Possibly. I just don't think she deserves anything.Am I the only one who thinks that she deserves better than some twisted end in a morbid story.
Possibly. I just don't think she deserves anything.Am I the only one who thinks that she deserves better than some twisted end in a morbid story.
Why?Possibly. I just don't think she deserves anything.
Because as a character the writers are allowed to explore in different ways. I remember attending a writing seminar and I, in my teen wisdom, throughout the question of "how do I make sure the characters get what they deserve?" And was promptly educated that the characters don't deserve anything. They are not entitled to some sort of life other than what the author gives them in working with the story they want to tell. Viewing characters as entitled to some obligation can limit a writer in some senses.Why?![]()
Well, those who read the stories might want a good life for the characters in their fictional world.Because as a character the writers are allowed to explore in different ways. I remember attending a writing seminar and I, in my teen wisdom, throughout the question of "how do I make sure the characters get what they deserve?" And was promptly educated that the characters don't deserve anything. They are not entitled to some sort of life other than what the author gives them in working with the story they want to tell. Viewing characters as entitled to some obligation can limit a writer in some senses.
Now, this is not meant as a defense of poor story telling but rather on my approach to characters. Do I hope they have a good story, and good life within it? Absolutely! Do I think they deserve anything? I do not.
Certainly but that doesn't obligate anyone nor does a character deserve anything.Well, those who read the stories might want a good life for the characters in their fictional world.
Maybe, maybe not. We don't know. That's the thing is the assumption of only one way to tell a story, but there's not. Iron Man was portrayed as an alcoholic too. Did that take away from the character?If Ian Fleming had made James Bond a hopeless alcoholic or someone who ended up in a nuthouse after a couple of books, they would have stop buying and reading his books, at least the books about James Bond.
Kes ≠ James Bond.If Ian Fleming had made James Bond a hopeless alcoholic or someone who ended up in a nuthouse after a couple of books, they would have stop buying and reading his books, at least the books about James Bond.
Certainly but that doesn't obligate anyone nor does a character deserve anything.
Maybe, maybe not. We don't know. That's the thing is the assumption of only one way to tell a story, but there's not. Iron Man was portrayed as an alcoholic too. Did that take away from the character?
Kes ≠ James Bond.
VOY survived without Kes.
I seriously doubt the James Bond films would survive without James Bond.
I actually don't think so. Mostly because I read a lot of different fictions and see those movements in characters. So, if I am already invested in the character and they have this sudden turn I'm usually more invested to see them work through it. I don't treat it as a diminished capacity of the character.But if James Bond all of a sudden would be turned into some person with certain problems and those problems would diminish him as the hero and action character he was, then people might get bored and quit reading (or watching)
That title is actually accurate. But the episode could have been saved if they had had an endscene in whcih Paris wakes up and realize that it was all a dream.
just wished that Neelix had ended up on a better place than that barren asteroid in the middle of nowhere and that he could have stayed together with his friends.
As for the other Voyager characters, except for Seven, Janeway and The Doctor, the others were actually in a limbo since season 4.![]()
Kes's days were always numbered, I mean even more than any other member of the crew, by her short lifespan.
Exactly.But that is an essential part of her character
think what humans in general these days forget to do is agree to disagree. There's nothing wrong with having a minority opinion about an episode, or even a loud majority voice about an episode.
Regarding "THRESHOLD"...
I actually find it a good character story for Tom. Plus, as a horror fan, it was disturbing to watch literally fall apart.
We keep forgetting to do that, and we continue to make 1984 a reality.
Always loved that quote. Though I struggle with it, it's why I value many different opinions, while largely keeping my own to myself unless I feel necessary. I don't like putting people on the defensive, granted I suck at it. It's a work in progress."You know, there some words I've known since I was a school boy. With the first link, the chain is forged. The first speech censured, the first thought forbidden, the first freedom denied, chains us all irrevocably. Those words were uttered by Judge Aaron Satie as wisdom and warning. The first time any man's freedom is trodden on, we're all damaged."
