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News Martin-Green: Star Trek Is About Universality

So, you still have no quote where I suggested or implied she slept with him for the job? Nothing except a scenario you have constructed in your head?

All I suggested was (in my words and from the quote you used)

clearly and openly talking about the suggestion he abused his power over her with nothing at all to suggest that she slept with him for the job.

Again, I really want you to find a quote or drop the accusation.

My whole response was because you tied his relationship to the power dynamic and to the ctrol over the costume.
I, like you, have a... Shared opinion of braga shall we say. But your words as used suggest to me, reading them, that you are suggesting there is a rumour that their 'Involvement' starts earlier than suggested, and that he was involved with her at the time she got the job (I. E when the costume was created) these things as I have said, imply a picture that I do not think in that instance is true.
I am not accusi g you of anything. Just clarifying the time line you present, precisely because it implies something more unpleasant, that does not seem to have actually happened.
That's pretty much it in a nutshell. Since you don't think the unpleasantness happened, and I don't, then what are we arguing about? Braga?

You have clarified that although your earlier comments suggested, at least to me, a kind of unpleasantness, you didn't intend that.
There's no accusation to withdraw, I am telling you what your comments seem to suggest, and disagreeing with it. I don't disagree it's a silly impractical outfit designed to sell the show with sexiness, and from a certain point of view, is sexist. (catsuits in the nineties were seen as a female empowerment fashion trend, much like miniskirts in the sixties, after all.)
Its all the conflation and rumours I don't think are fair to anyone involved.
 
My whole response was because you tied his relationship to the power dynamic and to the ctrol over the costume.
I, like you, have a... Shared opinion of braga shall we say. But your words as used suggest to me, reading them, that you are suggesting there is a rumour that their 'Involvement' starts earlier than suggested, and that he was involved with her at the time she got the job (I. E when the costume was created) these things as I have said, imply a picture that I do not think in that instance is true.
I am not accusi g you of anything. Just clarifying the time line you present, precisely because it implies something more unpleasant, that does not seem to have actually happened.
That's pretty much it in a nutshell. Since you don't think the unpleasantness happened, and I don't, then what are we arguing about? Braga?

You have clarified that although your earlier comments suggested, at least to me, a kind of unpleasantness, you didn't intend that.
There's no accusation to withdraw, I am telling you what your comments seem to suggest, and disagreeing with it. I don't disagree it's a silly impractical outfit designed to sell the show with sexiness, and from a certain point of view, is sexist. (catsuits in the nineties were seen as a female empowerment fashion trend, much like miniskirts in the sixties, after all.)
Its all the conflation and rumours I don't think are fair to anyone involved.

No, I'm really upset here at the allegation I suggested she slept with him for the job. That simply isn't true and it took some serious leaps of logic to get from what I said to what you very rapidly and determinedly made of it.

Frankly I'm owed an apology here.
 
No, I'm really upset here at the allegation I suggested she slept with him for the job. That simply isn't true and it took some serious leaps of logic to get from what I said to what you very rapidly and determinedly made of it.

Frankly I'm owed an apology here.

The way your comments structured the time line made that implication. I disagreed with that implication, as the time line as you portrayed it, precisely because of the implication, and the fact I suspect it isn't one you wanted to make, was wrong. Now, you don't want to make that implication, and you have said it was just a rumour that the involvement of Ryan and Braga went further back than is known.
I am sorry if you feel I am accusing you of anything, I do not believe you intended the implication. I M not accusing you of anything, merely disagreeing with the time line you presented in the post I initially responded to, because I disagree with the inadvertent implications implicit, and because that post was factually wrong to the best of our knowledge. Braga and Ryan were an item, but only began to be such after she had been working on the show for a period of time. As such, he was not dating her when her initial costume was in use, and the costume was later replaced due to its impracticality and unsuitability.
 
