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My DS9 Rewatch Odyssey

Indeed, it was disappointing that MGM's letter, probably, was responsible for ensuring that we didn't get much more of Agent Bashir.

OTOH, it's possible they would have gone to that well too often and we would have ended up looking back on this episode as the start of the writers overindulging in holodeck episodes.

It's interesting to see where the novels have gone with this in terms of Bashir's both fictional and actual service to intelligence services.

Also Kira's character is based on a "real" character who appears in Greg Cox's "Eugenics Wars" trilogy.
 
Excellent review! I have been waiting for this one because it is one of my all-time favorite episodes in not just this franchise, but of ALL of tv.

It took the trope of a 'holodeck gone wrong' and turned it upside down and made the holodeck actually needed to keep our heroes alive. Truly original. By far, the best use of a holodeck/holosuite in the entire franchise. And I will defend that statement with a tiny gun from my shoe, if necessary!

The brilliance of this episode is on every level. The set designs, the wardrobe, the music choices... the visual style from start to finish is pure gold.

The ludicrousness of the plot is precisely why it works to perfection here, because we all know the Bond movies have ludicrous plots by the villains. This episode plays it exactly right.

Everyone clearly had fun here. As you mentioned above, every actor/actress shines here. I can actually see Avery Brooks as a legitimate Bond villain. Nana Visitor was excellent as the sultry, dangerous Colonel. Alexander Siddig definitely brought his A game here. Andrew Robinson, as always, was just perfect here. A stroke of genius to have him be the sidekick.

And how can you not love the names of the women? Honey Bare. Mona Luvsit. As a big Bond fan, I approve wholeheartedly.

I later discovered this was the most expensive episode of the season... possibly of the whole series after the pilot. It was shot in 9 days, which is more than a day longer than normal, and given the awesomeness of the sets, I can see that. But damn, we were treated so nicely with this episode.

And this episode even gives us more evidence, though subtle, of Bashir's genetic enhancement. When he shot Garak on the tip of his neck, that is some very precise aiming there. Bashir plays it off like he really tried to kill Garak and missed, but we all know he wouldn't do that. But the beauty of this is that you don't realize it until his reveal next year. Even though the writers didn't plan on that until next season, it weaves into his episodes beautifully. A lot of people may disagree and think it was just a random plot, but I think a lot of thought was actually put there. There's just enough of those little things and how well they hid under the radar that it really works.

This episode is ALWAYS a rewatch when it shows on any screen. And that is not an exaggeration... I think out of ALL the episodes in the franchise, I have seen this one the most times. A minimum of 35 times, easily. I can go on and on, but I would just be repeating more of what the excellent review covered. But I had to make this lengthy post because I can't describe to you in enough words the amount of pure joy I feel in watching "OUR MAN BASHIR". Every. Single. Time.

(style of name introduction) The rank is 10... perfect 10.
 
Indeed, it was disappointing that MGM's letter, probably, was responsible for ensuring that we didn't get much more of Agent Bashir.

OTOH, it's possible they would have gone to that well too often and we would have ended up looking back on this episode as the start of the writers overindulging in holodeck episodes.

It's interesting to see where the novels have gone with this in terms of Bashir's both fictional and actual service to intelligence services.

Also Kira's character is based on a "real" character who appears in Greg Cox's "Eugenics Wars" trilogy.

I think the DS9 writers are smart enough that they wouldn't dip into this well too often. Especially considering the cost of this episode. I think we would have gotten 1 per season, which would have been a nice balance.
 
Note that in this episode we got a whiff of Bashir's genetic enhancement. His thorough knowledge of gemstones to the point of being able to determine the geographical origin of the gems. His skills at baccarat. He shoots Garak in the neck with a makeshift gun and manages not to make a lethal, not even a particularly serious wound... In retrospect, we could see it as the first time Bashir involuntarily gave away his secret.
 
Seems like MGM should have thanked them, instead of chewing them out! :hugegrin:
It is funny about this episode being released within days of Goldeneye. They both feature Russian girlfriends…Xenia was played by Famke Janssen, “The Perfect Mate” in TNG.

Clever twist I didn’t notice before - connecting the name Noah to the plot of drowning the world.

Really liked Worf as DuChamps -suave and debonair in the white tux, blowing smoke rings, kissing Anastasia’s hand, never raising his voice. Pretty smooth!
 
I think the DS9 writers are smart enough that they wouldn't dip into this well too often. Especially considering the cost of this episode. I think we would have gotten 1 per season, which would have been a nice balance.

