I disliked the Jammies, but loved the many uniforms.
The Kelvin Timeline does have better uniforms post-2233 than the Prime Timeline seems to. While I strongly prefer the sequence of historical events in the Prime chronology the JJ films do give us more TOS-style Starfleet uniforms and those movies do look more like the original timeline of the mid-23rd century at least from a wardrobe perspective.
........ and even people who obsessively watch the show are frequently unable to see the real Kirk instead of the distorted cultural memory of him they've received from Zapp Brannigan.
Couldn't disagree more. What's left in classical music? Fantastic music. Nothing else is required of it.That piece reminded me of one of the NY Times' classical music critics reviewing a PDQ Bach concert. He loved the show, but it brought him to the brink of despair. I think his conclusion was that it demonstrated just "how late in the day it is" for classical -- even fans of the form see it as a collection of ridiculous tropes and mannerisms. I suppose that's a side-effect of classical losing its function as a class signifier; without that, what's left?
There's bad, imitative, uninspired, trope-ridden, regurgitated crap in basically every kind of art. There's no reason that classical music should be any different, and it isn't. But neither does the existence of bad classical music immunize any other type of music against having bad entries.Well, that was kind of the point... he wasn't sure if people actually thought the music was fantastic anymore. Maybe they never did.
Sure, what about it? I assume you're familiar with the term?"Toxic masculinity"?
Props to you for your achievements, then (we apparently have something in common)... but it just makes your cheap shots at Horakova seem all the more inappropriate.Anti-intellectual?I’m currently working on my third graduate degree (a PhD in history) and I have been teaching for 27 years (the last 15 at the college level). And I understand postmodernism just fine, thanks (I’ve been swimming in it for the past 24 months).
No, the mere fact of an alternate Kirk doesn't negate such qualities in the Abrams films. The films as a whole certainly negate it, though. There is zilch, nada, zip in there that constitutes a meaningful "exploration of the human condition." As for "fun and adventure," they offer only the kind that requires you to turn off your logical faculties. The storytelling in those films makes the Star Wars prequels look sophisticated, for heaven's sake. They're basically two-hour-long strings of "refrigerator moments," except the absurdity of them doesn't even wait 'til the movie's over to hijack your attention.The fact that Pine-Kirk is different from Shatner-Kirk does not negate the very Trek-like exploration of the human condition—it’s an example of such exploration. Moreover, the films have an element not really seen since TOS (at least not to nearly the same extent), something that makes them much closer to the “spirit” of TOS than anything else in the Trek “universe”—a sense of fun and adventure.
Hear, hear. Thanks for sharing the link! Sorry to see that some posters seem determined to miss the point of it. (But however much we agree about Trek characters and continuity, you and I had better avoid discussing politics! Suffice it to say that I wouldn't vote for Rick Santorum for dogcatcher, and the only presidential candidate I really found tolerable in 2016 was Bernie Sanders...I think it's a really excellent piece, and I routinely recommend it to people who aren't even Trekkies. I'm a right-winger who normally closes an article the instant I see the word "kyriarchy" (heck, guys, I backed Santorum in 2008, just to give you an idea of how far I am from Horakova ideologically)... but Horakova points out something that is really, really strange: the fact that our cultural memory of James T. Kirk isn't simply unrelated to the actual James T. Kirk depicted on screen, but is actually opposed to the actual Kirk in almost every way, and even people who obsessively watch the show are frequently unable to see the real Kirk instead of the distorted cultural memory of him...
Also, although it is only a footnote, her comment on the gamification of continuity -- not just in Star Trek but in a huge range of "franchises" today -- absolutely hits the nail on the head of a problem that's been bothering me for years, but which I could never quite articulate. (I love continuity! But the most important part of continuity is verisimilitude, and the great majority of "references" in, say, modern superhero movies not only fail to advance verisimilitude, but actually undermine it.)
Thanks for pulling me (and this wonderful article) into the conversation, Lawman!
Its not "elegant" its NX style
Heck most the DSC have NX styling, but they look newer than the Connie, mostly due to the connie having a jarring mish mash of styling.
