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Star Trek TOS Re-Watch

I always loved that line, even when I was too young to understand it. I just loved how Nichelle said it. :)
I was going to save my interpretation of this line for this weeks episode review. But as it has been brought up early…

Uhura replies “Sorry, neither” to two things:
  1. Being a ‘fair maiden’
  2. Being offered protection by ‘compromised’ Sulu
She actually put herself in to the situation as part of her impromptu yet still effective method of apprehending the compromised Sulu? Ultimately, he probably ended up infecting her though. :shrug:
 
I was going to save my interpretation of this line for this weeks episode review. But as it has been brought up early…

Uhura replies “Sorry, neither” to two things:
  1. Being a ‘fair maiden’
  2. Being offered protection by ‘compromised’ Sulu
She actually put herself in to the situation as part of her impromptu yet still effective method of apprehending the compromised Sulu? Ultimately, he probably ended up infecting her though. :shrug:
Actually the response to Fair Maiden was
1. She's not "fair", IE fair skin (white)
2. She's not a "maiden" IE Still a Virgin.
 
I was going to save my interpretation of this line for this weeks episode review. But as it has been brought up early…

Uhura replies “Sorry, neither” to two things:
  1. Being a ‘fair maiden’
  2. Being offered protection by ‘compromised’ Sulu
She actually put herself in to the situation as part of her impromptu yet still effective method of apprehending the compromised Sulu? Ultimately, he probably ended up infecting her though. :shrug:
Because it travels by touch and poor infection controls.
Actually the response to Fair Maiden was
1. She's not "fair", IE fair skin (white)
2. She's not a "maiden" IE Still a Virgin.
Yup.
 
Star Trek Episode 01x06 ‘The Man Trap’

This week on Star Trek we take a trip back in time from stardate 1672 to stardate 1513.1, but who knows how stardates work in this series - they are obviously not linear… though we do know that these first ten episodes are shown out of production order. Let’s take our weekly trip back in time and find out what happened on our planet on the Earth year 1513. This is your escape route to read something interesting and factual should you not wish to continue reading about this weeks interstellar adventure.

I have come to realise that original Star Trek episodes have an allegorical meaning behind them. A Science Fiction ‘skin’ over a contemporary issue in politics or society, a layer that might hide the true meaning behind a story to a young and inexperienced mind, yet still allowing such a young mind to enjoy the aliens, spaceships and phaser beams. Maybe not all adults would get these allegory’s either? I am going to do my best to uncover these ‘hidden’ meanings and interpretations of storylines though I know nothing about American politics and not much about the issues and complexities of the 1960’s world. Luckily I know *lots* about Star Trek though.

Thr Man Trap was apparently the 6th episode of Star Trek to be filmed, however it was the first ever to be shown on television back in 1966. I believe that all of the previous episodes might not have been ‘quite right’ with the suits at the studio but *this* episode probably hit the spot for them. All the main criticisms that they have about the show so far were probably ironed out by the time that this episode was filmed. Perhaps they thought it best to open up this new series to the American viewership with the episode that they were most happy with? The episode that they thought would be the best ‘hook’. They probably wanted to showcase this series with an epsiode that they thought had ‘a bit of everything’ - action, drama, mystery, suspense, romance and not *too* complex sci fi packaging, making it one of the more accessible early episodes? :shrug:

The USS Enterprise is on a supply mission this week, they are visiting the planet M-113 to deliver supplies to the married archeological team of Nancy and Robert Crater. The planet’s surface is very well put together by the set design team with some fantastic looking ancient ruins, though I can’t help but recognise this set from previous episodes of Star Trek, most notably Where no Man Has Gone Before. I wonder how many times they will redress this set in other episodes this season? It is a shame that they did not have a Pixomondo screen back in the 1960’s like this, but they managed to pull off a good job regardless.

Captain Kirk and Doctor McCoy along with the assistance of crewmen Darnell beam down to M-113 in order to conduct routine health checks on Mr and Mrs Nancy. This is where we find out that this mission might be a bit close to home for our good Doctor as Kirk begins to tease McCoy about his past history with Mrs Nancy, with her being ‘That one women’ in his past.

“Should we pick some flowers Doctor? When a man visits an old girlfriend she usually expects something like that…” Kirk teases.
“Is that how you get girls to like *you*? By bribing them?” McCoy snipes back. :guffaw:

The Crater family have converted an old archeological complex in to their current dwellings, McCoy seems even more nervous about meeting his old flame as a result of Kirk’s comments as they approach and enter without knocking. What if she had forgotten him? That would be embarrassing! In a scene reminiscent of The Elysian Kingdom, Nancy enters her humble abode blasting out opera in a beautiful angelic voice. What an entrance.

During this scene, I begin to wonder if the Venus drug from Mudd’s Women is coming back in to play, or at least something much quite like it. To McCoy, his lost love has not aged a single day from when he last saw her, however to Kirk she takes on a more ‘mature’ appearance age wise… like a silver vixen. I do think that this is what Kirk *wanted* to see. :D

My thoughts that this may somehow involve the Venus drug are soon dismissed as I come to realise that this is all a result of the two Starfleet officers own minds, the beauty that they are seeing in this women is in their own minds eye. Crewman Darnell, for example beholds an attractive blonde… a very familiar face to him, that of a women that he thinks he left behind on ‘Wrigley’s Pleasure Planet’.

We find out that Dr McCoy has a pet name given to him by Nancy, when Kirk finds out about it he can not help but tease the Doctor further. I think that ‘Plum’ is cute myself.

Darnell can not resist his primal urges and proceeds to follow Nancy outside as she leaves… we can tell by the look on his face that he might only have one thing on his mind.