The way your comments structured the time line made that implication. I disagreed with that implication, as the time line as you portrayed it, precisely because of the implication, and the fact I suspect it isn't one you wanted to make, was wrong. Now, you don't want to make that implication, and you have said it was just a rumour that the involvement of Ryan and Braga went further back than is known.
I am sorry if you feel I am accusing you of anything, I do not believe you intended the implication. I M not accusing you of anything, merely disagreeing with the time line you presented in the post I initially responded to, because I disagree with the inadvertent implications implicit, and because that post was factually wrong to the best of our knowledge. Braga and Ryan were an item, but only began to be such after she had been working on the show for a period of time. As such, he was not dating her when her initial costume was in use, and the costume was later replaced due to its impracticality and unsuitability.

Thank you.
 
Seconded!

I stupidly apologised to Ryan on bahkf of fandom for it after reading it. It was silly and arrogant of me, but it was late and I was under the weather. Still. I won't be the the first person to accidentally sound like a nutter on twitter.
Also... Bad isn't it? Like excruciatingly bad and obvious. Freud would have a field day. Naked seven draped around Picard? Mecha godzila data? Literally tearing sevens arse off? Oh.. And Picard with vash just to avoid crusher it seems.

Anyway. DSC. PR interviews. Gah. Best one, possibly only good one, was Rapp squeeing at the STO guys. He's going to be the Tim Russ or Garret Wang of this show, Mark my words. SMG is going to go Avery Brooks in seven years I reckon, but Rapp and maybe Jones are gonna be sitting in convention halls with Frakes, Sirtis, Wang... The cheerleaders.
 
"The canon is our central nervous system" :guffaw::guffaw::guffaw::guffaw::guffaw::guffaw::guffaw::guffaw::guffaw::guffaw::guffaw:

I don't see what fans have difficulty with "diversity and change", part of the whole mythos of Trek is to embrace difference. Trek has already had a black and a female captain, both series have been praised for the work they've done, the stories they've told and have extremely loyal fans. Both DS9 and ENT showed that the show works best with a serialised format, so they're hardly breaking new ground in that regard (I'd love to know what serialisation there was in VOY).

This comes across as another fluff piece, meant to whet appetites for STD S2 without actually saying much at all.
 
"The canon is our central nervous system" :guffaw::guffaw::guffaw::guffaw::guffaw::guffaw::guffaw::guffaw::guffaw::guffaw::guffaw:

I don't see what fans have difficulty with "diversity and change", part of the whole mythos of Trek is to embrace difference. Trek has already had a black and a female captain, both series have been praised for the work they've done, the stories they've told and have extremely loyal fans. Both DS9 and ENT showed that the show works best with a serialised format, so they're hardly breaking new ground in that regard (I'd love to know what serialisation there was in VOY).

This comes across as another fluff piece, meant to whet appetites for STD S2 without actually saying much at all.

Ds9 and particularly ENT aren't very big outside of fandom, precisely because the show maybe doesn't play well with serialisation.

Voy had all sorts of serialisation, particularly in terms of character arcs (Tom and bells getting married, neelix and kes separating, neelix leaving to join the talaxian colony after we thought there were none left, even stuff like the history of the Kazon being revealed, or the fate of the vidiians and hirogen... Sevens arc and the relationship with the borg of course. Plus they got home.) but what it didn't have one was one overall story besides 'getting home' it had literally loads of smaller arcs though (forgot to mention seska as a nice early example in my earlier brackets) as well as callbacks and pre-saging throughout. People just like to pretend it didn't happen or didn't pay attention.

Which answers your other bit. Too much of saying how great DSC is or will be is too heavily based on pretending other Treks didn't happen or downplaying their contribution. That's both from the PR persons and our own fa dom. Just today I read someone say Trek until DSC was 20 years behind everyone else in terms of representation. Here's the thing... Its nearly twenty years since we last had a new Trek series start up, so.. Yah... And also, it doesn't take into account where Trek was last time we had a 'golden age' of Trek TV in the limelight, which was pretty boundary pushing in some areas, particularly the area it inhabits. (mainstream SF, family viewing in those days)
DSC is the rebel teen who keeps finding out its parents were way cooler than it was and already did all the rebelling. Apart from violent deaths. DSC is like a Death Metal Teenager.
Roll on series 2.
 
