Yoiks. That's a big deal. And it obviously indicates that DSC is seen as a financial success, BTS troubles notwithstanding.
(And it sheds new light on the context of the Berg/Harberts story, since obviously these things didn't happen in isolation, and the contract negotations obviously didn't just take place in the last week. It's easy enough to imagine that Kurtzman taking over as sole showrunner was a bargaining point in the new contract. One has to wonder what kind of maneuvering Kurtzman has been doing behind the scenes.)
The quote from the CBS exec is interesting... “His talent, taste and ability to shepherd a successful project is unparalleled." I suppose we can grant him that last one. But the first two are a lot more contestable, and one outta three really isn't that great.
As for other Trek projects in the pipeline... this is the first I've heard of a new Patrick Stewart project (and I can only assume that the THR article is misusing the word "reboot" when it refers to it). That's a surprise... although I'm not sure whether it's one worth feeling optimistic about.
The exclusivity of the deal does fit, at least, with what I've read about networks these days preferring to run material produced by in-house studios rather than outsiders. Unfortunately that trend works against a lot of cool shows (e.g., NBC's
Timeless, currently "on the bubble") that are produced by studios not affiliated with the network.
Anyway, for better or worse, it certainly does nothing to change the longstanding perception that if you're a writer, almost the only path to Real Money lies through Hollywood...