Again, much like last week, Kirk seems to know far too much in his log entry. However this log entry is noted as being ‘supplemental’, so we can consider it as being an addendum which may have been added ‘in the future’ to serve the purpose of providing an explanatory narrative to the audience who might be getting a bit lost with the plot by now.

We are now introduced to Professor Crater, he doesn’t want his medical check up though. Mr Crater just wants a supply of ‘salt’ as he is running out of his supply, salt is essential to provide proper hydration and electrolyte levels on such a hot and arid planet, ensuring that water can be transferred in and out of cells efficiently in the process of osmosis. Crater begins to recognise that McCoy is seeing his wife Nancy with ‘rose tinted’ glasses; through the eyes of past attachment. Though Kirk does appear to be seeing the same version of Nancy as Crater, Kirk see’s her grey’s just as much as he can. McCoy continues to examine Robert Crater’s tonsils…. Stick your tongue out and say ‘aahhhhhhhh’. :D

Suddenly, Nancy screams outside. Whatever has happened between her and crewman Darnell? Our crew quickly make their way outside in an attempt to investigate what is going on, but they soon stumble upon the body of crewman Darnell.

“He’s dead Jim!” McCoy states with shock, as I myself have flashbacks to the cute pink unicorn dog puppy from last weeks episode. :wah:

Darnell’s face is covered in sucker like lipstick marks like he has been kissed to death by a deadly vixen. Though his cause of death does not seem apparent. One clue is found though - a green piece of ‘plant matter’ inside his mouth. Nancy seems to think that he has consumed a Borgia plant… but hadn’t she seductively led him out in to this alien wilderness? I’m a bit suspicious of her now. It looks like someone killed Darnell and has tried to cover up their crime by making it look like he died as a result of ‘accidental’ poisoning.

We now find out that Nancy also wants salt, this is when I start to think that perhaps this salt is a part of this weeks allegory, especially when we think about this substances other appearance in the Star Trek universe… suck salt. Perhaps the salt is being used in this weeks episode as a creative allegory for class A drugs? Perhaps Nancy is a salt addict, her husband Robert may be procuring this substance for her in order to fulfill her addiction? :shrug:

We are now introduced to a fresh interpretation of the character of Uhura. This character is now dressed in her traditional red attire and it surely suits her well. This version of Uhura is quite confident and seems to be able to give as good as she can take in banter, in particular with Mr Spock. Spock notices a mistake in Uhura’s frequency lists but she replies that she *hates* frequencies. This confuses Spock’s logic as he can not understand why someone who hates frequencies would want to work as a communications officer. Uhura replies that she feels like a piece of the communications console - perhaps this means that she feels that she is not being valued as a part of the crew as a person, but is being treated like a piece of onboard ship equipment? I *think* that Spock and Uhura may be flirting, but I am not too sure. Regardless of any flirtation, Uhura notes Spock’s ‘coldness’ as he is informed that the landing party has returned to the Enterprise - one dead. “It could be Kirk, one of the closest things that you have to a friend…” Uhura notes with dispair, wondering how he could just sit there emotionless and without care. Luckily enough for Spock, but still unfortunate none the less, it is crewman Darnell who is the now deceased landing party member. The crew seem to think that he died of a deadly nightshade like alkaloid poisoning - a poison from a plant which is common to class M planets. McCoy notes that this gives no explanations for the lip stick like sucker marks on Darnell’s face and body. McCoy *knows* that he did not die of poisoning - Darnell *should* be alive. There is no explanation for his death.

We have a bizarre scene next which I hope that someone can explain to me as I might have missed the joke, but Uhura delivers a message to Captain Kirk from the planet Corinth IV, Space Commander Jose Dominquez wants to know where his chili peppers are!? Apparently they are prime Mexican red’s which Kirk picked himself. It doesn’t matter though if the shipment is late as Jose “Won’t die without them”. It seems bizarre that in this weeks episode the Enteprise has been reduced to delivering salt and chili peppers like a cargo ship or freighter? :shrug:

McCoy discovers that Darnell has had all of the sodium chloride sucked out of him. We are all starting to put two and two together now, this is what Robert and Nancy wanted. So allegorically, was Darnell killed as a result of his killers ‘addiction’ to salt, which could also allegorically represent an illegal earth drug?

This is where I start thinking Quentin Tarantino, I don’t know why. I wonder if he was a Star Trek fan? :shrug:

Kirk beams back down to M-113, he is worried that Nancy and Robert could be in danger so he intends to question them. Robert informs Kirk that they started off with 25lbs (pounds) of ‘salt’ but now they only have a little bit left. McCoy samples this substance and confirms that it is indeed salt. :p

It is concluded that the Craters must beam up to the Enterprise for their own protection. Unfortunately, before they can all depart… Crater runs off. There are now two more dead crewmen on the planet surface, and Nancy is at the scene of the crime - Crewmen Green and Sturgeon are dead. Perhaps Nancy wanted their ‘salt’ and killed them both for that? Robert desperately offers his wife some salt, but he is too late, she has already committed the crime. I *definitely* think that she might be the killer now. Perhaps when his wife craves this chemical substance, she turns in to a desperate killer in order to obtain and extract it from her victims? Another twist to the story transpires as Nancy ‘shape shifts’ and takes on the form of Creman Green. This could be like a Tarantino switch to another character with a whole new story dealing with their addiction. This episode might be made up of lots of allegorical ‘addiction’ stories with each individual example being represented by a character ‘shape shift’? Or maybe I am starting to look in to all of this a bit *too* deeply. :D Perhaps Mudd’s drug or something like it *is* the salt in this weeks episode after all? It does make appearance and perception changes and also lead to sensual attraction? Anyway, this ‘imposter’ of Crewman Green is now beamed up to the ship with the rest of the landing party. There is now a murderous monster loose on the ship, and they want their fix of salt.

