Point is you're comparing Feige's past with other studios in completely different situations and structures, to that of his highly successful Marvel Studios with Disney.
It’s apples to oranges!...assuming you forget that Phase 1 (barring Avengers) was also made under those conditions. As was Spider-Man Homecoming. Sorta.
Funny thing about Feige’s pre-Disney output: looking at his positions on them, he arguably had greater and more direct control over those individual projects then he does now. Hell, he actually described himself as a fairly hands-off guy. Writing and directing isn’t his job.
Also: my ‘point’ was the absurdity of claiming that producing one (possible) disappointment will get one sacked, when your go-to example of a success completely contradicts that.
In fact, the situation with Feige and Arad kinda highlights why your ‘reasoning’ is just so...off. Because in spite of the string of bad decisions, Marvel didn’t sack Arad due to bad BO/reviews etc. He edged himself out due to just being a bad manager. He couldn’t cooperate with the people working for him, obstructed projects due to sheer stubborness, and refused to follow advice.
We haven’t heard anything like that from Star Wars. Everyone involved certainly heeded Kasdan, for better or worse.
(I’d also like to note that - regardless of appearances - I don’t hate Arad and Perlmutter. They made their share of decisions that I didn’t like, but Marvel as a whole probably would have folded decades ago without them. We certainly wouldn’t have had the MCU. Whatever their flaws, they deserve a fair share of props.)
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