Hard to say. Witness the Ferengi and Mirror Universe episodes.
 
I love reading all of your comments and observations, and hearing some of the background information I didn’t know, too! I thought I might have a tough time justifying a score of 10 for “Our Man Bashir” as I wasn’t sure if other people loved it quite as much as I do. In actual fact, someone once asked me what my favourite Bond film was, and I said “Our Man Bashir”. They looked at me as if I were from Mars and promptly changed the topic.
 
“HOMEFRONT”

homefront11.jpg

Times, they are a-Changeling...

Originally intended as the third season finale, “Homefront” truly has the feel of a season finale, with a slow, simmering sense of tension that gradually builds to a cliff-hanger while successfully interweaving a number of wonderful character moments throughout. Yup, there’s a heck of a lot to like here, and it’s one of several DS9 episodes that seem particularly prescient in retrospect, especially considering it was the product of a pre-911 era.

While the show’s primary focus in the fourth season shifted to the Klingons, I was always relieved when it became clear that the Dominion was far from forgotten, and this is one of the most effective storylines in the Dominion arc yet. The revelation that Changelings have infiltrated the Alpha Quadrant was simply too fascinating not to follow up, and the news that the Founders have orchestrated a terror attack on Earth is a suitably dramatic hook to set events in motion here.

Fortunately, it allows for our first extended trip to 24th century Earth in what seems like…well, forever, actually. While TNG visited Earth a couple of times, we got to see precious little of life on our future-Earth. As nice as it is to spend some time at Starfleet Command, I’ve always found TNG-era Starfleet design and decor frightfully bland and beige, so it’s a relief that we spend some time outside of Starfleet in this two-parter and see that 24th century life isn’t all sterile and characterless. I love that part of these episodes are set at the Sisko family restaurant, which boasts colour and character and shows that people are still people and that life on Earth is nicely diverse rather than homogenised.

One of the crowning achievements of this two-parter is the casting of Brock Peters as Joseph Sisko, and he is magnificently warm, stubborn and feisty in the role (and it’s a testament to his versatility that I never thought of Admiral Cartwright once). It’s simply a delight to see three generations of the Sisko men together, and just as Avery Brooks and Cirroc Lofton share a beautiful chemistry, Peters almost feels as if he could actually BE their dad/grandfather. The family dynamic is plain wonderful to watch, and is something we never got before or again on Star Trek (I know Beverly and Wesley Crusher were mother and son, but they had next to no chemistry in my opinion).

I particularly appreciate the way the writers use the Ben/Joseph relationship to demonstrate the paranoia and hysteria that’s gripping Earth. The kitchen confrontation is perhaps the high point of the episode and works so well because it’s not just telling us how the Dominion threat is screwing with people’s minds—it shows us, and it makes for solid drama. Mind you, the writers do throw in a few red herrings designed to make us wonder if Joseph might actually BE a Changeling, and that slight uncertainty makes these scenes all the more powerful. It’s actually unsettling to watch, precisely because we’re already so emotionally invested in the Sisko family.

Of course, this episodes sees Sisko promoted to acting head of security on Earth. He sure gets around, huh? (But, then, this is the guy who would end the series as a literal deity!). This promotion does feel just a little left-field given that Sisko was never a security officer at all, but I can accept it, if only because he’s our series lead and the plot necessitates his involvement. Along with his old friend, the seemingly earnest Admiral Leyton and his forthright adjutant, Commander Benteen (who used to be called Leah Brahms before a mortifying holodeck scandal with a certain Enterprise engineer forced her to change her name and identity), Sisko is determined to protect Earth from the threat imposed by the Changelings.

The real problem is the Federation President, Jaresh Inyo, who is…well, basically, a bit spineless. These scenes made me uneasily think of the onset of the pandemic last year and how certain weak leaders were highly reluctant to take action, resulting in horrific and avoidable death tolls. As a Brit, I’m specifically thinking of Boris Johnson, a man who, due to his own ineptitude and need for approval, wanted to avoid upsetting people or disrupting their lives even when the direness of the crisis was plain to see. President Inyo is far more likeable, however, but he is undeniably weak and clearly lacks the grit or conviction to make the tough calls. Of course, we’re naturally on Sisko and Leyton’s side in this episode, because we’ve seen the chaos that’s been caused and we know what the Dominion is capable of. It’s clearly a dangerous road to go down, however, and reminded me of a fascinating and insightful documentary I watched years ago called “The Politics of Fear”, which was about how fear can be weaponised to gain control over people and generate compliance. I wonder if anyone actually managed to guess the dramatic reversal we’d see in the second part?

