Tell you what then, here's my cliffnotes version: -Vanity Fair interview with Dave filoni and Rosario Dawson. I assume it's fascinating and filled with interesting tidbits, however, I've reached my limit of free articles for the month at Vanity Fair so, I can't read it.
https://www.vanityfair.com/hollywoo...WrKPviofFIAiwR85bWj7NhxRWwXUzo81tw5v_vlKH-ytg
- The casting of Rosario was a direct result of the fans, though not solely. Dave felt she just fit the role.
- The decision was made right before the first season dropped, and they had a bunch of concept art already done with Rosario's face as Ahsoka when they called her about the role.
"I actually was glad because I had really bad reception, and so I ended up just going to the audio. So I was pacing and jumping up and down, trying to keep really cool in my voice, but I was freaking out. I mean, this is real Star Wars—the font, the look, the art, the everything, and my face in there. I just, I couldn’t. I was beside myself, and they were asking, “Do you want to do this? I mean, we appreciate if it’s not something you want to do.” And I was like, “Oh, no, no, that would be cool, actually. I think we could maybe work this out.” Trying to play it cool, but I was sweating."
- Turns out, Rosario went to acting school with Hayden Christensen in the same class and the two had been in a movie together ('Shattered Glass'), so it was almost fate...also a little trippy since that movie is about a magazine called "The New Republic".
- She also already knew some of Grogu's puppeteers from working on 'MIB II' and the worm guys.
- Inosanto and Biehn both brought a lot of experience to their roles. Biehn was very detail oriented going so far as to plot out how many shots his weapon had influencing how his character would deal with Dyn from a philosophical POV. Inosanto's presence lent credibility to the Magistrate being able to go toe-to-toe with Ahsoka.
- They iterated on Ahsoka's look a LOT. Getting the make-up right for the different light temperatures (apparently the volume tends to skew towards purple), making the face markings look natural and not painted on, and of course getting the headpiece to the size it needed to be for practical purposes. The final result was VERY securely attached for the stunt scenes.
- Filloni considered keeping Dawson's natural eye colour, but she was eager to try the contacts.
"Doing the face marking, doing my skin, wearing the costume, all of that was absolutely incredible. But I still kind of felt like I was in cosplay. The second the contacts went in, it was Ahsoka. I felt like I disappeared."
- Turns out, Rosario was in full make-up and costume, just out of frame when this photo was taken.
- Filloni talks about about Ahsoka's progression from a brash teen into the "Gandalf stage" she's at, or at least nearly at now.
"Yeah, I think something fans like about the character is that she’s rather complex. They all focus very hard on the line, “I am no Jedi,” from Star Wars: Rebels, but it’s undeniable that she’s trained by the Jedi. I think to most observers she is very Jedi to them. I would argue in some ways—by being so selfless and rejecting a lot of paths that would have given her power—she’s more Jedi-like than even some characters who claim to be Jedi."
- Rosario on Ashley: -
"Ashley did a remarkable job. You’ve seen this character first come into our hearts and minds as a teenager and then evolve, and Ashley has been there the entire way. Seeing how her voice changed, how her energy changed, and to hear the maturity develop in her was just so powerful and so beautiful. I studied it like crazy and tried my best to honor that. And it was just incredible to be able to have such an in-depth performance to source."
- I'll just paste the entirety of the response to the lawsuit controversy here so it can speak for itself:-
"Ahsoka does mean a great deal to people, and they’re deeply invested in who she is. So, Rosario, I want to ask you about something that’s outside of this story of The Mandalorian, and that’s the concern in the fandom about a lawsuit that was filed against you last year by a longtime family friend. The claim accused you and other family members of anti-trans bias, and you’ve called the lawsuit false and baseless. But what do you say to those Star Wars fans who hear this and believe the worst—that you are transphobic?
