It doesn't make a difference to me. A bad idea is a bad idea. Period. Leave the icons alone.
And irrelevant for Spock to comment upon they appeared in the episode.I think for how humans and Vulcans procreate, it isn't unreasonable to suggest the logic of two parents. Yes we have other methods to procreate but it is quite logical to accept that Spock has parents - Sarek and Amanda.
It was kind of playing safe I think. Firstly this kind of prequel is different to say Enterprise which set itself well before any clumsy connections were made to TOS and the rest of Trek. Discovery positioned itself ten years before TOS and has systematically tried to be both its own incarnation and honour or leech (take your pick) from specifics of TOS. Michael as a lead has to step up. She has to own being the lead without being the Captain. That is a tough call on the character and its portrayer. So much attention is given to the Captain, like first with Lorca and now Pike. By having her be secondary to arguably one of the biggest stars of Trek (Spock) should, in my opinion, be downplayed until she can stand alone.It doesn't make a difference to me. A bad idea is a bad idea. Period. Leave the icons alone.
Spock isn't an icon. And if you mean "leave my favorite famous fictional character alone," well I've got some bad news for you.It doesn't make a difference to me. A bad idea is a bad idea. Period. Leave the icons alone.
Quite the contrary. And Spock isn't my favorite fictional character by the way. He's not even my favorite Star Trek character so that won't fly here.Spock isn't an icon. And if you mean "leave my favorite famous fictional character alone," well I've got some bad news for you.
Well I can't argue with that. I certainly don't quite agree with it but there you go.And I think it's a great idea. Disco is, at its core, a rebuke or censure against Star Trek's (and fandom's) overreliance and adherence on the doctrine it sometimes treats as dogma. What was the entire season one arc if not a questioning of "needs of the many" taken to its most extreme? To this end, it only makes sense to use the sibling of personification of this doctrine, as has been done throughout the history of fiction.
Spock isn't my favourite either but he is iconic in Trek popular cultureQuite the contrary. And Spock isn't my favorite fictional character by the way. He's not even my favorite Star Trek character so that won't fly here.
Let's keep it civil, please.What the fuck are you on about?
this is the same spock who also didnt mention his brother. for decades.Mere existence and being next of kin is hardly private information. I don't think my brother shared much about his family but we were still on record.
How much more rounded would it make the characters if they did? How much more real would it make them seem?How often do Star Trek characters ever talk about their families when they're not plot-relevant? Or right. Never.
When in any episode or film was Micheal ever plot-relevant? Oh right. Never.
Get over it already.
Having Miles mention his mother's potato dish made him think of Irland which, in turn, made him think of "The Minstrel Boy." Not only that, Keiko's disgust at the idea of Mamma O'Brien 'handling real meat', starkly contrasts their heritage/upbringing in a way that directly reflects the main theme of the episode. So, yes, very relevant. Though I'm not quite sure what your question is.How relevant to the plot was it when Miles O’Brien was telling Keiko about his mother using real food in “the wounded”?
and a very human thing to do too, my grandmother has (possibly had, not sure on his status) a brother she never talked about, ever, and wouldn't even acknowledge his existence if pressedthis is the same spock who also didnt mention his brother. for decades.
How did that scene propel the plot? That scene came about in a chat between a couple having breakfast. It didn’t lead to O’Brien charging up to the bridge and saying “I’ve figured it out because I was chatting with my wife and I remembered a song we used to sing back in the day”. That scene gave us information about O’Brien as a character and made him seem more real.Having Miles mention his mother's potato dish made him think of Irland which, in turn, made him think of "The Minstrel Boy." Not only that, Keiko's disgust at the idea of Mamma O'Brien 'handling real meat', starkly contrasts their heritage/upbringing in a way that directly reflects the main theme of the episode. So, yes, very relevant. Though I'm not quite sure what your question is.
As far as the other thing, there's plenty to discuss without having to keep regurgitating the same old nugget that was settled to [what should be] a satisfying end a year and a half ago with 'evidence of absence.'
I don't see the problem in discussing the elephant in the room. Michael was not part of Spock's backstory until Discovery. We all know that.Plus, if we all “got over it” this forum would cease to exist.
AgreedI don't see the problem in discussing the elephant in the room. Michael was not part of Spock's backstory until Discovery. We all know that.
Regards giving a character a more rounded basis. It happens often in Trek. B'Elanna when she was pregnant agonised over what it was like to appear Klingon and worried for her child. Her backstory featured in more than one episode. Janeway and her family. Chakotay getting his tattoo. Harry and his family, Tom and the Admiral... Seven and her parents. Even Tuvok a full Vulcan did not neglect mention or reference to family.