While this is an excellent episode all round, I do have some nitpicks, primarily with regard to Earth’s political structure. Basically, I’m confused as to why the Federation President also seems to be doubling as the leader of Earth. Do the writers think Earth is synonymous with the Federation and doesn’t have its own ruling body? Surely when planets join the Federation their autonomous governments aren’t all subsumed into one Federation omni-government? There’s no way in hell that could ever work. I feel the writers really didn’t think that one through at all, and it comes across as lazy, unsatisfying writing. The devil is in the details as they say, and they really failed to put enough consideration into how Earth and the Federation actually work.

Aside from that, if “Homefront” has any real flaw it’s simply that it’s pretty much all set up. That said, when set up is this good, I don’t mind at all. It’s a dramatic, engaging and thought-provoking episode that deftly balances plot and characterisation. The heart of the episode are the scenes with the three Sisko men, and it’s also fantastic to see an exuberant Nog, now a regular at “Sisko’s” as he struggles to fit in at the Academy (although Avery Brooks’ performance somehow makes Sisko seem overly irritated and even a little disdainful of the very boy whose application to Starfleet Academy he sponsored).

It’s nice to see Odo play a larger role (having been generally under-utilised this season), and while they don’t get much screen time, the rest of the cast all get some nice moments, including Kira who wistfully musing that she was hopeful that the Prophets were about to communicate with Bajor and Worf’s hilarious declaration that the Klingons killed their own Gods because they were more trouble than they were worth. The idea that Dax is breaking into Odo’s quarters to move his furniture is…quite frankly head-scratching (not to mention criminal). I get that the writers have been playing up the roguish, teasing side of her nature, but that particular detail is still a little too bizarre. Before leaving the station, we get a fun scene with Bashir and O’Brien dressed up as RAF Squaddies in Quark’s, in what I believe is the first in what would become a regular series of holosuite outings for the two.

All in all, I thoroughly enjoyed this episode and considered giving it a 10, but a couple of niggles and an underwhelming cliff-hanger work to its detriment. The declaration of martial law on Earth doesn’t seem nearly as dramatic as it ought to be, particularly when all the budget will stretch to is a couple of armed Starfleet officers beaming onto the street outside Sisko’s restaurant. I also find that my enjoyment of this episode is marred just a tad by the knowledge that the second part would be something of a disappointment. Nevertheless, it’s still an example of the series pretty much firing on all cylinders. Rating: 9
 
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I thought I might have a tough time justifying a score of 10 for “Our Man Bashir” as I wasn’t sure if other people loved it quite as much as I do.
For some fans, particular Holodeck/suite episodes resonated very strongly. This episode, along with Big Goodbye and Bride of Chaotica, sometimes appear at the top of people's favorite episodes of the franchise. (Of course, there's Only a Paper Moon, but that deserves special consideration, IMO.)

One thing I will say about Our Man Bashir is that it is not some random fluff interrupting a great story. As was mentioned above, the DS9 writers loved referencing all manner of literature and film. Furthermore, they loved commenting on the nature of storytelling itself.Our Man Bashir says a lot about the inner motivations of both Bashir and Garak. While the tone of Inter Arma Enim Silent Leges is different, it's easy to see that the two episodes share much in common,particularly in Bashir's willingness to thwart the narrative to achieve the ends he thinks are most ethical.
 
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Excellent review. The point about this episode being pre-911, is well taken. Trek always had a prophetic side to it. Sisko in a way predicted the Obama administration --he was the Emissary in my eyes (!)
The scene where Sisko is suspicious of his own father’s blood really conveys the degree of paranoia.
Unfortunately I see Brock Peters as Admiral Cartwright, every time-! He’s a strong actor and convincing as the curmudgeon, just not nearly as attractive as Ben and Jake.
I agree, Jadzia rearranging Odo’s furniture made no sense. But, the holodeck program with Bashir and O’Brien was a nice touch. And Worf’s comment about Klingon gods.
Susan Gibney was a favorite -also considered for the role of Janeway, Seven of Nine, and the Borg queen.

Thanks for sharing the photo of Terry Farrell and Nana Visitor - they look great! reminded me of how Jane Leeves and Peri Gilpin became best friends for life - Daphne and Roz from “Frasier.”
 
