• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Kathleen Kennedy Damaging Star Wars....?

Everyone knows sexism is a problem with some of the fans. Nobody yet though has told me how in some situations one can tell the difference between sexist ranting and old school ranting in many situations. People are kind of good at hiding their true feelings in many cases. Even sexist know how to be clever. At the same time you can't just assume everyone is going to love a movie or be happy with what they see. I mean how can anyone tell in some cases when it comes to the internet? What approach do you take when it comes to Star Wars moaning and groaning? Benefit of Doubt or Instant Paranoia? Not everyone comes to a argument twirling a mustache.

Jason
 
I have a question. How does everyone think the action-adventure aspects on "The Last Jedi" were? If the movie doesn't work on that level for people then doesn't that negate any of the more character oriented stuff? Does anything in the movie rival the attack on the first Death Star or the Walking Machine things that I don't know what they are called on Hoth? I think people underestimate the movie's failure at 2 of it's 3 big action set pieces. The Casino Raid and the Space Chase seem to not be liked by many. Luke standing up to the whole army basically by himself is the one action moment that does land and compares favorably to the old movies.

Honestly, I think the prequels were the best in terms of pure action. The original trilogy had a few good sequences but Return of the Jedi is really the only one that still holds up by today's action standards. The Last Jedi did a good job of taking advantage of modern FX but I think the only action sequence that really stands out is Rey & Kylo Ren vs. Snoke's guards in the throne room. The rest is kinda meh.

What in Star Wars doesn’t ‘match up?’ And I don’t mean ‘resolved in a way I don’t like,’ I mean ‘goes the way of Luke’s explicitly unfinished Jedi training lessons in ROTJ.’

For the record, I'm actually perfectly fine with how the stuff with Rey's parents and with Snoke turned out in The Last Jedi. I actually prefer Rey being nobody and I place the blame primarily on Abrams for creating a mystery where none needed to exist. But it doesn't match up with how it was built up in The Force Awakens and I think that shows poor planning on the part of the person in charge of this franchise, Kathleen Kennedy.

But then, unnecessary mysteries aren't unheard of these days. J.J. Abrams spent years obfuscating Khan's identity in Star Trek Into Darkness for no good reason. Disney played coy for a long time about Henry Turner's identity in Pirates of the Caribbean: Dead Men Tell No Tales despite the fact that it's not a spoiler at all. He's established as being Will & Elizabeth's son in the very first scene of the movie.

What thing "happened" to Iron Man 3, other than people getting the wrong idea like it was their job? Anyone who thought there wouldn't be an Iron Man armor in Avengers 2 was seriously misguided.

In fairness, Robert Downey Jr.'s contract ran out after Iron Man 3. He's basically been on a film-by-film deal since then, thus why they wrote perfectly acceptable send-offs for him in both Iron Man 3 and The Avengers: Age of Ultron, yet he keeps coming back.

The Infinity Gauntlet injoke becomes a error, as was Loki working on his own and mind controlling Selvig already

Yeah, the one about Selvig does still bug me. But I would say that continuity errors in post-credit teasers don't hold quite as much weight as major-character-points-in-the-main-body-of-the-films.

I see what the logic was over at Disney. they knew the original trilogy was mostly written by the seat of the pants, and they were trying to avoid over planning, and sucking all the life out of the movies. So they had the great idea to be hands off and trust the vision of some talented young directors. Unfortunately the resulting movies don't feel like a cohesive story. There clearly needs to be a guiding hand with a vision above the directors to keep things together. that was Lucas for 1-6. Should have been J.J. but he wasn't involved with 8. we will see if he can tie everything together.

If they didn't have a plan, I think they shouldn't have established from the get-go that they were doing a "trilogy." I think they just should have said, "Here's a bunch of new characters that we're introducing to take over the franchise and we're looking forward to seeing where the story goes from there." If you announce that you're doing a trilogy, you imply that you know the basics of what this 3-act structure will be. Even if Lucas was making up a lot of the original trilogy as he went along, it still works as a general structure-- Part 1, Introduce the characters; Part 2, Have our heroes get their asses kicked and introduce some big twist; Part 3, Good guys win, bad guys lose, everybody happy.