I find it irritating having things projected on the fan base. Tedious snide remarks about how some of the fans are resistant to change or worse... a bloody lecture!
Fan are resistant to bad change (one's they don't like) and embrace good changes (one's they like).
 
SMG's statements in the article imply that there are only two camps: those who embrace STDsc and those who don't like it because they are resistant to the supposed message and values of the show.

What about those who simply don't find it very enjoyable and entertaining? :shrug:

Kor
 
SMG's statements in the article imply that there are only two camps: those who embrace STDsc and those who don't like it because they are resistant to the supposed message and values of the show.

To be fair to SM-G, she probably doesn't read Trek boards and forums for nuanced opinions, the only feedback she likely gets is from social media, and the loudest people there are usually the stupidest.
 
She said that DSC was using "hyper serialization". She states in the article that both Voy and DS9 had degrees of serialization, just not on the same level of DSC, and she's right.

DS9 and Voy were structured like The X-Files, (Voy more than DS9), in that they had an overarching story, that stretched over multiple seasons, which were touched upon directly periodically, with stand alones filling out the rest of the seasons. Neither DS9 or Voy could be accused of being "hyper serialized".

But what she did forget ENT, season 3. No doubt, the producers didn't emphasize studying ENT, or maybe she never watched it.

I wouldn't call DIS "hyper serialized." The highest level of serialization is a show like Game of Thrones or perhaps The Expanse. There often aren't discrete episodes at all, instead you check in with a few of the plot arcs over the course of a given episode.

DIS is certainly serialized, but it's a weaker serialization than that. Basically you had a couple chunks, like the prologue, the "tardigrade arc" the MU arc, and the final two-parter, which were semi self-contained. Even within those arcs however, there were traditional episode structures. An episode deals with one or two things, and those one or two things are resolved by the final act. Certainly the level of serialization was higher than DS9 or ENT Season 3 as a whole. However, I think it's pretty similar to DS9's six-parter at the start of Season 6, or the entire end run of Season 7.
 
Good morning people. Not nearly as delighted with the discourse this morning, as much of it not only misses my points, but conveniently leaves me looking like a jerk. I think people are happier to jump to what they think I mean than what I actually said, and drawing many accusatory assumptions along the way. Perhaps I can clarify, because, at the risk of offending anybody, I’m a bit offended myself. Maybe we can converse instead of condemn.

gblews, I literally started by saying that I did NOT expect her to know jack about Trek, and yet I stand by my annoyance that she declares with a vague and hollow authority to know what she’s talking about. She should have kept it vague, rather than generalizing about a thousand different stories she doesn’t know, and ironically alienating some of the people who she’s trying to endear herself to. She doesn’t seem to know what she’s talking about beyond a few sentiments that are as old as TOS.

My point about DS9 was that even if the entire (24 ep?) last season wasn’t a single arc, it was built on a series with unprecedented continuity and relevance, and in all ways became a more serialized show than the disjointed, disappointing, and brief season 1 of STD.

As far as what she ACTUALLY said...well, she didn’t say much, but she speaks a language I’ve heard before, and casually lumps the idea of show criticism in with people being behind the times. It’s never a good idea to tell people that if they don’t like you, they are misguided. As someone above put it, Discovery shouldn’t give itself so much credit.

Up until now, I admit being perturbed, but it’s the next bit I’d love an apology for. You’ve made yourself comfy on the high ground while putting ugly words in my mouth, and wrongfully so. The idea that I was displeased with having anything but white men on the cast is your invention, and not appreciated. I need to be told, much to my presumed chagrin, that entertainment isn’t the domain of white guys anymore? I need to get with the times? I’m bellyaching that it’s not all white guys? (Also, the alternative to almost all white guys needn’t be almost none, and having a different majority isn’t even close to what the word diversity means). Not sure where to begin with this condescending character assassination you piled on. Even assuming you only read one comment I made, how you can leap to all of these dark implications is beyond me. I’d appreciate a retraction, but if you don’t think you owe me one then I will get over it.