Dawson: Well, firstly, I just want to say I understand that, and why people were concerned, and are concerned. I would be too if I heard some of those claims. But I mean, as we’re seeing right now in these past months, and just recently, actually, the truth is coming out. Every single claim of discrimination has been dismissed by the person who made them, and as you’ve said, the fact that this is coming from someone I’ve known since I was a teenager, the better part of my life, and who my family was trying to help as we have many times in the past, it really just makes me sad. But I still have a great empathy for him.
Court records show 18 of the 20 claims were withdrawn voluntarily without a settlement, and his lawyer left the case. Two counts remain alleging a physical altercation, and a judge will rule on whether that can move forward next month. There are people that would say, “Well, this is just another example of a wealthy, famous person overpowering the system.” So what would you say to those people who are unconvinced, both about this case and about what you actually believe about trans people?
Dawson: The reason that all of the discrimination claims were dropped is because they didn’t happen. I was raised in a very inclusive and loving way, and that’s how I’ve lived my entire life. I’ve always used my voice to fight for, lift up, and empower the LGBTQA community, and use my platform to channel trans voices, in fiction and nonfiction work that I’ve produced and directed. So I feel the record is really clear."
Dawson: Well, firstly, I just want to say I understand that, and why people were concerned, and are concerned. I would be too if I heard some of those claims. But I mean, as we’re seeing right now in these past months, and just recently, actually, the truth is coming out. Every single claim of discrimination has been dismissed by the person who made them, and as you’ve said, the fact that this is coming from someone I’ve known since I was a teenager, the better part of my life, and who my family was trying to help as we have many times in the past, it really just makes me sad. But I still have a great empathy for him.
Court records show 18 of the 20 claims were withdrawn voluntarily without a settlement, and his lawyer left the case. Two counts remain alleging a physical altercation, and a judge will rule on whether that can move forward next month. There are people that would say, “Well, this is just another example of a wealthy, famous person overpowering the system.” So what would you say to those people who are unconvinced, both about this case and about what you actually believe about trans people?
Dawson: The reason that all of the discrimination claims were dropped is because they didn’t happen. I was raised in a very inclusive and loving way, and that’s how I’ve lived my entire life. I’ve always used my voice to fight for, lift up, and empower the LGBTQA community, and use my platform to channel trans voices, in fiction and nonfiction work that I’ve produced and directed. So I feel the record is really clear."
- The burnt forest setting was inspired by Dave's experiences living with the fire in northern California and being evacuated three years running.
- Grogu's name and backstory came from Jon during the production of season one, and it's just been a matter of finding the right way to convey that information to the audience. Once they decided to bring Ahsoka in, her own similar experiences made this the natural choice.
- The scene was a direct reference to the ANH scene where Obi-Wan explains (some of) Anakin's backstory. In both cases the audience learns as much about the teller as the subject through shared context.
- They've been careful to avoid using established Star Wars themes, precisely to give them weight and significance when they do show up, as was the case here with Yoda's theme.
- Filloni regarding the chronological placement of the Rebels coda: -
"Right. But no, it's an interesting one… That's not necessarily chronological. I think the thing that people will most not understand is they want to go in a linear fashion, but as I learned as a kid, nothing in Star Wars really works in a linear fashion. You do [Episodes] Four, Five and Six and then One, Two, and Three. So in the vein of that history, when you look at the epilogue of Rebels you don't really know how much time has passed. So, it's possible that the story I'm telling in The Mandalorian actually takes place prior to that. Possible. I'm saying it's possible."
It didn't though. It still had a formidable fleet that it kept defending the capital, and they probably could have met the First Order head on...but who the hell could have seen Starkiller coming?The New Republic's stance of ultra-pacifism is just as unreasonable and unbalanced as the Empire's stance of ultra-militarism. I realize the NR was likely gun-shy about maintaining a standing fleet, but to let it diminish into nothingness was patently foolish.
Keeping the bulk of their forces in one place helps project a sense of security, but not one of fear. The fleet would come to the aid of any world if summoned, and leave when it was no longer needed. The liberators mustn't become occupiers.
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