For some fans, particular Holodeck/suite episodes resonated very strongly. This episode, along with Big Goodbye and Bride of Chaotica, sometimes appear at the top of people's favorite episodes of the franchise. (Of course, there's Only a Paper Moon, but that deserves special consideration, IMO.)

One thing I will say about Our Man Bashir is that it is not some random fluff interrupting a great story. As was mentioned above, the DS9 writers loved referencing all manner of literature and film. Furthermore, they loved commenting on the nature of storytelling itself.Our Man Bashir says a lot about the inner motivations of both Bashir and Garak. While the tone of Inter Arma Enim Silent Leges is different, it's easy to see that the two episodes share much in common,particularly in Bashir's willingness to thwart the narrative to achieve the ends he thinks are most ethical.

Another reason why "The Big Goodbye" rates so highly is that it was the first 'holodeck gone wrong' episode. Hard to get tired of something when it is the first use. Plus, that episode showed how wondrous the holodeck is by the reactions of the crew, and STAR TREK should convey a sense of wonder at its own universe.

With "BRIDE OF CHAOTICA!", like "OUR MAN BASHIR", it uses a retro atmosphere to tell its story, in that case golden era scifi. Hell, you have the Captain Proton adventures done in black and white! That's a true novelty of the franchise because it wasn't done like that again. Plus, Kate Mulgrew was awesome as Queen Arachnia.

I agree that "IT'S ONLY A PAPER MOON" should not be lumped into the 'holodeck gone wrong' episodes because it didn't go wrong. Never mind the fact it was also brilliantly portrayed by Aron and James and had a great message on PTSD and recovery. That episode was a character piece, plain and simple.

Ironically, and I may be in the minority on this opinion, but if there is any series in the franchise that should have had a lot of holodeck use, it was VOYAGER. Simply because the crew had very few other resources to relax. It dipped into that well too often, but I actually don't fault that show for doing it because I feel it was meant to. I blame TNG for that. Had they not used that trope as often as they did, people would likely be more forgiving for VOYAGER using that trope.
 
“HOMEFRONT”

homefront11.jpg

Times, they are a-Changeling...

Originally intended as the third season finale, “Homefront” truly has the feel of a season finale, with a slow, simmering sense of tension that gradually builds to a cliff-hanger while successfully interweaving a number of wonderful character moments throughout. Yup, there’s a heck of a lot to like here, and it’s one of several DS9 episodes that seem particularly prescient in retrospect, especially considering it was the product of a pre-911 era.

While the show’s primary focus in the fourth season shifted to the Klingons, I was always relieved when it became clear that the Dominion was far from forgotten, and this is one of the most effective storylines in the Dominion arc yet. The revelation that Changelings have infiltrated the Alpha Quadrant was simply too fascinating not to follow up, and the news that the Founders have orchestrated a terror attack on Earth is a suitably dramatic hook to set events in motion here.

Fortunately, it allows for our first extended trip to 24th century Earth in what seems like…well, forever, actually. While TNG visited Earth a couple of times, we got to see precious little of life on our future-Earth. As nice as it is to spend some time at Starfleet Command, I’ve always found TNG-era Starfleet design and decor frightfully bland and beige, so it’s a relief that we spend some time outside of Starfleet in this two-parter and see that 24th century life isn’t all sterile and characterless. I love that part of these episodes are set at the Sisko family restaurant, which boasts colour and character and shows that people are still people and that life on Earth is nicely diverse rather than homogenised.

One of the crowning achievements of this two-parter is the casting of Brock Peters as Joseph Sisko, and he is magnificently warm, stubborn and feisty in the role (and it’s a testament to his versatility that I never thought of Admiral Cartwright once). It’s simply a delight to see three generations of the Sisko men together, and just as Avery Brooks and Cirroc Lofton share a beautiful chemistry, Peters almost feels as if he could actually BE their dad/grandfather. The family dynamic is plain wonderful to watch, and is something we never got before or again on Star Trek (I know Beverly and Wesley Crusher were mother and son, but they had next to no chemistry in my opinion).

I particularly appreciate the way the writers use the Ben/Joseph relationship to demonstrate the paranoia and hysteria that’s gripping Earth. The kitchen confrontation is perhaps the high point of the episode and works so well because it’s not just telling us how the Dominion threat is screwing with people’s minds—it shows us, and it makes for solid drama. Mind you, the writers do throw in a few red herrings designed to make us wonder if Joseph might actually BE a Changeling, and that slight uncertainty makes these scenes all the more powerful. It’s actually unsettling to watch, precisely because we’re already so emotionally invested in the Sisko family.