On any show, sci-fi or not, things designed to fit within a set time frame look newer or older.
We have infact seen 9 of them.
Not sure what you mean here. They could have built something like the Galaxy, it would not have had the power, but they could have built what amounts to a failed experiment
I’m not saying that.
Why do they go from domes, to no domes and then back to domes again?
Okay, let's not exaggerate here!The storytelling in those films makes the Star Wars prequels look sophisticated, for heaven's sake.
Horakova points out something that is really, really strange: the fact that our cultural memory of James T. Kirk isn't simply unrelated to the actual James T. Kirk depicted on screen, but is actually opposed to the actual Kirk in almost every way, and even people who obsessively watch the show are frequently unable to see the real Kirk instead of the distorted cultural memory of him they've received from Zapp Brannigan.
Sure, what about it? I assume you're familiar with the term?
Deep.
What do you actually KNOW about the art direction in Star Trek: Discovery?I was not criticising Eaves. He is obviously very skilled designer. I was criticising the lack of coherent art direction, and that is due some executives who probably are not trained artists or designers.
They're immune to accusations of incompetence. The fact that they are able to do their jobs and make a finished product is proof to the contrary.So, by that logic, anyone who's ever had a producer credit on a broadcast TV show "obviously know what they're doing." Are they all then immune from criticism?
Only when it comes to production MISTAKES, like a boom mic being in the shot and not edited out, or a cameraman's reflection in a mirror, or an effects shot with half of its effects incomplete (lights appearing in the wrong place because one of the negatives slipped) and so on.Can we not draw meaningful distinctions between the competence of the creative professionals doing one show versus another?
Actually he said the original series would be at the core of his film, which is pretty much the OPPOSITE of "lipservice". You, as an "experienced audience member" should be able to tell the difference.Funny, that sure sounds to me like it supports my point, not yours. He gave lip service to the original while very clearly stating that his goal was to make something new and different.
Based on Star Trek created by "lawman?"I don't get what you're trying to be sarcastic about here. "My" Star Trek television series is Star Trek.
That's just it, being a professional critic requires a certain amount of expertise and experience enough to be able to judge what quality even looks like. This is the whole reason why professional critics have credibility and why we consider their opinions to be more valuable than some guy you meet on the bus. It's assumed that a critic actually knows quality when he sees it and has enough experience with similar products -- as well as knowledge of the products themselves -- to tell what was done right and what was done poorly. Paramount to this is some knowledge of how the product was made in the first place to be able to tell how that process plays into the finished product.I'm seriously baffled by what you seem to be trying to say here. Following your examples to their logical conclusion, you're apparently out to discredit and undermine the very concept of criticism as a profession (much less as a pastime).
I see the results. I also know that Eaves was told to not use the round engines and the costume designer was told to put those horrid huge bling areas on the sides of the uniforms.What do you actually KNOW about the art direction in Star Trek: Discovery?
So you're saying we should stop taking you seriously? Got it!In other words, I am out to discredit the idea of people who don't know what the hell they're talking about demanding their opinions be taken seriously.
So you don't know who gave them those directions, or when, or why, how how those directions factored into production choices, or how those choices were made in the first place, or why those choices were made in the first place, nor even how those directions fit in the context with OTHER directions you know nothing about...I see the results. I also know that Eaves was told to not use the round engines and the costume designer was told to put those horrid huge bling areas on the sides of the uniforms.
Yep, because I can see the end results. The show suffers from the lack of coherent overall vision in other ways too. This is probably due the mess caused by Fuller departure. I hope the things improve in the future.So you don't know who gave them those directions, or when, or why, how how those directions factored into production choices, or how those choices were made in the first place, or why those choices were made in the first place, nor even how those directions fit in the context with OTHER directions you know nothing about...
But feel confident saying there is a "lack of art direction" because you're a genius and you just know these things.![]()
We know who gave the starship design direction at least, Bryan Fuller.So you don't know who gave them those directions, or when, or why, how how those directions factored into production choices,
On a par with the article. Rationalization of a personal taste is rather a bore, although the Internet has made it a competition.
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