Shouldn't it really be 100 people in 4 shifts?why are there so many people on TOS Enterprise? what can there be on there for 400 people to do?
Shouldn't it really be 100 people in 4 shifts?why are there so many people on TOS Enterprise? what can there be on there for 400 people to do?
The Federation's largest game of musical chairs.why are there so many people on TOS Enterprise? what can there be on there for 400 people to do?
His newest power is spawning siblings throughout the timeline.I think Spock is written to be too powerful. He's like a golden age era Superman in that he can do whatever the plot needs him to do.
I wish somebody would write a story some day that explains WTF Beverly did with that ugly cloth she bought on Farpoint Station. She bought the entire bolt of it, and I can't imagine why, since it didn't really go with her coloring.
The only TNG character I can imagine wearing anything like that would be Lwaxana Troi.
Unfortunately it's also a "homo sapiens only" way. But assuming there are no weird time distortions, you'd pick a standard and stick with it, that was the same wherever you went.
Better use of an episode: Picard meets someone from the 20th century and does NOT start lecturing them on how it's immoral and un-evolved to want to own something and be paid for the work they do, and how superduperenlightened everyone is in the 24th century, particularly elite Starfleet officers.The number of times the Trek crew brings in a strange being and educates them only to be betrayed. Khan was the most popular example but various Trek shows have all welcomed a stranger and taught them and, oops, got betrayed, as if that's what everyone is. Why not an episode where they find someone in space, educate them, and work together and live happily ever after? Oh, wait, there's no draaaaaaaaaaaaaaaaaama in that...
Thanks for discounting atheists... of any species.It doesn't bug me as much as it intrigues me, but Trek likes to pretend that there's no god... yet from TOS all the way to DS9, someone in some episode references a deity.
It may be your belief that there is a god. Keep in mind that your belief is not universally held, either in RL or in Star Trek.Sisko said it best too, BTW, in "In Purgatory's Shadow" - "And God help us all." with exasperated tone of voice that sells home the severity of the Dominion threat. But Kirk, in the somewhat underrated (or at least misunderstood) "Who Mourns for Adonis", said "We find the one quite adequate." It's a bit more open-ended, allowing those who believe he is being sarcastic to have as much validity as those who believe he is being resolute. But Sisko is most resolute, partly because he's also dealt with firsthand, the Prophets. Kirk seems to think any incorporeal ball of glowing light thing is the same thing - part of a nucular family where Charlie has to go back home to his adopted parents and not experience the horizontal tango he was desperate for because big glowing light bulbs don't have coitus the way he apparently can despite having all the magical powers the 50000^42 watt adopted parents had... or Trelane having a mommy and daddy as well and telling him not to make planets and play with inferior beings... it's amazing that the Organian balls of fire there weren't any different, unless their naughty little great grandkids were off playing with other starships somewhere. Even Picard hinted at a higher being existing, albeit when retorting "You are not God!" to Q ("Tapestry"). Maybe VOY has Janeway admitting God exists.
I saw "The Web Planet" and while the design of the Zarbi was creative, the sounds they made just drove me nuts and I was wishing there was a way to mute them and still hear the dialogue spoken by the Doctor and his companions.Worse, aliens always look humanoid but are painted with shoe polish or green goo or blue goo or have latex stuck onto their bodies that is better suited for prophylactics. All while forgetting that every time sci-fi tries to do aliens that don't look like humanoids, either people don't care or can't connect to the story at all. Not even "The Web Planet" (Doctor Who, 1965), a story that had no humanoid characters apart from the TARDIS crew, didn't get called "ahead of its time".
Of course $15 million/episode, what were you thinking? The ultimate indicator of how good something is lies in how much $$$$$$$$ was spent on it, never mind that the story might be poorly conceived, the dialogue might be crap, the acting might be stilted and cardboard, and the whole premise based the assumption that the audience is stupid.Never mind that these shows have to tell a LOT in a short period of time, so for audience identification, some issues are going to be glossed over and partly because the makers know that nobody's going to give a bloop about it. Never mind budgets, should we spend $15 million per episode to appease so-called "realism" to such an improbably level (at least where "impossible" can't apply), or spend $5 mil to give it a certain standard and save the rest for useless things like food and shelter and science and education and other silly things? It all ties into the ultimately bigger, subconscious, and ironic reality - all these shows are made by and for humans, as entertainment and/or allegory.
Shouldn't it really be 100 people in 4 shifts?
Yeah, that always works.Let the diplomats do the talking
Well... it doesn't, always, work... But it certainly doesn't make sense that you have a ship with 400 people and the exact same people go on away missions, over and over again... and without much of a logic reasoning.Yeah, that always works.
Or possibly 135 each in three shifts?
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