McCoy is very worried about Nancy by now, but Kirk quotes Spock from a previous episode and tells the Doctor to stop ‘thinking with his glands’. Kirk does not go as far as saying that McCoy’s glands should be removed as Spock would have done though this week.

Yeoman Janice Rand is back in this weeks episode, after suffering a severe personal trauma last time in The Enemy Within. Rand has another unfortunate encounter with a male member of the the Enterprise crew as ‘imposter’ Crewman Green approaches and starts to make advances on to her - he wants her ‘salt’. After learning from last weeks encounter with ‘bad Kirk’, she slaps Green firmly across the face though doesn’t need to go as far as scratching him this time to halt his advances. He does however proceed to follow her down the corridor, eager for his ‘fix’.

“Why don’t you go and chase an asteroid” An exasperated and increasingly worried Rand firmly asks Green as she ups her walking pace to escape his advances.

As Rand makes her way down the corridor, all of the other Enterprise crewmen begin to stop and look at her suggestively too, just in the same way as Crewman Green is doing so. The other crew men have no excuse for this behaviour though - they have not been replaced by imposters.

How would you like *that* as your own personal Yeoman!?” One of the Enterprise crewman says to his friends, stopping at the point of giving the Yeoman a ‘wolf whistle’ down the corridor.

I can’t help but feel sorry for Janice Rand and just *how* uncomfortable she must have felt serving on the Enterprise in these early days.

Yeoman Janice Rand safely makes it to the ships botanical bay, manned by Lt. Sulu. At this point I am not sure if he is the ships botanist or security chief. Perhaps it will be clarified later in this episode. Sulu’s botany bay is filled with beautiful exotic alien flowers of all shapes and sizes. Yeoman Rand proceeds to give Sulu his dinner… which she had actually been stealing food from herself as she was walking down the corridor with his dinner. I’m sure she pinched a chip or two! :guffaw:

May the Great Bird of the Galaxy bless you and your planet!” Greets Sulu warmly, whilst feeding his… ‘Weepers’. I think that this is a reference to Gene Roddenberry himself, or at the very least it will adopted as one in time.

Janice begins talking to the plants in the room around her, in particular to what seems to be a sentient genus that she refers to as a ‘Beauregard’. There also seems to be a dead ‘Beauregard’ next to Sulu. He must have forgotten to water it. Janice tickles this plant and it squueeeees in delight. Sulu tell’s Janice that his pet plant is actually called Gertrude. Sulu loves animals and plants by the looks of it, last week with the cute pink and fluffy alien unicorn dog puppy, and this week with the adorable Gertrude. Janice assumes Gertrude’s gender identity and identifies Gertrude as being a male. Sulu corrects her and asks why she needs to use gender pronouns to describe his pet, another example being such as when Starships are referred to as ‘she’ or as being ‘feminine’. Janice begins to worry that one of the plants might grab her, as if she has not gone through enough already with *people* grabbing her! :eek:

Green, who has been wondering around the Enterprise corridors, makes his way in to the Enterprises botanical bay and confronts Janice and Sulu. From her experience with ‘bad Kirk’ last week, Janice thinks that Green’s odd behaviour might be explained by him having consumed copious amounts of Saurian Brandy, just like ‘bad Kirk’ had before she was attacked by him last week. Gertrude doesn’t like Crewman Green either and screams, hiding back inside their bud. Sulu dashes to Gertrude to comfort ‘them’. this could be Star Trek’s first foray in to gender identity and the use of pronouns for males and females. A bit heavy handed and clunky, but it is there none the less. :D

We have confirmation that this shape shifter has some sort of psychic connection to it’s victims, as in the corridor the creature shifts in to it’s next character ‘mini story’. This time the story of Uhura and an encounter with a man who attempts to seduce her in the Enterprise corridors. Green looks at Uhura and shifts in to something that he believes she would deem as being physically appealing. The creature believes that when Uhura is lonely on the Enterprise, perhaps when she feels like she is only an extension of the ships communications console, that she thinks of ‘others like her’. The imposter begins to talk to Uhura in Swahili in order to gain her trust… but we all know that he is only after one thing - creature wants Uhura’s salt. Uhura falls for his seductive techniques, but eventually fights her lust off and retreats.

If this episode was an allegory, as previously mentioned this could be a ‘Tarantino’ like collection of ‘mini’ encounters with each perception of the alien being a separate and unconnected story of how different drugs addicts may have killed or harmed other people as a result of their addiction, usually in order to get what they are so reliant upon; in this case, ‘salt’.

McCoy can’t sleep, so Kirk suggests that he takes ‘the red pill’ like McCoy had given to him last week. Kirk’s says this as he consumes a blue ‘pill’. However we find out that Kirk is actually eating a plate of multi coloured cubes - ‘future’ food! :D

The ‘story’ now reverts back to that of Nancy, as the shapeshifter senses McCoy approaching. McCoy invites the creature in to his room. Nancy entices McCoy to take the red pill too… Uh-oh! As McCoy falls to sleep, ‘Nancy’ decides to not go in for the kill, she leans towards him and licks his salty sweat. The creature then impersonates McCoy himself. :eek:

Meanwhile, Rand and Sulu find another victim of this salt addict with ‘lip stick’ sucker marks all over their face. Kirk wants answers! He beams back down to the planet surface to speak to Robert Crater.

“Where is your wife?!” Kirk asks.

Kirk and Spock next realise that there is an imposter on the ship… they find the *real* Crewman Green’s body. After informing Sulu about this, who we now know must be a security officer, the Enterprise is put on a ship wide alert.

Fake imposter McCoy goes to the Enterprise bridge. Rand now knows that whatever was up with Green was definitely *not* Saurian Brandy after all, she must have encountered his imposter on the ship. But what will the creature do next now that it has infiltrated the Enterprises command centre under the guise of McCoy? :eek:

As Crater flees from Kirk and Spock, he is stunned by the *funniest* phaser attack in Star Trek history.

