On the other hand, the finale of Superman (1978) is very much a rejection of that equation of Superman with divinity. When faced with a choice between being super and being a man, Clark defies his Kryptonian father and uses his powers to reverse time and save Lois. Clark very definitively choses to be a man over being a "god" in the 1978 film.
Ironically, while he ignores his godlike father in favor of his human one, it results in the most overpowered ability ever seen in any iteration of Superman.
Sure, but the difference is that Donner's Superman rejects divinity and chooses to be a man, while Snyder's Superman is too "divine" to even relate to humanity.
"Divine"? He's a sullen loner who is mostly just looking out for himself, his mother, and Lois. Sounds like a lot of ordinary humans that I know.
Will the R Rating really make it a better movie? Definitely less appealing to many people . It will be shown to less people, and with that, less buzz about it and the general DCFU.
The R-rating doesn't really matter. If you compare the R-rated & PG-13-rated versions of
Batman v. Superman or
Daredevil, there's not that much of a difference in terms of "child appropriate" material. On the other hand, try comparing the PG-13 versions of those movies with something like
Ant-Man, which got the same rating. PG-13 covers such a broad range of material and tones that it's practically meaningless.
And the list of things that are distinctly not for kids being marketed as such is getting longer and longer. Ghostbusters, Jurassic Park, Aliens, Walking Dead, are all ones I've seen lately with deliberate marketing towards kids in cartoons, toys and comics. And that's not including Rambo, Demolition Man, or Robocop.
I don't see anything child inappropriate about
Jurassic Park. There's almost no blood. And while the
Alien movies do up the gore factor a little bit, I think it works for children too, at least up to a point. They're scary movies that kids understand are supposed to be scary because the notion of being eaten by an alien or dinosaur is universally terrifying for people of all ages. We show kids cartoons about cats trying to eat mice & birds all the time. This is just taking that concept and making it less safe. But the whole point of horror is the thrill of simulated danger. And the other thing that we need to remember is that the reason why these sorts of things appeal to kids is specifically because they're not made FOR kids. When you're a little kid, you start out on a diet of nursery rhymes and
Sesame Street. Then you move up to action cartoons and Looney Toons. But eventually, while you are still a kid in every way that counts, you develop an interest in more "adult" properties aimed at general audiences. It's a rite of passage (and one of the few that we have in Western civilization). The proper age to start getting into that is going to vary from child to child. And sometimes it will happen in fits and starts, hiding under the blanket or behind the chair during some of the more intense moments. And you won't always understand every nuance of the film that you're watching because it's aimed at a more experienced age group than you. But everyone starts somewhere.
Thinking back to my own childhood, I remember catching bits of
Batman (1989) when my dad & uncle watched it on cable back when I was probably 8 or so. I didn't follow much of it but I thought that the Batmobile was cool and that the whole thing seemed incomprehensibly huge & epic & sophisticated in a way that an animated Disney movie just couldn't muster. That being said, there's a certain grim joylessness to the Snyder movies that I don't think I would have had the patience for at that age. But I probably would have liked
Suicide Squad.
I noted back at the time that BvS was released on Easter weekend, and Superman sacrifices himself at the end, so Superman died on Good Friday.
But unlike Jesus, it's taken him 5 years to rise from the dead.
not the Salkinds (we saw the less-than-enthusiastic reaction to would-be Salkind sequel Superman Returns)
I don't think that it was the tone that made
Superman Returns underperform. I think it was the slavish devotion to the Richard Donner
continuity that put people off. It had been too long and all of the actors were new anyway, so I think that people were hoping for & expecting a reboot. Or at least something with a more distinct identity and not just Singer's fanfilm homage to the Donner films. (Also, I suspect people want to see Superman punch somebody at least once. Lifting a giant rock into space just doesn't cut it as far as action climaxes these days.)
My dumbass edgelord adolescent self would have loved Zack Snyder.
I don't disagree but, even in my 30s, I'm still in touch with my edgy adolescent self and can find some enjoyment in Snyder's movies, even if I think they miss the point.
At this point I think the consensus is Wheadon wasn't the best choice to complete the first version of the movie. Why was he chosen, considering how different are the vision about superhero movies between the two directors?
It depends on what you're trying to do. If you want to achieve the best possible version of the movie that Snyder was trying to make, Whedon is completely unsuited to that task. But that's not what Warner Bros. was trying to do. They were trying to do a massive course correction to the franchise right in the middle of making the movie. I would have warned them against it. I understand their dissatisfaction with what Snyder was doing but getting Whedon to reshoot the movie like that is kinda like trying to steer a car while also jumping out of it. It's a shame because I think that if they had taken their time and gotten Whedon to do a pass on the script BEFORE Snyder started shooting it, they might have succeeded in getting the best of both worlds, rather than the theatrical mess we got.
Geez! Zack Snyder and his endless reservoir of extended cuts!

I remember reading an interview where he said that he has an extended cut of
Sucker Punch that's half an hour longer than the extended cut we already have. Guy doesn't know when to quit! (He's not in terrible company though. Compare that to the endlessly tweaked edits of
Alexander and
Blade Runner or Coppola spending most of the last few years re-editing old works like
Apocalypse Now, The Cotton Club, and
The Godfather, Part III.)
Okay, this tweet made me snort the last of my Foxes’ Rock stout out my nose
https://twitter.com/vancityreynolds/status/1372247901292871683?s=21
Y'know,
Green Lantern wasn't great but it's far from the worst DC movie ever made. (We live in a universe where
Batman & Robin, Catwoman, and
Superman IV exist, after all.) And while it was kinda funny the first few times Ryan Reynolds made some digs at it, it's quickly becoming tiresome. It's not so terrible that he needs to apologize for it every time he speaks in public. (He could at least mix it up and apologize for
Blade Trinity every once in a while.)