I like this slow burn approach they're using. We're being given plenty of time to familiarize ourselves with the state of the Federation, of our heroes, our villains, and the new people stepping in who signify change. The political and social edge of Star Trek is right where it should be, which is front and center. Picard doesn't waffle upon being challenged over something he truly believes is morally wrong. He still has strong, ethical principles, and he sticks by them no matter how unpopular it is with those who deign themselves as the ultimate of moral authorities, as Admiral Clancy does when she insists that the Federation gets to say who lives and who dies.
Clancy clearly believes in the idea that Romulan lives are worth less than Federation lives, and that is a constant issue in human history, where the small number of the "worthy" must be preserved at the cost of the "worthless" by comparison, and yet she is the one who claims Picard is moved by hubris. It is the desperate and self-righteous song of those who bang the table for America First, or Germany First, or Britain First, because the empire must be preserved, and if all it costs is a few million lives of "lesser" persons, then the price is worth it for the, ah,
greater good. That is what I see here, and I like that this is the message being pushed. We need this message delivered boldly, and it looks like
Star Trek: Picard is willing to do so. I applaud it.
As for the characterizations, well I don't think I could love Laris and Shabhan any more than I do already, but they continue to shine. Laris' quip of "Are you mad?! Is it dementia? Sorry, because you're not a stupid man, so when you have such a stupid idea I have to look for other explanations!" when Picard reveals his plans was delivered with such a combination of love and venom that you can easily believe she has been at Picard's side for decades, and knows him like the back of her hand.
Oh, and the visuals! The scenes 14 years prior at Utopia Planitia, the arrival at Starfleet HQ, the shots inside the Borg Cube, all do an excellent job of making the story feel real, that these locations carry weight, that they matter, that they are lived in, and people are a part of them. Very well done.
It sets up next week so perfectly, and I can't wait to see the conclusion of the "pilot." So far, though, I am very happy with what I've seen so far. This one gets a solid 9. For some it was a bit slow, and mostly table talk, but for me it is just the right speed out of the gate to flesh everything out. I'm into the story, I'm into our characters, and I want to see where it all leads.