The science fiction behind this creature is now explained to us, this creature is the last of it’s species - a bit like how the buffalo and pigeons of Earth were wiped out in humanities past. If you fast forward to 37:30 in this episode it seems like Crater has had his voice replaced? Was there an audio problem with this scene or was it re wrote and dubbed with new lines? Once on M-113 there were millions of life forms, but one creature killed them all. The shapeshifting creature on the Enterprise is responsible for the irradiation of *all* life on this planet.

Spock comes up with a plan, he is going to set ‘bait’ traps around the ship. Salt will be distributed at tactical locations and should the creature attempt to take the salt they can capture it. McCoy questions why they don’t just keep on giving the creature salt to keep it happy? The being is only dangerous when it does not have it’s ‘fix’ so why not give it a constant supply? I *think* that it is imposter McCoy who suggests this course of action, I would need to check to confirm. I think that this form of treatment might be used in the ‘real world’ for treating some drugs addicts too? Or sometimes Doctor’s just give them another similar drug which is not as bad for them? :shrug:

Further to his interrogation, Crater recognises that he is providing the creature with salt because it needs it to survive, he is keeping it alive; but the creature also needs love which he can also provide to it. In return, the creature uses it’s shape shifting abilities to take on the form of Nancy to satisfy him. I believe that the original Nancy must have been killed by this predatory alien, I wonder why Robert Crater has forgiven it so easily? Maybe they became *too* interdependent on each other after the original Nancy’s death? Crater is however helping to save an alien which is the last of it’s kind, but would anyone *really* want to save a creature such as this? This alien obviously does love a Robert though or it would have ‘sucked his salt’ many years ago, it is obviously keeping him alive intentionally - perhaps for the salt supply. I wonder if this alien could eventually reproduce with Robert? Kirk however thinks that Crater is just trying to be a wife lover, best friend, wise man, fool and idle slave. Perhaps Crater can be used to the crews advantage though - he can after all recognise this creature in any form that it takes due to his unique physic bond with it. But Crater is loyal to his lover and refuses to help identify it. Spock suggests using a ‘truth serum’ to extract the information from Crater, I don’t know why he did not think of performing a ‘mind meld’? McCoy resists using the serum but relents, after all this man is his ex’s new partner… so why not? I wonder why MCoy is not more upset about the death his old lover Nancy? Of course, we now know that *this* Nancy has never been the original… only an alien imposter. McCoy was sleeping for a very long time towards the end of this episode (in fact, the *real* McCoy still is!) so perhaps he does not know the full story yet if no one has filled him in… perhaps there is still a McCoy ‘twist’ coming? :shrug:

The alien who was still disguised as McCoy all along attacks Spock but luckily he is ‘from another ocean’ so did not die from the creatures salt extraction process. The creature has however now escaped. Crater is also killed in the resulting violent confrontation.

After turning back in to Nancy, the creature heads back to the still sleeping McCoy in his quarters, those red pills had *really* knocked him out. She begs him for help, probably wanting McCoy to take Robert’s place as her salt provider. Luckily, Kirk arrives just in time. He tells McCoy that this is not the real Nancy, but McCoy thinks that Kirk is insane and does not believe him. Kirk tries to lure the salt craving creature with salt pills, but McCoy tries to protect his ex lover and this leads to Kirk and McCoy having a fight. In the ensuing chaos, Nancy grabs the pills and eats them. I think that this might make the creature ‘stronger’. The alien continues to attack Captain Kirk but blinded by his love of Nancy McCoy can not defend the Captain, he can not believe that this is not the women from his past. Spock grabs Nancy and slaps her side to side with his interlaced fists to prove to McCoy that it can not be the real Nancy - she or no other human would be able to take such a beating. This eventually makes the creature angry though, so it slaps Spock back across the face and floors him. We now see the creatures true form; a sucker fish like alien with octopus like fingers. McCoy knows that this is *definitely* not his ex lover now so kills the creature with his phaser.

May the Lord forgive me….” McCoy asks of his savior.

In the closing scenes back on the bridge, Kirk reflects on the Buffalo analogy just as the credits begin to roll. I wonder if he also think thinks about… gazelles? :D

I grade Star Trek Episode 01x06 The Man Trap - 14/10! :D

Next week… The Naked Time.

I thought this writeup was spectacular. Thanks. I also had never thought of any allegory about drugs relating to the salt and the shapeshifting. Well done.
 
@Phaser Two , I think that a few episodes so far have dealt with the human mind and how it can be affected by ‘substances’ such as ‘Saurian brandy’, ‘salt’ and the ‘Venus drug’. Also, how the mind is not either ‘black or white’ but a spectrum of shades of grey, a spectrum that is not linear nor predictable. Here is an image to illustrate this scale as it’s hard to explain.
A6AC22B0-1C41-44D0-940F-494F990A6B7A.jpeg
White is the perception of ‘good’ and the black could be the perception of ‘bad’. Or we could inverse white to bad and black to ‘good’ - there is no reason to label any particular shade as being positive or negative. Substances can cause the human mind to become altered through false expressions of extra confidence, driving powerful urges or emotions that are normally suppressed such as anger or love. People obviously can do things that they would not normally do when their inhibitions are shed or the mind is otherwise ‘altered’.

Mudd’s Women - This dealt with three women who were addicted to a drug which made them attractive to others. It also kept them looking youthful and able to retain their beauty. This addiction was used by a man to control the women who he had taken ‘ownership’ of.