BTW, while everyone was blown away by the revelation that Darth Vader is Luke Skywalker's father and wants to recapture that magic, what they forget is that the reason why no one saw that twist coming was because no one knew that ANY twist was coming. Prior to that revelation, there was no reason to believe that Obi-Wan had given us incomplete or inaccurate information about who Darth Vader was or what happened to Anakin Skywalker. But if you keep dropping "hints" about your "surprise twist," no one is going to actually be surprised.

And oh boy. Isn’t the formation of SHIELD a bit of a continuity minefield in these movies. They had to do some EU heavy lifting to fix that one.

How so? All I recall from the movies was:
1. Nick Fury said that Howard Stark was one of the founding members of SHIELD (Iron Man 2).
2. Howard Stark was working for OSI during WWII, which was presumably a precursor to SHIELD much in the same way that the OSS became the CIA in real life (Captain America: The First Avenger).
3. Unbeknownst to everyone, Hydra didn't end with the death/disappearance of the Red Skull and they proceeded to infiltrate SHIELD, the KGB, the U.S. Senate, and everywhere else, culminating with their attempt to assassinate thousands of people en masse using automated SHIELD Helicarriers (Captain America: The Winter Soldier).

That's a matter of opinion I suppose, but Luke Skywalker was always at least as implausible as Rey is, and Luke was arguably even more implausible..

I really like Rey. She is, by far, my favorite character of the new movies. But, on a recent re-watch of The Force Awakens, I did notice some Mary Sue qualities creep into her. She has super-strong, unexplained Force abilities AND she's better at piloting & repairing the Falcon than Han is AND she can speak difficult alien languages that allow her to understand BB8 & Chewie AND she's able to fend for herself without any support network as an orphan on Jakku. Individually, all of these abilities make sense but they are an awful lot to cram into a single character in her first appearance.

Compare that to Luke Skywalker, whose only real skills in A New Hope are being a good pilot and having a very vague latent Force sensitivity, neither of which even really come into play until the final Death Star battle. The rest of the time, all he brings to the table is a plucky attitude and a couple of plot-convenient droids that his uncle bought. He probably wouldn't have even made it out of the cantina alive had it not been for Obi-Wan. And then he kept getting in the way while Han was trying to evade the Imperial ships. "What's that flashing?" Even in The Empire Strikes Back, he's still a good pilot but other than that all he does is lift a few small objects and get his ass kicked by Darth Vader. He didn't become some kind of uber-badass until Return of the Jedi. (How that happened, I have no idea.)

Kathleen Kennedy has become the "other" and non-human, faceless enemy figure for a portion of fan opinion that cannot accept that the things they spent years memorizing and reading are suddenly being changed. No matter the facts of the case, as you point out, Kennedy is the Darth Vader of the story.

Kathleen Kennedy is Darth Vader? Does that mean that she had to destroy the EU in order to become powerful enough with the Dark Side to save her loved ones from dying? :p

Were there a lot of Trekkies calling for Berman to be fired? I really don't remember but I think there were some but not a lot because a lot of his detractors thought it was just something that would happen inevitably (and many admitted they didn't know if someone else would do better).

People weren't too hard on Berman on his own, IIRC. But Berman & Braga were often derided as "the killer Bs."
 
On the internet, many do. They can hide their backwards views in anonymity.

Yes but people can easily dismiss them. What happens when a sexist makes a legit point but for not so legit reasons? All of sudden I look bad by simply having a opinion shared by them only because they know how to speak the language of"concerned fan." They make ever fan look bad in comparison even if they are a small minority. Being a DS9 fan I think of the O'Brien as a shapshifter scene in "Homefront" Only 5 shapeshifter and look at all the trouble we have caused.

Jason
 
The Borgified Corpse said:
In fairness, Robert Downey Jr.'s contract ran out after Iron Man 3. He's basically been on a film-by-film deal since then, thus why they wrote perfectly acceptable send-offs for him in both Iron Man 3 and The Avengers: Age of Ultron, yet he keeps coming back.

Iron Man 3 wasn't actually a send-off, though. Nor do I see how Age of Ultron could be reasonably construed to be one. Especially not with the Infinity Gauntlet plot already well underway by that point, front and center in the film. Did anyone think that by the time the culmination of that plotline came around, Iron Man wouldn't be in the picture? The very notion is absurd.
 

