Starfleet's nickname for Kirk's "Enterprise"?Shaggadelic!

Starfleet's nickname for Kirk's "Enterprise"?Shaggadelic!
The TOS ones looks so flimsy though.Just a different design style.
How convenient that when TNG, DS9 and ENT show the Enterprise how she looked in TOS, it doesn't count and is dismissed because of "nostalgic purposes"We've already addressed this. Episodes made specifically for nostalgic purposes are different.
The TOS ones looks so flimsy though.
Every other ship after the Connie has wider pylons then it, so there must have been a reason why.
It is supposed to be a 23rd century spaceship though, it should challenge our perceptions a bit.
From a distance. But if a human was standing right beside one. It would probably be as thick as a football field.The TOS ones looks so flimsy though.
You are probably thinking of XB-70 Valkyrie. It wasn't based on SR-71 though.
How convenient that when TNG, DS9 and ENT show the Enterprise how she looked in TOS, it doesn't count and is dismissed because of "nostalgic purposes"
It is supposed to be a 23rd century spaceship though, it should challenge our perceptions a bit.
The Refit pylons look a lot more sturdy.
Which was the downfall of the Kelvin Enterprise in “beyond” funnily enough. Those swarm ships sliced right through the pylons. I do actually think (despite all of my “prime Enterprise is the best” posturing) that putting the nacelles on pylons makes them tactically vulnerable.The TOS ones looks so flimsy though.
Kirk never cared for Romulan Ale. All other captains needed extra space for ale on long voyages. So they all requested wider pylons, since the empty space is perfect hiding space for the vast amount ale needed for long missions.Every other ship after the Connie has wider pylons then it, so there must have been a reason why.
Yeah I meant width not thickness.
I watched Discovery on Netflix so I didn’t need the Mensa thing - I just needed to email cbs a photo of me doing some algebra while I considered classical philosophy. It’s a cop out really but I was willing to make the sacrifice for Discovery.Discovery couldn't possibly have brought in the NCC-1701 for nostalgia purposes. Nothing in Discovery is for nostalgia purposes, it is all very serious high-brow entertainment. So much so, I'm surprised CBS doesn't ask for our MENSA cards before allowing us to subscribe to All-Access.
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The Refit pylons look a lot more sturdy.
I believe that is confusing nostalgia with "hacks need cliffhanger to rope in viewers"Discovery couldn't possibly have brought in the NCC-1701 for nostalgia purposes. Nothing in Discovery is for nostalgia purposes, it is all very serious high-brow entertainment. So much so, I'm surprised CBS doesn't ask for our MENSA cards before allowing us to subscribe to All-Access.
I believe that is confusing nostalgia with "hacks need cliffhanger to rope in viewers"
No, that's not what I said. I pointed out (not "argued") that the TMP refit has elements of Art Deco design. I definitely didn't argue that this dates it to the 1970s, nor would I have, because Art Deco dates to the 1930s. However, to claim that the TMP Enterprise therefore looks like it was designed in the 1930s would be laughably wrong.Aren't you the one who argued that the TMP design had art deco lines that placed it in the late 70s?
Again, you mischaracterize what I've said. I readily acknowledge and accept that some "significant number of people" think the design looks "very '60s." I'm just convinced that they're wrong. Large numbers of people are capable of believing wrong things. For example, millions of Americans don't believe the theory of evolution is true. Millions of Americans think Donald Trump is fit to serve as president. In both cases, they're all completely wrong.after many, many people have told you that they think it DOES look dated and very 60s, you somehow don't accept that a significant number of people actually think so and that it would affect how people enjoyed the show.
You've said that before, but the proposition willfully mixes up diegetic and non-diegetic aspects of how fiction works. IRL, sure, the 2250-'60s don't yet "exist," unlike (say) the 1910s, so a story set there can look like anything the creators want. Within the constraints of a specific fictional universe, however — which is where we've been told DSC is set — that period does have a specific look, one that's consistent across all previous appearances prior to DSC. If you have to think about non-diegetic elements for what's on screen to make sense, then the show's creators are breaking the illusion.Star Trek is fictional, not a historical period price.
You keep saying this, too. It's special pleading. I can't think of one single successful pop-culture franchise where the "lore" and the "visuals" have been separated to the extent you're talking about here. It's an arbitrary and pointless distinction, and not one that really holds up under scrutiny; it's like saying the cake will still taste the same even though the icing is different, when in fact for most people the icing is part of the overall experience.They haven’t reinvented the lore though. Everything will still happen the way we saw in TOS, and TNG etc. They just updated the visuals.
Everything here is opinions, even yours.
The pylons do what they are supposed to do, hold up the nacelles and transfer whatever magical energy back and forth between the nacelles and the rest of the ship. How exactly are they "wrong"?
Was there a particular stated goal for making Discovery in the first place?
There was talk, back in the 80s after TNG became a success, to make a TOS series that picked up where the original left off.
My apologies I certainly didn’t mean to do that. What have I misrepresented?
As long as we don’t compare it with other science fiction space ships of the 60s?
How convenient that when TNG, DS9 and ENT show the Enterprise how she looked in TOS, it doesn't count and is dismissed because of "nostalgic purposes"
The Refit pylons look a lot more sturdy.
Discovery couldn't possibly have brought in the NCC-1701 for nostalgia purposes. Nothing in Discovery is for nostalgia purposes, it is all very serious high-brow entertainment. So much so, I'm surprised CBS doesn't ask for our MENSA cards before allowing us to subscribe to All-Access.
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