I can understand that. But if the character can't work through it but remains some sort of wreck, far from what he/she was? Then people would start losing interest. At least I would. I remember almost quitting a series I watched once when the episodes became more about the main characters personal problems than what the series actually was supposed to be about.I actually don't think so. Mostly because I read a lot of different fictions and see those movements in characters. So, if I am already invested in the character and they have this sudden turn I'm usually more invested to see them work through it. I don't treat it as a diminished capacity of the character.
Kes's days were always numbered, I mean even more than any other member of the crew, by her short lifespan.
As I wrote before, The episode could have been saved by making it a nightmare that Tom had. By doing so, the epside is actually funny to watch. It would have been more like Projections or Distant Voices, the DS9 episode where Bashir has a hallucination about rapidly growing old and being chased by the Lethian whose attack on Bashir resulted in that hallucination.Regarding "THRESHOLD"...
I actually find it a good character story for Tom. Plus, as a horror fan, it was disturbing to watch literally fall apart.
I agree that overall, it's not a good episode, but those character scenes with Tom at the end and his plea to let him make the flight were really well acted and a nice view of his character. Bonus points because I love horror. Both aspects elevate this episode from being the worst of the series... there are FAR better candidates for that title.
I might be very rigid when it comes to this subject. But I simply can't understand how anyone can like that episode.Regarding "FURY"...
I agree that it is a terrible episode, and frankly more rightly deserves to be called worst of the series than "THRESHOLD". But as much as I hate it, I see there are a few who enjoy it and see a positive aspect about it that I don't. (And I have to admit, at least it explained why Samantha Wildman was pregnant for a year and a half.) And while the argument is a good one that it could be a form of Ocampan senility, lack of guidance from Tuvok, dark path, etc., I simply disagree. But I've got no issue with others liking it.
The complete oversaturation of calling it 'that shit episode' turns a lot of people off from having any kind of discussion.
I think what humans in general these days forget to do is agree to disagree. There's nothing wrong with having a minority opinion about an episode, or even a loud majority voice about an episode. You want to change my mind about a subject or an episode? Great, let's chat about it. You might change my mind, I might change yours. We all might be too entrenched in our views to be convinced. But we have to remember that everyone has a right to their opinion, whether it 'conforms' to a majority of people or not. We keep forgetting to do that, and we continue to make 1984 a reality.
That remains my head canon, and for good reason. Otherwise, Voyager's dilemma is very simple to solve: ferry everyone home at warp 10, and de-salamanderize them on arrival.
It does. I know and I can assure you that.I can understand that. But I guess love makes you do some funny things.
Which was sad actually. I often compare wioth the Voyager books where harry is actually doing something. Unfortunately the "whipping boy" syndrome is visible even there. He gets badly injured and is close to death a couple of times there too. But at least he's more active in the books that in the series.Touche. Of course, Harry was in limbo pretty much the whole time.
that is an essential part of her character, just as Data's presumed immortality was a part of his. One of my favorite aspects of "Time's Arrow" was Data having to face that he wouldn't be around forever."Picard" completed this arc.
By my calculations, Kes would have had a year to go when she reached the AQ. More than enough time for her to set out to eagerly explore her new home.
Which was sad actually. I often compare wioth the Voyager books where harry is actually doing something. Unfortunately the "whipping boy" syndrome is visible even there. He gets badly injured and is close to death a couple of times there too. But at least he's more active in the books that in the series.
I think that the whole lifespan thing was a mistake which limited the character. It could and should have been corrected.
This should have been what 'Fury' was about instead. And obviously the episode would need to be retitled.I don't see why Kes dying of old age (at nine or ten) surrounded by friends and loved ones is anything but a happy ending. (IMO) There's no need to extend her lifespan in a quest to make her life mean more somehow.
Harry might just be my favourite character from Voyager.I think that Harry combined the worst of all worlds for other overlooked characters.
Like Data, he was denied the promotion he spent years earning.
Like Worf, his love life was a series of painful calamities.
And like O'Brien, he just plain suffered a lot.
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