No. Picard had the same showrunner all season. So you can blame Michael Chabon completely for that if you feel so inclined.The way season 2 fell apart midway through makes more sense now. I'm going to assume the same thing happened on Picard because that suffered a similar nose dive in terms of quality.
Chabon is fine. Its Kurtzman who is evil...*horses neigh at the sound of his name*No. Picard had the same showrunner all season. So you can blame Michael Chabon completely for that if you feel so inclined.
We also had 6 weeks of short treks, so that's actually 39 weeksAnd don't forget, we already had 10 weeks of Picard this year totaling 33 weeks. For me this almost makes staying subscribed all year worth the money. If they can hit 44 out of 52 I'll stay subscribed all year.
I'd be okay with them skipping Thursday, December 24th. At least if the situation with the Quarantine improves.
I don't disagree with you. They lost their jobs due to bad behavior.A few things:
Berg and Harberts lost their jobs because they couldn't stay on-budget and were treating DSC crew and staff like garbage, not because of issues with the season's narrative
A few things:
3) Michelle Paradise is to-roadrunner on Season 3 alongside Kurtzman
I don't disagree with you. They lost their jobs due to bad behavior.
But, bad behavior or not, if they continue to use ideas that came from Berg and Harberts, they'd have to be given story credit, which means paying them. I think Kurtzman didn't want to bother with that. He just wanted them gone and completely out of his hair.
Even if someone's an asshole, you still have to pay them if you use their ideas. Otherwise, you're looking at a potential lawsuit.
I didn't say they weren't credited for the episodes they worked on. They were credited for everything they worked on until they were fired. I'm saying Alex Kurtzman didn't want to credit them for anything in episodes that were in production after they were fired.@Lord Garth As far as I know, Berg and Harberts were credited on Season 2 for the episodes on which they worked
With a writer's room, it's a gray area when they're brainstorming. So it's not as easy to keep track of who came up with what before each writer was assigned a specific script. With constant back-and-forth, everyone came up with something.and the overall general story outline for the season remained the same as when they were in charge.
The way season 2 fell apart midway through makes more sense now. I'm going to assume the same thing happened on Picard because that suffered a similar nose dive in terms of quality.
I hope in a few years there is an unauthorized tell all book of Berg and Harbert's crimes against humanity on the Disco set. Just based on the After Trek shows, I imagine they would be shallow, petty, and fairly entertaining in retrospect.I don't disagree with you. They lost their jobs due to bad behavior.
But, bad behavior or not, if they continue to use ideas that came from Berg and Harberts, they'd have to be given story credit, which means paying them. I think Kurtzman didn't want to bother with that. He just wanted them gone and completely out of his hair.
Even if someone's an asshole, you still have to pay them if you use their ideas. Otherwise, you're looking at a potential lawsuit.
The way season 2 fell apart midway through makes more sense now. I'm going to assume the same thing happened on Picard because that suffered a similar nose dive in terms of quality.
There was a pretty definite shift in the writing once the credits changed from B&H. They may have been awful, but I do kind of wish we could have seen their season two. The first episodes were very promising.I didn't say they weren't credited for the episodes they worked on. They were credited for everything they worked on until they were fired. I'm saying Alex Kurtzman didn't want to credit them for anything in episodes that were in production after they were fired.
With a writer's room, it's a gray area when they're brainstorming. So it's not as easy to keep track of who came up with what before each writer was assigned a specific script. With constant back-and-forth, everyone came up with something.
So you can have a general outline, but anything specific where Berg or Harberts can say "No! I definitely came up with that!" and can prove it would have to be scrapped. So you can have the Red Angel (which becomes canon and CBS property as soon as it's in an episode). But what they do with it at the end of the season is a different story. Or if Alex Kurtzman says "I don't like this idea", he'll come up with his own way of telling that story.
Originally we weren't going to see Adult Spock. How much of the second half of the season changes without Spock being there? How much stays the same? Again, this starts moving into a gray area...
... but one place I want to move to is from Season 2 to Season 3.
Go Season 3!
Originally we weren't going to see Adult Spock.
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