When (Ally McBeal creator) David E. Kelley was linked to a tv version of Wonder Woman, I said that he should do She-Hulk.So, which version of the Sensational She-Hulk is the MCU getting?
Ally McBeal with gamma rays, says Feige.
When (Ally McBeal creator) David E. Kelley was linked to a tv version of Wonder Woman, I said that he should do She-Hulk.So, which version of the Sensational She-Hulk is the MCU getting?
Ally McBeal with gamma rays, says Feige.
So, which version of the Sensational She-Hulk is the MCU getting?
Ally McBeal with gamma rays, says Feige.
When (Ally McBeal creator) David E. Kelley was linked to a tv version of Wonder Woman, I said that he should do She-Hulk.
Which sounds like the Dan Slott or Charles Soule run on the comic. Both of those focused on Jen's work as a lawyer, with a comedic tone. And Maslany's Instagram post is a cover from the Soule run, suggesting that might be the inspiration.
Except his version of Wonder Woman was terrible, an insult to the character, demonstrating a fundamental misunderstanding of and contempt toward superheroes. I hate to think what he would've turned She-Hulk into.
It was terrible. Which was why I think he was wrong for WW (who he made a lawyer). But he has also since made Big Little Lies, Goliath, The Undoing and Mr Mercedes, all of which were good, some of which were excellent. None of which were anything like his Wonder Woman pilot. Which, if anything, seemed to suffer at least in part because he was trying to make a super heroic Ally McBeal. But given that the makers of the She-Hulk tv show are specifically naming his show as an influence on theirs, I think I may just have had a point about his suitability for her.
I mean, Joss Whedon’s WW script wasn't exactly great but that didn’t stop Marvel hiring him for a couple of fairly important and successful films.
I have to agree that Captain Marvel is the most qualified right now (taking into account Black Panther’s absence).
Not because of her power level, otherwise Thor could do it, too.
She is a simply leader personality.
First off, Kelley did not make Diana a lawyer, he made her a corporate CEO. Second, the problem was not the civilian job he gave her. The problem was the horrible, tone-deaf depiction of what it meant to be a superhero. He turned Wonder Woman into a brutal vigilante who scoffed at laws and civil rights and tortured suspects for information even though she had the Lasso of Truth. The whole thing (at least as much as I saw before I turned it off in disgust) felt like a take on superheroes by someone who had a jaundiced, condescending, and badly misinformed view of what superheroes were. It was one of those genre works where you can tell that the creator is unfamiliar with the genre and didn't care enough to do their homework, instead just basing it on their preconceptions from the outside looking in.
And Whedon proved in those films that he understood what superheroes are about, which is saving lives, not being bullying thugs. And he proved that he understood the universe and its characters. It's not a question of quality. David E. Kelley has certainly made a lot of quality TV, and my father was a big fan of his work. It's a question of understanding and respecting the material. Whedon does; Kelley didn't. So I wouldn't trust him with any comic book superhero adaptation, even one about a funny female lawyer. He'd get the "Ally McBeal" stuff okay, but I don't think he'd do the superhero stuff right.
Jeez, calm down, we’re talking about a leaked pilot from nearly a decade ago that never went to air, forgive me if I forget the details of it.
You’re the one who often points out that first drafts of or artistic works don’t often reflect the final version of it, so maybe that would’ve been the case here.
But we won’t know because it’s a hypothetical discussion and it’s, you know, a Wonder Woman show, not a She-Hulk one.
She-Hulk, certainly as I’ve ever seen her, is pretty much a Kelley character (from his Ally, the Practice, Boston Legal run) with superpowers.
Agreed with all of this except one part: I'm one of the few people who unapologetically, unironically, and absolutely loves Cowboys and Aliens.Jeez, calm down, we’re talking about a leaked pilot from nearly a decade ago that never went to air, forgive me if I forget the details of it. You’re the one who often points out that first drafts of or artistic works don’t often reflect the final version of it, so maybe that would’ve been the case here.
But we won’t know because it’s a hypothetical discussion and it’s, you know, a Wonder Woman show, not a She-Hulk one. Jon Favreau mixed cowboys and aliens in a film of that name, which was mauled by fans and critics alike, before making a space western in the form of The Mandalorian, which has been quite the success. Bryan Singer’s X-Men films were much better received than his Superman film, all the stuff that worked for Tim Burton’s Batman would’ve made him wrong (IMHO) for Superman, John Logan came a cropper with Star Trek but hit it out of the park with James Bond, JJ Abrams Superman script nearly burnt down the internet but most people seemed to like his Star Trek, etc etc. Horses for courses. She-Hulk, certainly as I’ve ever seen her, is pretty much a Kelley character (from his Ally, the Practice, Boston Legal run) with superpowers.
But like I say, it’s a hypothetical discussion, so feel free to disagree. Happy Christmas!
IIRC that was Charles Soule. His run was quite good.Was it She-Hulk who had an actual ex-lawyer as a writer for a while? I remember reading an interview with someone who was writing one of their books talking how they were able to use their law experience to give a more accurate look at that side of the character's life.
Agreed with all of this except one part: I'm one of the few people who unapologetically, unironically, and absolutely loves Cowboys and Aliens.
OK, thanks.IIRC that was Charles Soule. His run was quite good.
I've been about half of my comics reading through Hoopla since I found it earlier this year. I quit my job last year and haven't gotten a new one yet, so Hoopla has really helped me save a lot of money.Yes, that was Soule.
A lot of these comics are available for free on the Hoopla digital library, as long as you have a card with a participating library system. That's where I read them. They've got various different iterations of She-Hulk, including the classic John Byrne run where she was a Deadpool-like character who knew she was in a comic book and made constant metatextual wisecracks (which I own the first 8-issue collection of but never found the rest of until this year), the Slott and Soule runs that downplayed that aspect and focused on her legal work (though the Slott run found another, very clever way to be meta about comics), and the recent Mariko Tamaki run that took a more serious turn after she went through a trauma that turned her into a Gray Hulk.
So we have a situation where the MCU is a different reality to the comics, but the Sony animated movies look to be set in the same realities as the comics. Which seems both a bit odd and problematic regarding continuity.
Have I got that right ?
I suppose it's inevitable that the adaptations will use the existing designations, creating in the process alternate 616's etc.Movie and TV adaptations are under no obligation to use the same universe numbering used by wikis and the like. A lot of different Marvel adaptations refer to their universe as Earth-616, just as a lot of different DC adaptations refer to theirs as Earth-1. In fact, didn't Mysterio say in Far from Home that the MCU was Earth-616? Of course, his claims turned out to be false, but it just goes to show that the numbers are just storytellers' in-jokes, not some actual, universally accepted guideline.
In universe it's a surprise that there's an agreed numbering system anyway.
Cool, Wonder Woman is in this.Sersi is the Eternal with an affinity for humanity. Sersi is as happy working as a museum curator as she is saving humans from the threat of the Deviants.
Hmmmm. Not a fan of this.Since they arrived here from their home planet
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