The Enemy Within - An example of how the human mind is not a polar ‘good’ and ‘bad’ construct, but a combination of all experiences that we have had and the things that we have done, both good and bad which make us a ‘yolked’ whole. Kirk was split quite simply in to ‘good’ and ‘bad’ to make this point, but reconstituted back in to a Kirk who is a combination of all those things which makes him a *very* complicated character, as illustrated in the grey scale image above. Of course, bad Kirk becomes intoxicated on Saurian brandy, and this intoxication is what led him to do some terrible things in this particular episode, though this can *not* be used as an excuse for his actions. This episode is about how we overcome our ‘primal’ urges and negative thought patterns using our intelligence.

The Man Trap - Dealing with an alien’s extreme need; it addiction to ‘salt’. The behaviour of this alien is very much similar to how a human could be affected by such an addiction; becoming a monster and committing terrible crimes worthy of a Tarantino movie in order to satisfy the ‘craving’ or ‘need’.

This weeks episode The Naked Time is yet another foray in to the human mind, in particular relating to our behaviour when our inhibitions are ‘lifted’. Inhibitions are lifted by a ‘virus’ this time around, which is likely the science fiction allegory for ‘alcohol’ and it’s effects on society which could be perceived as being similar to a virus in it’s destructiveness to the human mind and communities. This time, the allegory deals more with other aspects of mental health rather than binary ‘good’ or ‘bad’ behaviour and actions. But I’ll touch on these things more as my narrative progresses. :D

So, without further ado…

Star Trek episode 01x07 - The Naked Time

I always thought of this episode as being a light hearted comedy episode, I probably saw it last when I was in my early teens. However, as correctly informed by @Warped9 , The Naked Time is far from a comedy with it being quite a dark and even tragic episode in places. Baring this in mind, the episode does still have it’s light hearted moments which are quite memorable and iconic therefore these are the parts of the episode that I remember the most. Also, The Next Generation ‘love song’ to this episode, The Naked Now is an episode that I have watched multiple times over the years, I think that this episode glazed my expectations for this 1960’s TOS episode and made me perceive it as being a comedic ‘romp’ through my rose tinted glasses. :mallory:

The USS Enterprise is orbiting the planet Psi 2000, a frozen and inhospitable planet home to a group of scientists who are studying it’s ‘end days’ in the hopes of learning how other planet’s may end their existence; perhaps even learning how Earth may be fated *many* millennia from now.

Our first glimpse of the outpost does not not bode well for the scientists, we are shown an scientists slumped over his console, frozen in action with the whole room being frosted with a thick sheet of ice crystals. Blood is also smeared on the outposts walls. Our heroes beam down dressed for the occasion; kudos to the costume department for very imaginative ‘protective’ away team attire, these bright orange costumes stand out really well against the white frosted outpost sets. I am guessing that these costumes are insulating biohazard suits.

Spock and Lieutenant Joe Tormolen begin to explore the science station, of course something is not quite right. Suspicions are confirmed as another frozen body is found, that of a women who appears to have been strangled. In total, four more bodies are found by the landing party, having all demised in peculiar and ‘random’ situations.

Lt Tormolen breaks Starfleet protocol and defeats the whole purpose of wearing a biohazard suit - he removes one of his gloves in order to ‘touch things’. A red blood like substance proceeds towards his bared flesh, it must have been attracted to his body heat. It is obvious at this point that Joe must have been infected by something. With the damage done, the Lieutenant put’s his glove back on.

Be certain that we expose ourselves to nothing!” Says an unknowing Spock to his landing party partner.

Uh oh… :eek:

It is Stardate 1704 and the landing party return to the Enterprise for a full decontamination and medical checkup. Despite no obvious pathogens or substances being found, Joe Toromolen is starting to act strangely, though in discreet and barely noticeable ways.

During the landing parties debriefing, it is again noted how all of the scientists at the outpost died in unusual and random situations and scenarios though there are no signs of murder or pathogens. One engineer died ‘playing games’ on his console and another fully dressed whilst having a shower.

In the ships replomat, Tormolen is greeted by Sulu and what could be assumed to be his ‘date’ or partner Kevin. Sulu and Kevin are teasing each other with banter talking about everything from self defense to sish kebabs. Kevin is not impressed by Sulu’s attempts at getting him to enjoy botany as collecting leaves and plant specimens does not appeal to him. He obviously has not met the lovely Gertrude though. :D

Sulu tries to get Joe to take his side in the argument, but as previously mentioned something is not quite right with the crewman. Tormolen begins to itch his palms compulsively and obsessively. Eventually, Joe snaps at Sulu starting to act aggressively and irrational. I will put the next scene in to spoiler brackets as it could be triggering to some people as it deals with a sensitive topic.

Joe holds up a cutlery knife to Sulu and Kevin.

Joe begins to deliver an ‘eco warrior’ speech about how they/Starfleet are not doing enough to save the planet below or even our own planet. He blames the Enterprise, it’s crew and even to some extent himself for the deaths of the scientists below. Perhaps they should never have been sent to Psi 2000 to meet this fate.

Joe then turns the knife on to himself in what can only be interpreted as an attempt to end his own life. Sulu and Kevin try to help and restrain Joe so that he does not harm himself, but in the resulting altercation Joe falls on to the blade, seriously injuring himself.

Kevin calls sickbay to report the medical emergency, though his palms are now itching too with the accompanying ‘rattle snake’ musical que which helps the audience know that something is now not quite right with him too…

Captain Kirk adds another ‘supplemental’ log to this weeks episode, it has now been firmly established that these are indeed addendums to dated log entries helping to explain the story to the audience - perhaps after a commercial break? In this case, Kirk records that there is a disease on the Enteprrise infecting the crew, though in the actual episode itself Kirk does not know about this turn of events as of yet.

At his post on the Enterprise bridge, Kevin continues to acts strangely… trying to itch that itch that just can not be satisfied in his palms. Again, in all respects of not exposing anyone to a sensitive topic, I shall use spoiler brackets once more.

