If the Pike petition is based on the safest possible “don’t touch anything, that looks fine right there, give us more of that” approach to “boldly going”, why not add the slightest amount of risk and ask for April in 2245 (or decades earlier if we go by TAS)?
And Picard too, please. That way we got all Pike all the time, since we are wishing for unrealistic things.
Because we like this cast and these characters.
The petition's not "based on the safest possible approach." It's based on what people want to see.
That's not complicated.
There's no advantage to introducing April, who's really nothing but a name.
No. Just no.Far from being “what people want to see”, that’s actually “what people are willing to settle for from the current offerin
If 5 years ago I would say that we would get a new show about Picard you would probably say that I was being unrealistic.
As the Pike turns.In fact, just cancel everything and just churn out new Pike episodes every week without any season breaks. Or even better, make it a daily soap.
To be honest, they should just have integrated the DISco-crew into the Enterprise, or kept Pike a bit longer on DIS.
That would just be even more backpedaling. As a viewer I never want to see a show that isn’t bursting with confidence. I want to see it pick a direction and prove the naysayers wrong. If I thought that S1 was OK, show me a smooth transition into an improved S2, with parsimonious development of main character threads. “No surrender, no retreat.”
I think season 2 did it both amazing, and completely dropped the ball later on. When they introduced Klingon hair, the traditional icon, the coloured uniforms - all that shit was nice, because it was just tiny background elements and didn't distract from the major story of the red angel and the seven signals.
When they completely curve-balled their main storyline, and sacrificed the main logic and thrust of their story to create a scenario to take the ship into the future and classify their previous adventures - that was stupid. Because it was the background elements suddenly dictating the main story, and sacrificing their main villains' motivation, reasoning, and acting to instead focus on stuff that's really only background noise.
Regardless of intent, it does come across as pandering to criticism because of the specific elements being addressed. Having already seen the physically discontinuous Enterprise, why should I care that the other bits are also different? Maybe in “DiscoVision” the Klingons do look that way, maybe they’re an orthodox subculture soon to be displaced by invaders from K’lai Klinzhai. Maybe Pike’s crew could’ve worn undershirts in “The Cage” colors. Local consistency is more important than mere lip service (like showing a “starship class” dedication plaque after we’d already seen them with traditional class names).
I don’t think a showrunner would be that worried about canon. Hopefully they merely decided to develop their own successful storyline without the safety net of the 2250s, but in the context of the first two seasons it looks like a second retooling. A better choice would’ve been to stick to 2258 and let the fan service fall by the wayside, with Discovery voyaging far from Kirk’s route as a science vessel after the war.
No pleasing anyone.
I think CBS knows it hit gold with Mount-Peck-Romjin and they're not going to abandon the idea, but again, in context: if CBS and Viacom are uniting.. people you've got the next movie franchise team ready and assembled.
And yet that is the expectationA showrunner isn’t supposed to “please anyone”, merely stay true to the structure under construction.
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