someone who is highborn but "slumming it" (like Arya or Brienne) in order to really see the human impact of the war.
The Others will play absolutely no role in the narrative. That scene was added with the blessing of GRRM (he apparently always had a headcanon that was why Aegon the Conqueror came to Westeros) but this story is not about anything north of the Wall at all. Even the Starks are only involved a bit tangentially.
This is a fair criticism. But big-budget media projects are risk averse, which is why we get so many sequels/remakes/extended universes these days. People liked Game of Thrones, before the last few seasons shit the bed, so HBO is giving them more of what they said they liked.
It makes more sense than like doing a buddy comedy set in Pentos or something as the next project in the franchise.
I very much hope so, because right now it's just rich assholes fighting each other over who gets to be top rich asshole, and at a certain point that's just boring.
Yep. Like I said: "Reusing the Game of Thrones theme song is just emblematic of the entire project: Plots, characters, and themes that are just recycled versions of what was done before, borne out of a desire to flog a dead horse instead of doing something new."
Got always had the promise of an epic battle for the fate of humanity/the world as it's final act though... until the show went off the rails.Sounds like "Game of Thrones" to me.
Sci said:I very much hope so, because right now it's just rich assholes fighting each other over who gets to be top rich asshole, and at a certain point that's just boring.
Sounds like "Game of Thrones" to me.
Dee1891 said:Sci said:Yep. Like I said: "Reusing the Game of Thrones theme song is just emblematic of the entire project: Plots, characters, and themes that are just recycled versions of what was done before, borne out of a desire to flog a dead horse instead of doing something new."
Perhaps you shouldn't watch the rest of the series, if that is how you feel about it.
In these series about medieval power politics I'm not sure what you can do that is different.
In the ASOIAF books, the return of the dragons triggered interesting side effects, namely the spontaneous lighting of obsidian candles at the Citadel, the strengthening of pyromancer spells as mentioned by Pyat Pree, the flaming sword of Beric Dondarrion, the rise of the Lord of Light, to name a few.In these series about medieval power politics I'm not sure what you can do that is different. Can you give an example?
Aside from dragons this is a mundane magic-poor world. But I guess a lot of that is the SFX budget they would need to make more magic happen.
Rhaenyra remaining childless and just declaring her brother/his descendants to be her heir.
Ep 4 is the best episode of the season so far. Daemon's reasons for returning home were pretty obvious and was the eventual "couplings" Rhaenyra had with him and Cole.
Vicerys has been great in every episode but I wonder are those wounds from the throne like we hear about in lore or does he have a disease.
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