Spock concludes that Tormolen did have reported psychological issues, but he has always been more than capable of containing them. Spock can not understand why all of a sudden Joe had decided to end his own life in such a mental health crisis. It is concluded that something must have ‘magnified’ the lieutenants personal problems and led him to have this uncharacteristic outburst… something must have lifted his inhibitions or ‘barriers’. Of course we know that this is the result of a virus in the episode, though in ‘real life’ this could be the result of alcohol which can have similar effects on people who may be struggling with their mental health… the possible allegory for the virus in The Naked Time. It would not be right for me to talk about this sensitive topic without putting a link in to a charity that helps people with issues relating to their mental health, so here goes: MIND and Mental Health America.

Tormolen is treated for his injuries by Nurse Chapel and McCoy in what should be a simple operation, however it seems that Toromlen has just ‘given up’ and lost the will to live. As a result, this ‘virally’ magnified expression of his darkest thoughts manifests with him physically dying, despite the medical teams best efforts. McCoy does not understand why Tormolen died, he doesn’t think that Joe would have just given up. Of course, we know that an external intoxicator had influenced his behaviour making him act out of character and without his normal sense of reason.

The episode next changes tone becoming slightly more light hearted with a bit of banter between Sulu and his partner.

Don’t know if it is this planet or what happened to Joe… but I am sweating like a bridegroom!!!” Sulu says to Kevin.
“Yes, me too!”
He replies. *wink wink*. :D
“Why don’t you come down to the gym with me Kevin lad?”
Sulu continues, his lips puckered and eyes wide. By this point though, we know that Sulu’s inhibitions may be somewhat starting to ‘lift’… Kevin, not quite ready to break the rules so severely decides to remain on the bridge. :D

Where is Mr Sulu?” Spock ask Kevin, who we now learn has the surname of Riley.
“Have no fear, O’Riley is here, and one Irishman is worth 10,000…” Kevin replies almost drunkenly. I wonder what he was going to say before being interrupted? Is this a quote from an Earth text? Spock notices this change of behaviour and orders Uhura to take over Kevin’s station.
Now that is what I like, let the women work too… universal suffrage!” Riley slurs back.

“Richelieu, beware!”

Sulu jumps out on to the ships corridor shirtless and brandishing a sword. He quite humorously pricks his finger on it’s tip and winces.
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Sulu proceeds to chase crewmen and women down the corridor with his brandished sword.

Back on the bridge, Spock concludes that hidden or repressed personality traits are being forced to the surface - Riley sees himself a descendant of Irish kings, with Sulu being a swashbuckler of the 18th century. At which point, Sulu bursts on to the bridge…

“Sulu, put that *thing* away!” Kirk orders.
Sulu whips his sword around with a mixture of menace and teasing until Uhura helps to save the day.
I will protect you fair maiden!” Sulu exclaims.
Sorry… neither” she confidently bounces back. Mine, and others interpretations of this scene here.

Spock nerve pinches Sulu to neutralise the threat… though this skin to skin contact could be the start of the logical and controlled Vulcan himself getting this ‘viral itch’…

Back to Riley, he is not a ‘bad’ drunk so far, just a ‘silly’ drunk. Even when intoxicated he still does as he is told, he therefore follows Spock’s orders and makes his way down to sickbay, making glamorous hand gestures along the way to open doors acting just like he had consumed a bottle of Saurian brandy. He even blows a door open which is quite amusing. :D

Looking for his friend Joe, Kevin has a bit of flirty banter with Nurse Chapel. I am glad that Yeoman Rand was not in sickbay at the time and confronted in the same way as she has already been through enough with this kind of uninvited behaviour. Quite differently this time though, Riley does not seem to have the same ‘drive’ for Chapel as he does for Sulu… he promptly marches off, continuing his sassy hand movements to open doors.

Riley makes his way down to engineering where he seals himself in and takes command, just like Wesley Crusher did in The Naked Now. Even more unfortunate though, is the fact that the Enterprise has begun to spiral down towards the planet Psi 2000. Engines and Helm are down… there are 19 minutes remaining until the ship meets is ultimate doom. Riley continues to make comedic banter with Scotty and the crew, unable to stand up straight becoming more and more intoxicated. We do learn an interesting fact about the Enteprise at this point - there is an onboard bowling alley. :D

Riley makes a statement on how women should be themselves and ‘let their hair down’ and not feel forced to ‘look made up’. This is a good bit of advice that plays well against the actions of Mudd’s women in a previous episode, who felt the need to live up to the the ideal image of women in order to do well and get a rich husband.

By now, it is obvious that the virus has begun to run rampant on the Enterprise. Graffiti begins to appear on the ships corridors, the crew are behaving randomly as if drunkenly making their way home from a night out on the town. Drunken singing and hedonistic laughter fill the corridors….
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Chapel, who is treating the now restrained Sulu, is starting to slur her words too… it looks like *no one* aboard the Enterprise is going to escape this virus! She makes her way to the bridge to find the crew laughing and tickling each other.

Could this all now be an analogy of an entire society, represented as a macrocosm onboard the Enteprrise, collapsing as a result of this viral intoxication? The crew are becoming hedonistic, wild… without self discipline and control. The Enterprise or no society in general could function with these issues.

Chapel makes her way to Spock, confessing her undying love for him. We know that she really *does* love Spock though, Chapel has kept this ‘ not so hidden secret’ within her since season one of Strange New World’s. Chapel has always wanted to express herself to Spock in this way in my opinion, though it is a shame that she had to be intoxicated to do so.

“I am sorry…” Spock replies to her, almost with a level of understanding.