Of course, this episodes sees Sisko promoted to acting head of security on Earth. He sure gets around, huh? (But, then, this is the guy who would end the series as a literal deity!). This promotion does feel just a little left-field given that Sisko was never a security officer at all, but I can accept it, if only because he’s our series lead and the plot necessitates his involvement. Along with his old friend, the seemingly earnest Admiral Leyton and his forthright adjutant, Commander Benteen (who used to be called Leah Brahms before a mortifying holodeck scandal with a certain Enterprise engineer forced her to change her name and identity), Sisko is determined to protect Earth from the threat imposed by the Changelings.

The real problem is the Federation President, Jaresh Inyo, who is…well, basically, a bit spineless. These scenes made me uneasily think of the onset of the pandemic last year and how certain weak leaders were highly reluctant to take action, resulting in horrific and avoidable death tolls. As a Brit, I’m specifically thinking of Boris Johnson, a man who, due to his own ineptitude and need for approval, wanted to avoid upsetting people or disrupting their lives even when the direness of the crisis was plain to see. President Inyo is far more likeable, however, but he is undeniably weak and clearly lacks the grit or conviction to make the tough calls. Of course, we’re naturally on Sisko and Leyton’s side in this episode, because we’ve seen the chaos that’s been caused and we know what the Dominion is capable of. It’s clearly a dangerous road to go down, however, and reminded me of a fascinating and insightful documentary I watched years ago called “The Politics of Fear”, which was about how fear can be weaponised to gain control over people and generate compliance. I wonder if anyone actually managed to guess the dramatic reversal we’d see in the second part?

While this is an excellent episode all round, I do have some nitpicks, primarily with regard to Earth’s political structure. Basically, I’m confused as to why the Federation President also seems to be doubling as the leader of Earth. Do the writers think Earth is synonymous with the Federation and doesn’t have its own ruling body? Surely when planets join the Federation their autonomous governments aren’t all subsumed into one Federation omni-government? There’s no way in hell that could ever work. I feel the writers really didn’t think that one through at all, and it comes across as lazy, unsatisfying writing. The devil is in the details as they say, and they really failed to put enough consideration into how Earth and the Federation actually work.

Aside from that, if “Homefront” has any real flaw it’s simply that it’s pretty much all set up. That said, when set up is this good, I don’t mind at all. It’s a dramatic, engaging and thought-provoking episode that deftly balances plot and characterisation. The heart of the episode are the scenes with the three Sisko men, and it’s also fantastic to see an exuberant Nog, now a regular at “Sisko’s” as he struggles to fit in at the Academy (although Avery Brooks’ performance somehow makes Sisko seem overly irritated and even a little disdainful of the very boy whose application to Starfleet Academy he sponsored).

It’s nice to see Odo play a larger role (having been generally under-utilised this season), and while they don’t get much screen time, the rest of the cast all get some nice moments, including Kira who wistfully musing that she was hopeful that the Prophets were about to communicate with Bajor and Worf’s hilarious declaration that the Klingons killed their own Gods because they were more trouble than they were worth. The idea that Dax is breaking into Odo’s quarters to move his furniture is…quite frankly head-scratching (not to mention criminal). I get that the writers have been playing up the roguish, teasing side of her nature, but that particular detail is still a little too bizarre. Before leaving the station, we get a fun scene with Bashir and O’Brien dressed up as RAF Squaddies in Quark’s, in what I believe is the first in what would become a regular series of holosuite outings for the two.

All in all, I thoroughly enjoyed this episode and considered giving it a 10, but a couple of niggles and an underwhelming cliff-hanger work to its detriment. The declaration of martial law on Earth doesn’t seem nearly as dramatic as it ought to be, particularly when all the budget will stretch to is a couple of armed Starfleet officers beaming onto the street outside Sisko’s restaurant. I also find that my enjoyment of this episode is marred just a tad by the knowledge that the second part would be something of a disappointment. Nevertheless, it’s still an example of the series pretty much firing on all cylinders. Rating: 9

Excellent review! I really have nothing to add. I tip my hat to you... reading your reviews have become a highlight for me. Extremely well thought out and considered.

All I can do is applaud and get ready for reading the next one. :beer:

(That's the closest I can find to an 'applause' emoticon.)
 