One would think that Spock who had to confront being seen as Vulcan and serving on a predominately human crewed vessel would think to his own family and life as well, of other interactions with humans. Like his Mother and his sister. Eventually he did introduce us to that family... except Michael of course because she didn't exist then,![]()
I just told you how. But I'm interested in doing further deconstruction of an episode I never liked can barely remember.How did that scene propel the plot?
Yes. And this was the foundation of his actions during the climaxThat scene gave us information about O’Brien as a character and made him seem more real.
Which in turn prompts Bashir to lament about how Garak taught him to appreciate discussion over the meal, which comes full circle at the end of the episode when Garak invites Odo to a meal. It also, quite directly, contrasts O'Brien and Garak. Or, rather, if Garak talks and eats at the same, then he does neither of those things very well. And of course, "talking" is at the root of Garak's character, especially as an interrogator. And here's a good one, while Garak is "talking" to Odo during the interaction scenes, that anti-Founder doohicky is eating away Odo.But to quote another O’Brien example, what did it have to do with the plot when he tells Bashir that his mother told him not to talk and eat at the same time? Nothing. It was two characters having a chat over a meal like real people do. And O’Brien mentioned his mother.
Nope. Everything on screen is relevant. Everything. Writers - especially TV writers - are very deliberate. If they put something on the page, there is a very specific reason for doing so, this was especially true with Berman as he was notoriously rigid about this. To wit: there's a reason they changed Sisko from having brothers to a sister even though she never appeared on screen. (It wasn't a good reason, but the writers felt it necessary.) And this is true for everything. So my statement was quite correct, actually.So my question is: how relevant is the plot to family discussions in Star Trek?
Not that relevant at all. So your point that this “never” happens above is incorrect![]()
Yeah... That's not how that works.But by that logic there’s no evidence that there *isnt* a flying teapot in orbit around the earth...
You do realize that all these, highlighted examples are basically synopsizing their respective episodes -- only proving my point even more.Regards giving a character a more rounded basis. It happens often in Trek. B'Elanna when she was pregnant agonised over what it was like to appear Klingon and worried for her child. Her backstory featured in more than one episode. Janeway and her family. Chakotay getting his tattoo. Harry and his family, Tom and the Admiral... Seven and her parents. Even Tuvok a full Vulcan did not neglect mention or reference to family.
Um, yeahBut it’s because Michael didn’t exist back in the sixties right up to the noughties.
Does that make it problematic that she’s been introduced now? I mostly think it does - but not in a way that breaks the universe.
The irony is that the lack of evidence for Michael’s existence is precisely the reason why one can’t argue against her existence.
But by that logic there’s no evidence that there *isnt* a flying teapot in orbit around the earth...
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which is why it’s odd that Spock wouldn’t have done the same.
Because the writers hadn't made them up yet??Vulcans live 200+ years and have wild illogical (likely contraception-free) sex every seven years.
Spock probably has like 20 other siblings we've never heard about, why didn't he ever talk about them?![]()
You didn’t actually - you made several points about themes in the episode (which I agree with btw) but the mention of O’Brien’s mother has nothing to do with the plot of the episode. The events are moved forward more by him remembering the song rather than his mother using real food, as you note below:I just told you how. But I'm interested in doing further deconstruction of an episode I never liked can barely remember.
Yes. And this was the foundation of his actions during the climax
Agreed regarding the characters. My point is that Bashir could have been having that conversation with anyone. The fact that Miles mentioned his mother had nothing to do with the story. The fact that Bashir missed Garak did.Which in turn prompts Bashir to lament about how Garak taught him to appreciate discussion over the meal, which comes full circle at the end of the episode when Garak invites Odo to a meal. It also, quite directly, contrasts O'Brien and Garak. Or, rather, if Garak talks and eats at the same, then he does neither of those things very well. And of course, "talking" is at the root of Garak's character, especially as an interrogator. And here's a good one, while Garak is "talking" to Odo during the interaction scenes, that anti-Founder doohicky is eating away Odo.
Everything on screen is relevant.
If you’re basing that assessment on your point immediately above (that everything on screen is relevant) then I don’t agree. How is “James R Kirk” relevant (in a way that has been canonically acknowledged)?So my statement was quite correct, actually.
In terms of proving a negative (I.e. that Michael *didn’t* exist) its exactly how it worksYeah... That's not how that works.
The examples are relevant to the characters in those scenes. They’re not necessarily relevant to the plots of those episodes.You do realize that all these, highlighted examples are basically synopsizing their respective episodes -- only proving my point even more.
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