At this point, Spock begins to feel overwhelmed with his emotions too - he already had this battle under control in his mind but just like with Tormolen, his mental discipline and control are being brought to the surface by the virus. Spock starts welling up… could this be partly a result of Chapel’s confession to him? His deep sadness of not being able to be with her because of his betrothal to T’Pring could be being released. :wah:

“I *am* in control of my emotions…” Spock sobs. It is quite upsetting to see Spock in such an emotional state, he almost seems… broken.

Meanwhile, Enterprise continues to spiral down to Psi 2000’s surface as the planet disintegrates though engineering has been successfully recovered from Riley - Scotty just had to make sure that he did not cut through the wrong wires and circuitry as he was carving a hole in to the wall in order to gain access, it was quite the surgical procedure. Scotty however proclaims that there is nothing that he can do to help save the ship, getting the engines and helm back up and running…

“I canna change the laws of physics!” Scotty tells his superiors… delivering his now famous words.:bolian:

Returning to Spock, who is now having an intoxicated conversation with Kirk, we learn of one of the other ‘ghosts’ that haunts our Vulcan friend. Spock has never been able to tell his human mother, Amanda, that he loves her. He gets angry at Kirk as a result of allowing himself to call his Captain a friend, if he could call Kirk his friend why could he not tell his mother that he loved her? Kirk slaps Spock in a return rage, Spock slaps Kirk back who is flawed by the force. But once more… this skin on skin contact gives Kirk… the itch. The rattle snake cue ensues.

A thread/character arc which was first brought up in The Corbomite Maneuvre and Mudd’s Women is next brought to a head…

“This vessel… she gives… I take. She *won’t* permit me my life… I’ve got to live hers.”

Kirk in delivering these lines, describing his relationship with the Enteprrise, failed to take Sulu’s advice in last weeks episode in regards to gender labeling inanimate objects. Kirk has obviously objectified and assumed the Enterprise gender as being female: though I guess he and everyone else are free to their own personal identification of the material things which are close to their heart. Of course, Kirk is not just talking about his ship here… is is also talking about his command, his duties and his responsibilities that he feels ‘chained’ to. He is ‘married’ to his ship and this is stopping him from pursuing the life that he truly wants deep down, his inhibitions are bringing these feelings up to the surface to be expressed outwardly. Deep down, Kirk might be feeling quite lonely…

No beach to walk on…” Kirk concludes defeatedly, as he looks at Chapel thinking what could be if it wasn’t for his career, ship and crew.

Spock and McCoy manage to develop a cure to the virus, and the Enterprise manages to break free from Psi 2000 just in the nick of time. Everything nicely wrapped up at the last minute.

Of course, this weeks episode can’t be wiped as a log entry would be as done in previous episodes, so the Enterprise is taken in to a time warp. The past three days are erased and the crew have them to live again without making the same intoxicated mistakes as they had done in the now erased past.
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Spock now knows that time travel exists and can be used to correct history and past mistakes…

I don’t think that the time warp saved Joe Tormolen, but I *could* be wrong. :weep:

“Steady as she goes….” Kirk orders, as the good ship Enterprise sails on to it’s next adventure, this time travelling at warp.

I grade Star Trek episode 01x07 The Naked Time 6/10

Next week…. Charlie X! :D
 
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Down through the ages many people have labeled sea going vessels and even aircraft as “she.” It’s nothing new peculiar to Kirk or any of the other characters.

Although it has long now been known that George Takei is gay it wasn’t widely known back in the day. To that end there is nothing in TOS to suggest Sulu is gay. Indeed it’s quite likely network censors would have objected strongly to such suggestions of a character. Also guys can have friendly and joking banter between them totally without sexual innuendo involved.
 
Down through the ages many people have labeled sea going vessels and even aircraft as “she.” It’s nothing new peculiar to Kirk or any of the other characters.

Although it has long now been known that George Takei is gay it wasn’t widely known back in the day. To that end there is nothing in TOS to suggest Sulu is gay. Indeed it’s quite likely network censors would have objected strongly to such suggestions of a character. Also guys can have friendly and joking banter between them totally without sexual innuendo involved.
I agree, it’s all interpretation. I like to have a bit of fun with my rewatch though… unless something serious pops up like the potential mental health issues which the virus tragically magnified.

*EDIT*

I wonder why the Enterprise was not put in to ‘Lockdown’ when it first became apparent that a virus was running rampant? :shrug:
 
Fans have been wondering that for decades. Just mark it down as an Medical Dept. oversight, human error. Someone was asleep at the switch, or drunk. Or dead. :lol:
 
I think SNW has been very clever in the way it weaved a prior relationship between Chapel and Spock from the exchange in this scene. It was always odd that her feelings could turn so quickly from Korby to Spock.

I always wondered though why Rand wasn't left at the helm until the final scene when Sulu retakes his station.
 
I think SNW has been very clever in the way it weaved a prior relationship between Chapel and Spock from the exchange in this scene. It was always odd that her feelings could turn so quickly from Korby to Spock.

