Which is a Financial Technicality that only permits Paramount to collect a share of the royalties from those films.They own the IP, but they don’t own the individual TOS/TNG films.
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Which is a Financial Technicality that only permits Paramount to collect a share of the royalties from those films.They own the IP, but they don’t own the individual TOS/TNG films.
Which is a Financial Technicality that only permits Paramount to collect a share of the royalties.
Perhaps, but all the new TOS Film merchandise now goes through CBS for approval, which means they have the licensing rights all tied up.My understanding is that’s how it is now with the NuTrek films. Not any films produced before the split.
Perhaps, but all the new TOS Film merchandise now goes through CBS for approval, which means they have the licensing rights all tied up.
As i said, Paramount only gets the royalties from new releases of the films, while it has to share everything else with CBS.
Good to know.Very likely. The Sales Materials PDF on that page is out of date but they count 12 movies and 6 series. What's missing is Discovery and Beyond. Everything else is counted as a CBS property and grouped together.
It's just the movie footage itself, right? Not the designs? Because there are CBS products out there that use designs created for the movies, without Paramount being credited.Paramount owns the TOS and TNG films. That’s why any show made by CBS cannot use stock footage from those films.
Saw this on Deviant Art, a Movie refit in the style of the DSC Connie
https://www.deviantart.com/thraxllisylia/art/Star-Trek-Discovery-Uss-Enterprise-Refit-778929456
That long flight deck makes it look like she's pouting.Saw this on Deviant Art, a Movie refit in the style of the DSC Connie
https://www.deviantart.com/thraxllisylia/art/Star-Trek-Discovery-Uss-Enterprise-Refit-778929456
That looks pretty good to me, I do find that the round nacelles they went with in DSC feel out of place when every other ships are square, even the much older Shenzou.Saw this on Deviant Art, a Movie refit in the style of the DSC Connie
https://www.deviantart.com/thraxllisylia/art/Star-Trek-Discovery-Uss-Enterprise-Refit-778929456
Those nacelles looks pretty good. Like pretty well overall.Saw this on Deviant Art, a Movie refit in the style of the DSC Connie
https://www.deviantart.com/thraxllisylia/art/Star-Trek-Discovery-Uss-Enterprise-Refit-778929456
I'm aware of that. I was responding in the hypothetical situation of if they'd been stored over that time.The Enterprise sets were not stored. Just about all the Trek sets left on the Paramount lot were destroyed a year or two after Enterprise ended. Folks who worked on Trek salvaged a few bits.
https://johneaves.wordpress.com/2009/04/16/the-fall-of-rome/
Saw this on Deviant Art, a Movie refit in the style of the DSC Connie
https://www.deviantart.com/thraxllisylia/art/Star-Trek-Discovery-Uss-Enterprise-Refit-778929456
Before that though weren't they working on a movie set shortly after Enterprise that dealt with the Romulan War?But CBS gave Paramount a license to produce Trek films after ENT was cancelled. It was no longer their problem. It was up to Paramount to build new sets, props, models, etc., which they did.
Set between the last two Enterprise episodes, and wrote out the ENT crew by saying they were at Risa during the Romulan attack on earth. It was seemingly designed to recycle as many (then) existing ENT assets as possible. It ended on a cliffhanger.Before that though weren't they working on a movie set shortly after Enterprise that dealt with the Romulan War?
Eaves' art book has an unedited version of the Enterprise image that is used in the 2019 Ships of the Line Calendar.
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The Calendar version was edited to fit the final design seen on TV (angled pylons, glowing grills on the nacelles)
For Comparison https://i.imgur.com/xABN4iL.png
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