The first Iron Man. Coulson refers to them as ‘new’, and they hadn’t settled on the ‘SHIELD’ abbreviation until the very end of the movie.

All of which has since been (typically jokingly) retconned away. I think Agents of SHIELD might have even gone with the explanation ‘Coulson is a troll.’

Iron Man 3 wasn't actually a send-off, though.

Yeah, it was.

Tony’s arc is completed. All dangling threads tied up. He’s learned humility and responsibility. He’s committed to Pepper. He doesn’t need his ‘prosthetic’ anymore, because he is Iron Man. (Made absurdly obvious, by having the completely mobile armour being a malfunctioning piece of crap.)

To the point where he ripped out the power source for the armour, and blew them all up. He’s gonna save the world through his brains, innovation, and newfound empathy. Not a couple of guns attached to his fists.

(It’s almost like the filmmakers were trying to address the issues that are inbaked to Tony’s character archetype, and is next-to-never satisfyingly tackled because the solution nearly has to be ‘Batman/Iron Man/etc has to retire or change beyond recognition.’ How odd.)

Then Downey’s contract was nenewed. And off screen, Tony’s suddenly not feeling so confident without the armour.

And apparently ‘been inspired’ by Vanko’s design for running the suit through an ‘outer’ arc reactor. Which is a little amusing considering the source Vanko’s damage in Iron Man 2.
 
Last edited:
I said implied for a reason. By disagreeing with the point that audience response to TLJ is affecting the performance of Solo, and sarcasticly injecting the "blame the women" reasoning, you are implying that you actually belive having women leads benefits the movies inherently. Which is the sexism equivalent of "Asians are good at math".
I really don't understand what point you're trying to make? You sound to me like you're calling me sexist for disagreeing about how female leads in previous extremely successful Star Wars movies is responsible for Solo's box office woes. I really hope you're not saying that, because both things here are so extremely offensive: saying female representation is harming the franchise, and I'm sexist for saying otherwise. I really do hope that's not what you're suggesting?

Oh dear, I'm not sure if you really understand, but like I said you don't get to call a woman sexist for thinking female roles are a good thing. Even suggesting something like that is so very extremely sexist, you're sounding like you don't understand anything at all about what sexism even is. I do think you might just be confused and don't realize what you're really saying, please go and read previous posts in this thread up above to see some deeply unnerving misogynistic diatribe I'm replying to.

This whole idea that the super successful movies with female leads is causing the one movie with a male lead to tank is nothing more than ridiculous sexist fallacy made up by pathetic little men who can't handle everything's not about them any more. I'm sorry for being so terribly harsh, but this attitude is so absolutely disgusting and also full of complete nonsense.

And yes diversity in movie roles absolutely is a good thing!
 
This whole idea that the super successful movies with female leads is causing the one movie with a male lead to tank is nothing more than ridiculous sexist fallacy made up by pathetic little men who can't handle everything's not about them any more.

I withdraw my sexism comment, clearly it's distracting from the discussion. My position is that TLJ is affecting the Solo box office but the sex of the main characters has nothing to do with it. The toxic fanboy culture can make a lot of noise online but there aren't enough of them to impact the Solo box office the way we've seen. (plus they would have to boycott the white guy movie, and that's unlikely). The process to decide if you are going to see a movie in a theater or wait for the video is a subtle thing. You can like a movie and tell the pollsters so, but if it doesn't leave you with just the right lasting feeling you won't feel the need to shell out the money. And since Solo isn't a sequel to TLJ, it's even trickier. TLJ needed to engender overall Star Wars good feelings, to continue franchise momentum, and that's where it fell short. Of course it's not the only reason, Solo came out too close to TLJ so people wern't feeling the need for another Star Wars fix yet. All these factors are completely independent of who is in their respective movies.
 
TLJ needed to engender overall Star Wars good feelings, to continue franchise momentum, and that's where it fell short.
I wonder how audiences responded to ESB then.

I know how I responded to ROTS, which was pretty much feeling depressed and not wanting anything to do with SW for a while.
 
