I agree with that with one caveat, and that is with Kirk. His development may very well have differed, maybe significantly, from his prime counterpart because of his father being killed at his birth.
Yes, that too. So he started out in an even rougher place. But he still ended up being pretty much the same Captain Kirk, as we see in Beyond. So it was always in him to become that man, even when he started out at a greater disadvantage. It was always the intent to chart his growth into that man over the course of a trilogy.
For the remainder of the characters much of their origins probably remained unchanged. Obviously they were assigned to the Enterprise much younger than they were originally,
Except for Spock, whose Prime counterpart was on the E a good 4 years earlier.
Well, but it clearly was intended as a direct continuiation. They even originally wanted the same actor to play Phelps - but he understandably refused, not wanting to completely ruin his famed character.
Yes, that was the starting intent, but I'm talking about the actual result. If they had gotten Graves, then yes, it would've certainly looked like a continuation. But since they didn't get Graves, that means there was no proof either way. It could be freely interpreted as either a continuation where Phelps went bad (or was replaced by an impostor) or a complete reboot, because there was nothing in the final film to rule out either possibility. Which continued to be the case until Rogue Nation and its line about the IMF being 40 years old -- and even that could just be interpreted as a misstatement or a filmmakers' error rather than proof of a reboot. It could still be interpreted either way
Besides, sharing an actor does not automatically mean sharing a reality. Does anyone think that the Dan Aykroyd Dragnet spoof is really in the same reality as the classic TV series just because it had Harry Morgan reprising Bill Gannon? And we know that the Daniel Craig Bond films are a continuity reboot even though they brought back Judi Dench as M. Not to mention all the times that Kevin Conroy and Mark Hamill have played Batman and the Joker in animated continuities unconnected to the DC Animated Universe. Or Basil Rathbone and Nigel Bruce playing Holmes and Watson in a radio series set in the Victorian Era at the same time they were appearing in the Universal films that updated Holmes and Watson to the 1940s.
And Mission: Impossible itself always played fast and loose with continuity -- there were times when the whole team exposed their faces on national or international TV at the end of one episode but were back to being unknowns who could successfully pass as other people by the very next week. And in the last two seasons, every time they achieved a victory that brought down the leading organized crime syndicate in the US, there was always another equally pervasive crime syndicate still in power by the following week. Not to mention that several episodes of the '88 revival were direct remakes of original series episodes, which further unravels any pretense of a uniform continuity. This has always been the kind of franchise where you can't take continuity too seriously or literally, because the producers never did.
That's not how business work. Not at all. CBS held off on a new series without Bar Robots involvement during the run of three BR movies because they weren't contractually allowed to.
Even if that's true, you admit that it was only during the run of those movies, not forever. Which was my actual point.
But that they even split the television rights in the first place is a pretty clear indicator that, would they have been content with JJ Abrams products, they would have gone forward with switching the franchise to the "new" timeline.
Uhh, no, because the split of rights was not about Star Trek specifically. It was about Viacom splitting itself into two media companies, one getting the conglomerate's TV networks and related assets and the other getting its film studios and related assets. Since ST existed in both TV and film, that meant its rights had to be split, but only as a side effect of a much larger corporate schism, certainly not as the cause or driving force behind it.
And the split in rights probably means that CBS couldn't have done anything in the Kelvin Timeline, not without BR and Paramount's cooperation, anyway. That's probably the reason Discovery is in Prime -- because it's a strictly CBS production.
But here is the thing, though: Young Kirk was a nerdy bookworm, much more interested in his studies than in girls. That's well established in the television series. His more confident, rule-breaking cavalier-persona came only later, as a consequence of his experience and successes.
First off: See my above conversation with Damian on this point.
Second: Kirk never had a "rule-breaking cavalier persona." That is a myth propagated by people who focus only on the movies and forget the TV series. The Kirk of TOS was very dedicated to following the letter of his orders and regulations, even when he disagreed with them. Look at "The Galileo Seven" where he resisted Ferris's orders to abandon the search for his crew but still finally obeyed them -- and where the only reason they were in that situation in the first place was because of Kirk's by-the-book adherence to the standing orders about quasarlike phenomena.