I always wondered though why Rand wasn't left at the helm until the final scene when Sulu retakes his station.
This scene between Spock and Chapel if interpreted in the potential context of Strange New World’s is literally *heartbreaking*. I hope that the writers manage to reflect this deep love between the two characters in upcoming seasons of SNW. Maybe TOS will deal with it a bit more too? Leonard Nimoy acted this scene to a dramatic extreme *very* well… this acting combined with SNW almost makes this ‘love triangle’ between Spock/T’Pring/Chapel almost unintentionally Shakespearean in context, though all depending on how good the SNW writers *really* are at connecting these kind of dots between the two series in the long term… if they even care enough to do so. Technically is should be a ‘love square’, not triangle between Spock/T’Pring/Chapel/Stonn though not all corners of this square need to actually meet considering how *awkward* that meeting would actually be. :D

The final scene between Kirk and Janice is quite touching, it shows that Kirk for a moment was thinking about Janice and a future with her I think. He gently touches her hair as he contemplates the possibility of another life before saying “No beach to walk on…” like he would be wanting to *actually* do that with her in a romantic way, but suddenly Kirk pulls back in realisation that his career and his duty; his ‘marriage to his ship’, will prevent him from ever having a true relationship or romance with her so they could *never* walk together. This scene is however somewhat tainted by the earlier events between Kirk and Rand as depicted in The Enemy Within. It comes across even worse I think if we consider the broadcast order, this scene takes a more sinister tone with the events of The Naked Time happening *before* the events of The Enemy Within. Broadcast vs production order is quite important to the interpretation of subtle yet important scenes between characters in these early days of this swashbuckling new sci-fi series. Broadcast order makes it look like Kirk realised that he could not be with Rand but decided to ‘try’ anyway, or at least the ‘bad’ Kirk did…

Better shown in context, I think that I am *definitely* preferring production order to broadcast so far in regards to visual continuity and character developments as a whole. It’s also a shame that so many potential regular or recurring characters are killed off so early. It is almost like the only two *main* characters so far are Kirk and Spock. No one else seems safe as a regular in these early days of the series though our familiar faces of Uhura, Scotty and McCoy are beginning to break through as strong, solid recurring characters . Maybe they will get their names in the credits one day and all be confirmed as ‘regulars’? :D
 
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Some of the things revealed about the characters always struck me as somewhat exaggerated, aspects of character showing more strongly than what would be expressed if their were totally in their right mind.

Chapel’s feelings for Spock always struck me as something out of left field given what we know of her feelings for Roger Corby. That she is attracted to Spock, and even has wistful feelings for him is obvious, but that suddenly becomes “love” because she is effectively drunk. I’ll bet she felt mortified after given the vaccine and she “sobered up.”

That SNW is putting these characters together—Spock, Chapel, Uhura, Mbenga and god knows who else more than a decade before TOS and Pike has his accident and even before Pike visits Talos 4 is patent bullshit completely rewriting the ages of the characters as depicted in TOS and the depicted continuity. Patent bullshit.
 
Spock? Pretty sure it was Bones and his labs.
Maybe it can be Spock and Bones in a reboot? :D

@Warped9 you should really be putting Roger Corby in to spoiler brackets as his featured episode has not aired yet. In production order we do not know Roger Corby, in broadcast order too I think. Thanks for the spoiler. :shifty: (I jest! :D)

Maybe Roger Corby was introduced as a result of studio/writers room feedback in order to act as a ‘buffer’ between Spock and Chapel as they had been depicted as being *too* close. Maybe he was being introduced as someone for Spock to become jealous over… I can’t remember. Chapel was also *not* drunk… her inhibitions and ‘barriers’ had been lifted. The feelings that she could no longer suppress or ‘hide’ were being expressed without a filter.

I shall assess the Chapel/Corby relationship when I get to it in a few weeks. It is possible to love more than one person though isn’t it? I wouldn’t know tbh… :guffaw:
 
Why were any containment protocols not followed? Irritating.
“Attention, crew of the USS Enterprise. This is your Captain speaking. A virus is running rampant onboard our ship, however we shall avoid going in to lockdown in order to keep our ship functioning… for now. After consulting with my senior staff, my top scientific and medical advisors, I recommend the following precautions: do not go to your stations and crew assignments incase you spread this contagion, stay in your quarters and isolate if you can work remotely from home… unless you *have* to go to your work stations in which case do so… but only if you have to. Just don’t forget to wash your hands and stay 2 meters away from your fellow crewmen.”
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“Go out, but stay in. Stay safe in your quarters, but go out, but don’t!” :D
 
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Some of the things revealed about the characters always struck me as somewhat exaggerated, aspects of character showing more strongly than what would be expressed if their were totally in their right mind.

Chapel’s feelings for Spock always struck me as something out of left field given what we know of her feelings for Roger Corby. That she is attracted to Spock, and even has wistful feelings for him is obvious, but that suddenly becomes “love” because she is effectively drunk. I’ll bet she felt mortified after given the vaccine and she “sobered up.”

That SNW is putting these characters together—Spock, Chapel, Uhura, Mbenga and god knows who else more than a decade before TOS and Pike has his accident and even before Pike visits Talos 4 is patent bullshit completely rewriting the ages of the characters as depicted in TOS and the depicted continuity. Patent bullshit.
It has been long established - since DSC Season 2, in fact - that SNW is set years AFTER Pike visits Talos IV in "The Cage." People keep claiming that SNW is set before "The Cage" but those people are patently wrong on that particular point.

Season One of SNW is set seven years before TOS Season One, per the Season One finale. References to Pike's accident occurring "ten years in the future" were erroneous, or simply rounded up to the nearest tens place for dramatic convenience.

Now, personally, I don't care for "small universe syndrome" and, were I in charge, I would've steered clear of using legacy characters except for Spock. But that particular starship has long since departed Spacedock. Despite being largely a creative crutch, SNW is actually doing a damned good job using most of those particular legacy characters, who were largely left as blank slates in the parent series.

Additionally, in airdate order AND production order, audiences would've encountered "The Naked Time" before "What Are Little Girls Made Of?" Chapel's prior relationship with Roger Korby would've been the relationship that would've come out of left field since no one watching would have known a single thing about that relationship when watching "The Naked Time."
 
Why were any containment protocols not followed? Irritating.
The Enterprise had rigid containment protocols?
Name any medical drama of the period in which the terms "containment protocols" and "lockdown" were uttered, or such protocols as we understand them were followed.
 
I couldn’t care less what DSC-SNW “establishes” given that like ENT it’s all a patently dishonest bullshit reboot.
 
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