(plus they would have to boycott the white guy movie, and that's unlikely)
Oh dear yes, that's one reason it just makes absolutely no sense, lol!

I feel there's so much at play why people aren't going to see Solo, and I do agree a little fatigue might possibly have something to do with it, but I don't know if I can really say that for certain. I do feel marketing just really wasn't done well for Solo, and hype wasn't really built up well. I myself had just no interest at all in going to see it until I saw a trailer when I went to Avengers, but if I hadn't seen that I wouldn't have bought my ticket for Solo.
 
As a life-long fan of Star Wars movies, I cannot fathom the idea of not seeing Solo in the theater at least once. No matter how good and advanced your home theater setup is, it just isn't a real theater. The sheer spectacle demands an enormous screen.

For the general movie-going public, I think the marketing should have focused more on the big names involved.

On the other hand, the fact that it hasn't been much of a commercial hit makes me like it even more. I prefer the stuff that not everybody else is into. :shrug: But I hope Disney doesn't decide that these side stories aren't profitable enough, and therefore stop making them.

Kor
 
Yeah, it was.

No, it wasn't. You just got the wrong idea. Avengers 2 was already planned at that point and there was no way Tony wasn't going to be armored Iron Man in Avengers 2. Just like there was no way he wasn't going to be armored Iron Man in Avengers 1. See a pattern?
The future of the character was never in doubt... except among the credulous.

He’s learned humility and responsibility. He’s committed to Pepper.

In other words, the exact same place he's in at the end of the first film. So I guess that one's a "send-off" too. Why not?

To the point where he ripped out the power source for the armour, and blew them all up.

Yeah, an ultimately pointless gesture designed to appease his girlfriend. Fragile masculinity, remember?

He’s gonna save the world through his brains, innovation, and newfound empathy.

Because that's what audiences came to see, right? If they can stay awake, that is. Though I guess more trips to Wal-Mart could have been entertaining.

And... saving the world through empathy?

giphy.gif
 
As a life-long fan of Star Wars movies, I cannot fathom the idea of not seeing Solo in the theater at least once.
Yup.

I went to see The Clone Wars pilot movie. And purchased the series on Bluray, despite not managing to get all the way through them without giving up.

Jeez, I'm a Marvel fan and I went to the Imax Inhumans release...
 
As a life-long fan of Star Wars movies, I cannot fathom the idea of not seeing Solo in the theater at least once. No matter how good and advanced your home theater setup is, it just isn't a real theater. The sheer spectacle demands an enormous screen.

Yep. There is nothing like going opening weekend and sitting with a group of people all excited for a movie, and the 20 foot tall screen. I refused to go see Star Trek: Insurrection during its theatrical run, and still regret it. Even though I fucking hate the movie. :lol:
 
TCW is the only one I skipped in the theater. I just couldn't wrap my head around animated Star Wars at the time. I don't regret it, because I can't stand the movie even though the series has some moments of brilliance. But, had someone handed me a free ticket, I wouldn't have said no.
 
TCW is the only one I skipped in the theater. I just couldn't wrap my head around animated Star Wars at the time. I don't regret it, because I can't stand the movie even though the series has some moments of brilliance. But, had someone handed me a free ticket, I wouldn't have said no.

I usually go when I can, because you just don't know when the fun will run out.
 
I usually go when I can, because you just don't know when the fun will run out.

That's fair. But in 2008, I was kinda done with Star Wars. I thought the fun had run out. I didn't watch the TCW series until it was on Netflix and even then it took me awhile to get through it. The Force Awakens' "You have that power too" teaser is what really brought me back.
 
Last edited:
On the other hand, the fact that it hasn't been much of a commercial hit makes me like it even more. I prefer the stuff that not everybody else is into. :shrug: But I hope Disney doesn't decide that these side stories aren't profitable enough, and therefore stop making them.
I am that way as well, and if Solo is a silent sleeper style film that few people like, I'm OK with that. Give me more of Enfys Nest, and Qi'ra, and Crimson Dawn and the like. That film made me more interested in the underworld of Star Wars than the video games or anything else ever did.

But, I also like R5-D4 more than R2-D2 so what do I know ;)
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top