This may be the first Star Wars movie I don't own on disc.
I'll probably buy it on streaming.![]()
I have to have the disc, to go with the rest.
Plus, better quality.

This may be the first Star Wars movie I don't own on disc.
I'll probably buy it on streaming.![]()
Nor do we want it to be.Solo is not The Big Lebowski. Hell, it's not even Weekend At Bernie's.
I have to have the disc, to go with the rest.
Plus, better quality.![]()
I'm sure you'll find space.I know. But space.
I am a completist, so we'll see what wins out in the end.
Mark Hamill said:
Frank Oz chimes in:
I'm not going to say that fans can't be unhappy. They obviously are and they have every right to be. But when two luminaries from Star Wars are suggesting the level of backlash is ridiculous, maybe we should believe them. (Cue those who will come in and say Hamill and Oz are being paid off, because CONSPIRACY!)
No but the so called luminaries do have a vested financial interest don't they? Or contractual obligations..so there is that.
The first Star Wars movie that I don't own on disc is the 1978 holiday special.This may be the first Star Wars movie I don't own on disc.
I'll probably buy it on streaming.![]()
The first Star Wars movie that I don't own on disc is the 1978 holiday special.
Kor
I actually own the Holiday Special on VHS.![]()
I remember watching it when it originally aired. Haven't had the strength to watch it again.
"The Last Jedi" did good Box Office, based on the positive response of "The Force Awakens".
"Solo" is not doing good Box Office, based on the negative response to "The Last Jedi".
"The Last Jedi" was a crap film and "Solo" is paying the price. Rian Johnsons arrogant film really hurt the Brand.
"The Last Jedi" was a huge mistake. The best thing Episode 9 has going for it is the big break between its release, and "Solo". But who cares about episode 9 after "Last Jedi"? That Trilogy can't end in a satisfying way after what Rian Johnson did!
There is colossal irony in your username, because everything you said here is in fact wrong.
Solo shows that you can’t just slap the words “Star Wars” on an otherwise generic sci-fi adventure movie and expected a big hit. More importantly, the first flop in Star Wars history is the one that reeked from the get-go of cynicism and crass nostalgia-driven exploitation.
The failure of Solo is a sign that audiences, be they Star Wars fans or casual moviegoers, want their big movies to be a little less run-of-the-mill. It’s good news for folks who want Star Wars movies that, well, explore strange new worlds, seek out new life and new civilizations and boldly go where no Jedi has gone before.
I feel like he is watching the wrong franchise.The failure of Solo is a sign that audiences, be they Star Wars fans or casual moviegoers, want their big movies to be a little less run-of-the-mill. It’s good news for folks who want Star Wars movies that, well, explore strange new worlds, seek out new life and new civilizations and boldly go where no Jedi has gone before.
*sing-song*
You can keep selectively pretending Feige didn’t answer to the Creative Comittee all you wa-ant...
But no else forgets that he was totally spent the previous 20 years producing Amazing Spider-Man, Blade Trinity, Punisher:War Zone, Elektra, Wolverine and the X-Men, the Fantatstic Four movies, Hulk, Man-thing, Spider-Man 3, and X-Men 3...
Beloved geek movies that totally didn’t almost kill some of their franchises, oooonne and allll...
(Seriously. Before checking, even I failed to realise just how spectacularly Feige managed to fail his way up. He’d only had three out-and-out successes before Iron Man, and one technically doesn’t even count.)
If anything, I think seeing a hero fail, and move past that failure to do the right thing in the end is more inspirational than a hero who is always perfect and never screws up or fails.Failure does not make a hero - or heroes - less heroic, aspirational, and inspirational.
If it did, Spider-Man would have lost all value as a character following "The Night Gwen Stacy Died".
My marketing teacher in high school told us that the theatrical release for a movie is basically just a 2 hour commercial for the home video release.And that's something that a lot of people don't get. A film's profitability doesn't end when a movie leaves a theater. There is so much life in a film after that. I recall having arguments with Fred Archer (the greatest fan of Star Trek ever!!!... who questioned choices and attacked every new thing to come out regarding this) regarding the profitability of the JJ films and he would constantly spout a formula he read somewhere from some "expert" not realizing how much the marketplace has changed.
Is this disappointing for Disney? Sure.
Is it going to drown them and will they fire anyone over this? Despite what the OP believes, probably not.
Your logic is flawed.
The films you listed are ones where he didn't have full creative control on.
With Marvel Studios, he's calling the shots on basically everything, especially now with Perlmutter sidelined.
For the films you listed, he was basically working under the control of others who had more power of the films' creative direction; ex: Avi Arad at Sony. Feige had to work himself up the ranks before Marvel Studios, .
but it can't be disputed that since he got to the top, Marvel Studios has basically had an unprecedented consistency of quality and success
it can't be disputed that since he got to the top, Marvel Studios has basically had an unprecedented consistency of quality and success.
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