The long and short of my objection comes down to this: if STD isn’t a great show, (and it isn’t), then I don’t care if it has a positive social agenda. It feels as though the first thing written on the first wipe board at the first story meeting was the word ‘diversity’, when in fact it should’ve been the phrase “essential Star Trek”, which, by the way, is already organically diverse, and didn’t need someone to introduce the idea.

Furthermore, of course diversity isn’t inherently feeding quality, that’s why affirmative action is a farce. At any given moment, when you prioritize choosing someone for their race instead of the quality of their character, you are just being political. MLK knew to judge people by their character, so maybe you should as well. :). You are championing diversity OVER quality, so don’t pretend to mean the opposite.

Spot261, you heaped on some harsh implications yourself. You don’t like my point that the priorities are all wrong on a show that can’t claim to be good Star Trek, but CAN claim to have a decent couple of gay characters and some fancy set design. You have to say that it is I, intolerant as SMG apparently thinks I am, who cannot have any reason to dislike the show other than some deep rooted prejudice. Gee, thanks. I already stated that I found the dr to be one of the best characters, and that gay characters should of course be in Star Trek, and that I liked many of the scenes with the gay couples in them, but I also said that the show wore its’ social agenda rather clumsily on its sleeve while committing the only real sin I see in the show’s core: not being very good. Pairing a lack of quality with misplaced priorities is a bad recipe. I’d be perfectly happy with a great Trek series with a bunch of gay characters, or without. What I’m not happy with is wracking my brains for what they did well, coming up with CGI and a decent gay couple...and very little else.

I clarified my statement that the heavy handedness wasn’t necessarily on screen, but in making it clear that socially progressive messages were an aggressive priority, but quality Trek was not. It felt clunky, and it felt preachy. Yeah, that’s something of a Trek tradition, especially if you look at things like the black and white faced people from TOS, but we’ve come a long way. We don’t expect cardboard sets, or paper rocks, and I don’t expect to laugh and cringe like the old days when the ham fisted moral of a badly aged Star Trek ep hits me.

So no, I don’t wish for a show with less gay guys and more white guys. I wish for a show that is excellent, and when I don’t get that, I want to know what went wrong, and no, having gay guys isn’t the issue. The issue is priorities. You can take a comment recently made by the departed show runner (who, by the way, I really like, and yeah, I know is gay, and no, I don’t care). He said that he wants people to know when they see his work that a gay guy did it. Much as I respect the man, I think he’s in danger of juggling his showrunning duties too loosely. I think this show is often inorganic and inelegant with its self aware messaging. As a depiction of diversity, it’s pretty good, and as Trek, it’s very disappointing.

In conclusion, you kinda missed my point and talked down to me. “Can you make any remotely coherent case...” isn’t really all that nice a thing to ask. I don’t mind clarifying and discussing, but I’m not interested in the accusations and animosity.
 
I don't get the complaints of a show having an "agenda"? I watched the first season of The Last Ship, which is right-wing masturbatory fantasy and enjoyed it immensely. Heck, one of my favorite movies is the original Red Dawn, which is also right-wing masturbatory fantasy. Both push their agenda at the viewer.

Good entertainment is good entertainment, I don't get into a snit over an "agenda" as pretty much anything made is going to reflect the views of its creators.
I can't really agree with you there. I find that a right-wing agenda can really get in the way of decent storytelling. It was a recurring problem on 24, for instance, and ultimately drove me away from the show.

This is why I find it weird that people like SMG make comments talking about diversity and change and that some fans are intolerant.

It implies an agenda, but not one that comes across while you’re watching the show.

