That was a Thousand Year Bird Of Prey, not a Millenium Falcon.In case the winky wasn't enough, I was joking. There's also a Millennium Falcon in STFC. But the movie rights thing is difficult to line up with the amount the movies are referenced.
That was a Thousand Year Bird Of Prey, not a Millenium Falcon.In case the winky wasn't enough, I was joking. There's also a Millennium Falcon in STFC. But the movie rights thing is difficult to line up with the amount the movies are referenced.
That was a Thousand Year Bird Of Prey, not a Millenium Falcon.
Does anybody else find it odd that the producers would visually reboot the Enterprise, probably far easier to make it look more or less like it looked in TOS, but that they've simultaneously picked an actor who looks extremely liike Jeffrey Hunter to play Pike? I think people would have been pretty forgiving of having Pike look somewhat different, knowing how hard it would be to pick an actor with both skill and a facial match. They chose to match the difficult choice (the actor) and ignored matching the easy choice (the ship). Seems bass ackwards.
It's not odd at all.
STD S1 didn't do the numbers they wanted. They want S2 to bring more attention to CBS All Access, so bringing in Enterprise 1701 and a TOS-accurate Pike is their way of getting the Trek fans back on board with STD.
They had decided to bring in the Enterprise before the show aired.They want S2 to bring more attention to CBS All Access, so bringing in Enterprise 1701 and a TOS-accurate Pike is their way of getting the Trek fans back on board with STD.
I'm hoping They give us a story in which Harry does become more like what we knew from TOS.Definitely agree re: Mudd. In TOS I always got the sense he was more like Quark - a bit of a rogue but ultimately harmless. DSC seemed to take Mudd and make him... unhinged. Either that’s what the Klingons did to him in prison or he had a remarkable recovery over the next 10 years. Which is not beyond the realm of possibility I suppose...
They had decided to bring in the Enterprise before the show aired.
Which proves the show was creatively bankrupt from the beginning.
I’d enjoy that too. And Wilson did a good job playing the new interpretation of the character I thought (at least in “magic”). I’d prefer a lighter toned episode with him in it. Season 1 of DSC was so very dark...I'm hoping They give us a story in which Harry does become more like what we knew from TOS.
Perhaps some seminal moment in his younger years that causes him to rethink the murderous ways.
Having it involve the Discovery and her crew would just be a bonus in my book.
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Agreed. I think we can look too deeply into the negative interpretation of “mudds women” from a modern perspective. Mudd was the comic relief in TOS when all said and done. I hope they let DSC have some fun in season 2 for goodness’ sake! Mudd could be central to DSC’s “trouble with tribbles” or (dare I say it - it’s one of my favourite episodes) “magnificent ferengi”...I liked the Mudd ep, but I'm not sure there's much value in trying to square the two characters. Mudd was created as a comical rogue, and his TOS escapades were intended to be light fun (though there are aspects that now look much worse to modern eyes). Discovery, on the other hand, made him a mass-murdering psychopath. (Although, admittedly, intending him to be a fun mass-murdering psychopath.)
Even if we assume he rethought his murderous ways, that, to me, wouldn't alleviate that they've made him so murderous in the first place.
Didn't it?STD S1 didn't do the numbers they wanted.
Which proves the show was creatively bankrupt from the beginning.
They would have had it planned out before the Season even finished airing. That scene with Burnham saying 'It's the enterprise' was filmed before they even aired the first half of the season.Anyway, that's not a fact - it's what the producers claim.
These folks speak in publicity-ese only. Nothing they say should be taken as other than an effort to put the best PR gloss possible on everything about the series.
Which proves the show was creatively bankrupt from the beginning.
they trotted out a lot of hoary Trek tropes unaltered, from "the Tardigrade must be freed"
Not really? Nobody actually died at Mudd's hand by the end of the episode, thanks to his time travel shenanigans. Given that he can bring them all back with the push of a button (well, until the end), none of it's real to him, so he ends up treating the whole thing like a video game.Discovery, on the other hand, made him a mass-murdering psychopath. (Although, admittedly, intending him to be a fun mass-murdering psychopath.)
Not really? Nobody actually died at Mudd's hand by the end of the episode, thanks to his time travel shenanigans. Given that he can bring them all back with the push of a button (well, until the end), none of it's real to him, so he ends up treating the whole thing like a video game.
They would have had it planned out before the Season even finished airing. That scene with Burnham saying 'It's the enterprise' was filmed before they even aired the first half of the season.
Was DS9 creatively bankrupt when they brought in Worf?
Fair, I don't actually care that much, I just don't think he's actually that different a character but that's me.Whether it sticks at the end is less important than his willingness to go through with it. Even if he thinks it can be reversed, what if something goes wrong? And it's downright perverse for him to take pleasure from committing murder and torture again and again. What if Burnham had been the one doing that? Would we still say it's no big deal? (Maybe we would -- after all, Discovery is down with Sarek backing the annihilation of the Klingon homeworld.)
As I mentioned, I enjoyed the Mudd episode. But it requires the same charity of interpretation that Harry's human trafficking in the original series was intended to receive. And is now roundly condemned for.
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