Well Raffi surely would have done an internet search on her by now and said something if she weren't.Is she though?
Well Raffi surely would have done an internet search on her by now and said something if she weren't.Is she though?
Which is exactly why I avoid it. Cringing too much gives me a headache.I did a TOS rewatch about six months ago and frankly a lot of it seemed cringeworthy.
If the plot demands itWell Raffi surely would have done an internet search on her by now and said something if she weren't.
Not knowing about Sybok is understandable. Not knowing about Sarek isn't reallyKirk never did an adequate Internet search on Spock or else he'd have known about Sybok. #GoogleThatBro
I wouldn't be surprised if spock, sybok, and or sarek himself edited sareks Wikipedia article to remove any mention of relationI guess McCoy was right about him being as tight-lipped as an Aldebaran shellmouth. That man can keep secrets until he no longer can.
Also, the service files aren't going to follow the parents. Sarek may be as common a name as Jim on Vulcan. Also, we don't know Sarek's job on those records apart from Diplomat so Kirk may well not have put the two together. Of course, a Vulcan ambassador with a human wife might have been a hint.I guess McCoy was right about him being as tight-lipped as an Aldebaran shellmouth. That man can keep secrets until he no longer can.
I wouldn't be surprised if spock, sybok, and or sarek himself edited sareks Wikipedia article to remove any mention of relation
Vash ("Captain's Holiday"), Kamala (implied in "The Perfect Mate"), Marta (at least in the Q version of "Tapestry"), Darren ("Lessons"). Then there's his past. Jenice ("We'll Always Have Paris"), Vigo ("Bloodlines"), and it looks like there were sparks flying with Louvois ("The Measure of a Man").
Looks like he averaged one, past or present, per season.
Selma in the reference in question was a hole enough thank very much.It's better than the alternative interpretation: Tierra del Supermassive Black Hole.
Mystery boxes, sex and cursing are part of the human condition and have always been and also have always been part of Star Trek storytelling. The fact that you can't see beyond the mystery the characters are chasing, the sex some of them are having or the curses they say from time to time to recognize what more is going on in the season long arcs of modern Trek says a lot about you as a viewer. More so, the fact that you willingly look past the continous crude sexual references, amoral hijinx and other juvenile storytelling that permiates The Orville, and that the series it is entirely wrapped around a failed sexual relationship, in your claim it exists on a higher storytelling plane than modern Trek, strongly suggests that you could look deeper into Disco and Picard if you wanted to.
The post, not the poster.It does no great service to you that it is wrapped in a condescending tone, perhaps intentionally meant to agitate. This is the nature of the angry fanboy critic
Something Trek has not done well in a long time. I think Trek 09 and Into Darkness were the closest, but even DSC has struggled with that. So, holding up Trek as this definitive allegorical powerhouse is difficult to parse, at best.My mentioned affinity for the Orville is due to their emphasis on compact self contained stories with a very loose arc (if one can even call it an arc). Moreover they have had some good examples of using allegorical situations to reflect on issues.
Hey, she just happened to be there when Picard showed up...Her Shuttle flight to the Klingon A.I. symposiums didn't leave until the following Tuesday...It's an oversight of the writers. They thought it would sound endearing if the Federation's most knowledgeable cybernetics expert was stuck on Earth because of the Synth ban and the withdrawal of resources. Problem is Trek has already proven over the decades that science experts don't just stay on Earth all the time because, well, there's a Federation and there are such things as warp drive and other species who hear about your work.
Fair enough. I wasn't trying to make the claim that the Orville does it well as a rule - only that it does, as you say, do it well from time to time. By contrast ST: Discovery hasn't really done it at all - at least nothing that stands out to me.Something Trek has not done well in a long time. I think Trek 09 and Into Darkness were the closest, but even DSC has struggled with that. So, holding up Trek as this definitive allegorical powerhouse is difficult to parse, at best.
Orville has done well with its allegories, but that's few and far between rather than the norm.
DSC and other Treks are largely internal dealings, rather than larger allegories. How the characters deal with trauma, and war, and pain is all a part of representing both the positive and negative aspects of humans.Fair enough. I wasn't trying to make the claim that the Orville does it well as a rule - only that it does, as you say, do it well from time to time. By contrast ST: Discovery hasn't really done it at all - at least nothing that stands out to me.
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