Like when Mary Chieffo said it was a feminist piece. I didn’t get that feeling while I was watching DSC. ...
Yeah, that's the interesting thing here. I don't mind at all if a Trek series has a progressive agenda — Star Trek always has from day one, after all, and that's bound to be part and parcel of any optimistic vision of the future. However, I don't really see that coming across in DSC. Any agenda it has to offer seems to be confined to the initial concept, mostly in terms of casting and character background (lots of female protagonists, a gay couple, etc). Beyond that, any messages it's conveyed, through plot points or speechifying, are so blatantly obvious as to be irrelevant — e.g., don't enslave an intelligent being (the tardigrade), don't commit genocide (the Klingon homeworld). When the show has had a chance to confront some genuinely complex and thought-provoking issues, however — things without easy and obvious answers — it has avoided doing so. The nexus between religious fundamentalism and militarism? How to deal with PTSD in a former POW? The balance between ends and means in asymmetrical warfare? How to handle a refugee crisis? How to reform a corrupt empire from within? The accountability of military and political leaders for decisions that qualify as war crimes? The plot invited these issues and more, but then shunted them to the sidelines.

Nonetheless there has been an almost staggering amount of backlash about the show's politics, not so much here on the BBS but throughout facebook groups and youtube comments sections...
Yes, we do live in polarized times. But c'mon, nobody takes YouTube comments seriously. They're a cesspool; they are to online discourse what Breitbart is to political analysis. Certainly there are people out there who will castigate DSC (and lots of other shows and movies) not for what it actually is but for what it represents to them — some sort of nebulous ominous "Hollywood agenda" — but there's no need to go looking for them. Let them piss into the wind, and be thankful they're wasting their time on that rather than on something that actually matters politically.

If you want to look beyond fan sites (like this one) for coherent media commentary (of DSC or anything else), go where there are actual smart people participating — the AV Club comment sections, for instance.
 
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When the show has had a chance to confront some genuinely complex and thought-provoking issues, however — things without easy and obvious answers — it has avoided doing so
And yet, DSC has patted itself on the back for how “woke” it’s been (goodness me I’m anthropomorphising a Star Trek show!) when they could have been so much more overtly “woke” - to use the language of the kids: “lit”, “fidget spinners”, etc. DSC would have been more woke if it had dealt with some of the issues it briefly and superficially touched upon in more depth and detail.

Remember when Nog lost his leg? Remember when Jadzia died and Worf went off the deep end? Or when Sisko went off the deep end? Or when Ziyal died and Dukat went waaaaay off the deep end? DSC s1 doesn’t even come close to approaching that level of depth at the minute.

How to deal with PTSD in a former POW?
Ah, but he was a Klingon the whole time. Nobody saw that coming. Except that everybody did. And Voq died as well. I was hoping for a deeper understanding of Klingon culture through Tyler’s eyes. But no, they exorcised Voq so that Ash, who wasn’t ash because ash was killed, could live because... Burnham, I guess? I’d have preferred they get rid of Tyler and had Voq live in Tyler’s body. Like a nice little nod to the smooth head Klingons of TOS.

And with the ptsd stuff, there’s the whole DS9 diatribe I went off on above :lol:

The plot invited these issues and more, but then shunted them to the sidelines
Yep totally agree. They sidelined them for “pew pew pew” let’s blow up the Death Star, I mean Charon.

Although the bits where Saru was in command and he was like “fire!!!” I enjoyed because I like Saru.

Hopefully they’ll be able to jettison the flotsam of season 1 and go into season 2 unencumbered.
 
Ds9 and particularly ENT aren't very big outside of fandom, precisely because the show maybe doesn't play well with serialisation.

Serialized shows generally have a smaller number of viewers than episodic shows - even today when the serialized ones get critical acclaim. Look over the highest rated shows last season, and you'll see even though there are some serials, there's also still a lot of procedural drama, sitcoms, and reality TV.
 
I don't see what fans have difficulty with "diversity and change", part of the whole mythos of Trek is to embrace difference.

You'd be surprised at what you'd run into on this board. Back in 1999, when I first registered, I wouldn't have believed it either.
 
Serialized shows generally have a smaller number of viewers than episodic shows - even today when the serialized ones get critical acclaim. Look over the highest rated shows last season, and you'll see even though there are some serials, there's also still a lot of procedural drama, sitcoms, and reality TV.
If you ignore cable and streaming, pretending that only broadcast television exists.
 
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