Ironically, and I may be in the minority on this opinion, but if there is any series in the franchise that should have had a lot of holodeck use, it was VOYAGER. Simply because the crew had very few other resources to relax. It dipped into that well too often, but I actually don't fault that show for doing it because I feel it was meant to. I blame TNG for that. Had they not used that trope as often as they did, people would likely be more forgiving for VOYAGER using that trope.
Whether or not Voyager overused the holodeck overlaps with the larger discussion about why the crew did not experience more material deprivations, of course. From my perspective, the use of the holodeck is useful when it helps to explore the characters in some sort of tangential fashion, getting into their fantasies without getting into their heads. From that perspective, Voyager could still make gratuitous use of the trope. Those that involve the EMH are, sine qua non, holodeck related. Author, Author really stands out to me. This one, along with Tinker, Tenor, Doctor, Spy, tend to feel indulgent, in spite of the tightness of the stories. Nothing new is really revealed about the main characters. The holodeck is basically used in order to frame another first contact incident being undermined by misinterpretation. Indeed, Bashir could have been transplanted into Chaotica. Conversely, Tom Paris could not be transported into the spy story without changing a lot.
 
Regarding Dorn, I really think Worf was a better written character on DS9 than TNG. I think Dorn even said he got more challenging stuff as an actor here than on TNG, and it shows. My wife even saw the difference, though her big observation was Worf was funnier on TNG than DS9.

Worf was often (not always) played for laughs on TNG. Note that when he sang Klingon opera on TNG, it was always out of key and funny. When he does the same on DS9, they let Dorn REALLY sing it, with dignity and conviction. He's also allowed to speak quietly and in a more subtle voice on DS9- much more than he ever did on TNG.
 
P.S. I happened to see this picture Terry Farrell shared on Instagram yesterday and thought I would share it, because it warmed my heart to see that she and Nana Visitor are still best friends and, in Terry’s words, “sisters”. My goodness, they also both look as beautiful as ever, too.

https://www.instagram.com/p/COI_kMWlzrp/?igshid=9453f2bxjm5v
COI_kMWlzrp

Yes, they do. Wow, Terry is outside. I thought she had an awful reaction to sun.
 
For some fans, particular Holodeck/suite episodes resonated very strongly. This episode, along with Big Goodbye and Bride of Chaotica, sometimes appear at the top of people's favorite episodes of the franchise. (Of course, there's Only a Paper Moon, but that deserves special consideration, IMO.)

One thing I will say about Our Man Bashir is that it is not some random fluff interrupting a great story. As was mentioned above, the DS9 writers loved referencing all manner of literature and film. Furthermore, they loved commenting on the nature of storytelling itself.Our Man Bashir says a lot about the inner motivations of both Bashir and Garak. While the tone of Inter Arma Enim Silent Leges is different, it's easy to see that the two episodes share much in common,particularly in Bashir's willingness to thwart the narrative to achieve the ends he thinks are most ethical.

Nicely put, I agree that “Our Man Bashir” did have some nice character depth, and wasn’t just a throwaway piece of fluff.

Susan Gibney was a favorite -also considered for the role of Janeway, Seven of Nine, and the Borg queen.

Thanks for sharing the photo of Terry Farrell and Nana Visitor - they look great! reminded me of how Jane Leeves and Peri Gilpin became best friends for life - Daphne and Roz from “Frasier.”

I had no idea Susan Gibney was considered for Janeway and the Borg Queen! She would have been good as either, I think. I’m also happy to know that Jane Leeves and Peri Gilpin are best friends in real life :)

Excellent review! I really have nothing to add. I tip my hat to you... reading your reviews have become a highlight for me. Extremely well thought out and considered.

All I can do is applaud and get ready for reading the next one. :beer:

(That's the closest I can find to an 'applause' emoticon.)

Aww, thanks Farscape. We have quite similar tastes in DS9 I think! When I started writing these I actually didn’t expect anyone to read or comment so it’s good to know it’s worth the effort. I’ve been enjoying writing again.

Whether or not Voyager overused the holodeck overlaps with the larger discussion about why the crew did not experience more material deprivations, of course.

yup, that’s why I didn’t care for Voyager’s overuse of the holodeck. It felt too much like luxury to me, and I really wanted a greater sense of deprivation and desperation for the crew and their situation. But, there was a big disconnect between the Voyager I wanted and the Voyager we got, which is why I rarely revisit it.
 
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