Studios love prequels and sequels more than writers do...well, sort of.
It's mainly about what will get you paid.
Prequels are harder to get right than Sequels... as a rule.
Studios love prequels and sequels more than writers do...well, sort of.
It's mainly about what will get you paid.
Because Star Trek isnt Dark Matter, Killjoys, Steampunk or anachronistic.I am gonna ask ‘why?’ To the first part, when anachronistic stuff like Dark Matter and Killjoys exist, and steampunk is a thing.
Absolutely. The only things they would really need to change is that they couldn't have Sarek or Harry Mudd, but as they aren't like their TOS selves that much they can be replaced with any other Vulcan and any other con artist without much difficulty at all. It's weird how many of the show's canon issues actually evaporate if this were the 25th century instead.I've just always wondered from a writer's perspsctive why do a prequel where you need to work within the boundaries of previously established canon? You have much more creative freedom to do a show that just continues the existing story line. Everything about Discovery can stay the same and there would be absolutely no question about if it's in the Prime universe if it took place after the last Trek movie.
No they couldn't.but as they aren't like their TOS selves that much they can be replaced with any other Vulcan and any other con artist without much difficulty at all.
I told you to stop with the personal remarks. Infraction for trolling. Comments to PM.* sigh *
You remind me of certain U.S. Political figures who are convinced that whatever they choose to believe is the way things are, but life doesn't actually work that way.
To be sure, it's not something people usually think about. It's like the first time someone explains to you what a "Chekov gun" is and suddenly you start seeing it pop up in all kinds of stories in really obvious ways that you never noticed before. It's something a normal person takes for granted in most cases, or if they don't, they wind up trying to explain it away with some sort of fridge logic.
Best and possibly most famous examples: the Enterprise-D sickbay, the Battle Bridge, Geordi's visor, Worf's head. Things whose appearances changed noticeably between seasons (or even between episodes) and we just sort of gave it a pass because we knew it was a TV show and probably didn't really need an explanation. There's also the different Enterprise models that Lawman apparently can't tell apart:
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I mean, if we aren't going to assume the Enterprise-D's saucer section got 5 meters thicker at the rim and its deflector dish changed shape, pylons got squarer and its hull panels noticeably protruded from the underside of the ship by as much as half a meter between scenes, we're otherwise just assuming that both of these images represent the exact same ship and the variations we see do not actually matter, right?
Vash's return?Absolutely. The only things they would really need to change is that they couldn't have Sarek or Harry Mudd, but as they aren't like their TOS selves that much they can be replaced with any other Vulcan and any other con artist without much difficulty at all. It's weird how many of the show's canon issues actually evaporate if this were the 25th century instead.
Another idea I've been batting around, though this would require a few more changes, is they instead make it a prequel to TNG and make it about the Cardassian War instead. While things like holographic communicators are still too advanced for this era, they fit better there than they do in the TOS era. And Michael Burnham could still be Sarek's adopted daughter, just he adopted her at a point after Spock was in regular contact with him, and therefore wouldn't know his adopted sister. Or they could make her Spock's daughter. Or even Tuvok's.
Give her a giant revolver and an oversized red coat and have Mudd call her "the humanoid typhoon"Vash's return?
Because Star Trek isnt Dark Matter, Killjoys, Steampunk or anachronistic.
But there are so many grievances to take to those two... holograms are the least of it!......we need to first take our grievances to Rick Berman and Brannon Braga ...
Thus far, a lot of the science fiction I have read, as well as attempt to write, involve using holo displays because there is an idea of future tech to it. So, I personally see as imagining the future a little bit.The holo displays are about showing off budget, not extrapolating future communications tech (it’s not even that futuristic, the tech to do it now more or less exists, it’s just big and expensive and unnecessary) for example.
I know I've asked this before, but does it really affect anyone's enjoyment of Discovery if it's the same world as TOS rather than a reboot? That James Frain's Sarek is the exact same guy as Mark Leonard's, instead of another take on the character a la Ben Cross? That Pike's Enterprise is the exact same starship we saw in "The Cage", or another USS Enterprise in the same way we've had a hundred Batmobiles?
Because if that makes or breaks the show, I think you're watching it wrong.
I would have honestly preffered it to be a reboot, but the producers said it's prime, so that's what it is for me. I would certainly like the show just as much if it weren't prime.I know I've asked this before, but does it really affect anyone's enjoyment of Discovery if it's the same world as TOS rather than a reboot?
I know I've asked this before, but does it really affect anyone's enjoyment of Discovery if it's the same world as TOS rather than a reboot? That James Frain's Sarek is the exact same guy as Mark Leonard's, instead of another take on the character a la Ben Cross? That Pike's Enterprise is the exact same starship we saw in "The Cage", or another USS Enterprise in the same way we've had a hundred Batmobiles?
Because if that makes or breaks the show, I think you're watching it wrong.
For me personally huge inconsistencies irk me and take me out of it.I know I've asked this before, but does it really affect anyone's enjoyment of Discovery if it's the same world as TOS rather than a reboot? That James Frain's Sarek is the exact same guy as Mark Leonard's, instead of another take on the character a la Ben Cross? That Pike's Enterprise is the exact same starship we saw in "The Cage", or another USS Enterprise in the same way we've had a hundred Batmobiles?
Because if that makes or breaks the show, I think you're watching it wrong.
This is pretty much my feeling about DSC at the moment too. Don’t get me wrong it’s not going to stop me watching, but every so often something in the show will come up and I’ll be like “ah but this happened in TNG” or “wait in that one TOS episode” and I’m reminded that it’s not the Trek I grew up with. There were some nice scenes at the start of Vulcan Hello that I enjoyed - mostly before Burnham ever left the ship. For the rest of the season it’s given my head canon muscles a workout!For me personally huge inconsistencies irk me and take me out of it.
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