So first my current take on Discovery overall and then a few other thoughts:
I am starting to sour a little on Discovery. It has largely been a more sucessful first season than most of Trek (outside of TOS), with a lot of great stuff, but it has had major problems. Some have gotten less severe but some have continued. Seems like a combination of changing showrunners, changing focus of the show, the showrunners not really knowing what they wanted the show to be, not great writing, and the serialized nature. Likely things will improve in season 2.
Two points to hit on here:
1. The writers. Like a lot of Trek there has been a lot of writer turnover (also producers), so maybe in season 2 - like TNG by season 3 - Discovery will have ID'd good writers than can write better Trek.
2. Serialization and pace: maybe with a more episodic, mission-of-the-week structure (which the producers have suggested will happen in season 2) the pacing of the show will even out. Too many major issues and plot points are glossed over, handwaved, ignored, or solved with nary a moment's consideration or weight thrown behind it. So much plot maneuvering takes place each episode that in many episodes (especially here in "War within, war without") major themes that should take a whole episode - or at least a whole A or B plot in an episode - are brought up, confronted, and resolved in like two scenes with no real discussion or serious consideration by any of the characters. Each decision is just fait accompli. For example, basically the whole war goes by off screen with the occasional exposition drop or space powerpoint presentation just so we can get to the next plot point on Discovery.
[side note: check out the Shuttlepod at the Disco podcast from Slashfilm on this episode. they make a lot of good points about some of the same stuff I cover here: including space powerpoint.

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One good example of the pacing issue is Tyler in "War within, war without". He wakes up, is greeted by Saru, allowed to roam the ship as normal (with restricted privileges) with no consideration of his potential danger to himself or others. The doctor says she doesn't even know if he is really fixed, yet other than the bracelet whose purpose isn't explained, Tyler roams free. If this storyline had taken place in a DS9 episode (as as it is the only show that has done a good job addressing consequences and fallout from earlier decisions), the episode would have focused on Tyler's storyline as the whole A plot, with likely Burnham's story inserted as a B-plot, with the senior staff discussing and addressing the problem of Tyler. They would have at least brought up the medical, security, legal, and personal issues with his guilt or innocence and his freedom on the ship and position within Starfleet. Some characters would have been opposed to integration, some would have been in favor. Some positions would have changed over the episode. Staments and Burnham could still have rejected him by the end of the episode, and Tilly could still have befriended him. But at least the issues would have been considered seriously instead of passed off quickly. Instead we have Saru, one scene, Tyler is free to roam, check; Stamets, one scene, still hate you, check; Tilly one scene, you're A-OK with us, check; Burnham, one scene, still hate you, check. No consideration, no discussion, nothing; just on to the next plot point. Yeah, maybe that would be more "boring" TNG/DS9 24th century think-y Trek, but it would be more solid.
The whole episode (and much of the show) is overstuffed like this:
- Spore drive useless: no problem, in one short scene over about 10 minutes Stamets terraforms a moon (!), regrows the spores from the only remaining uncorrupted mycellium (how did it survive the network wide corruption?) and the drive is good to go again
- Losing the war: no problem, cover the whole second half of the war in a 2 minute exposition dump, then in a couple short scenes put the most ruthless person imaginable in charge to lead a mission to destroy a planet - with no discussion of the morals or consequences or back up plans (though it seems like Sarek is on that backup mission)
I still like the show a lot, but it has not been as good as it should have been given the time and money available.
My other major issue is that despite what the showrunners have been trying to achieve all along, they are not doing a good job respecting the universe/canon. They may be sticking to the letter of the law by eventually nullifying the spore drive, or classifying knowledge of the Mirror Universe, or having the Klingon war end in a stalemate/unstable peace, or the myriad other decisions that paper over potential violations. But the problem with these is though they, arguably, keep to what is 100% known in canon, they way the approach it is "dangerous" to the fabric of the universe. For example, no where in TOS is it said that the Klingons had recently been winning a war against the Federation, destroying at least 20% of the fleet and taking 20% of Federation territory (including a starbase just outside of the Sol system). True, it was also not ruled out, but on the balance there is no indication that the Federation was on the brink of total destruction <10 years earlier. So Discovery "fits" within the spoken canon, but basically shreds the "tonal" canon in this respect. I didn't have a problem with Discovery being a prequel, exploring things not unknown and not forbidden in Trek history, changing the look of the Klingons or of the ships and technology, but there is a big difference between creating a new race (Kelpians) or character (Burnham) previously unseen, and creating a massive destructive war or a multi-episode/multi-ship/multi-character Mirror Universe crossover. To me this is too much like Voyager retconning first contact with the Borg (Seven's parents instead of "Q Who") or Enterprise introducing cloaks a century early (and Romulan cloaks at that). The show runners thought these were good ideas to explore, and they might be in their own space and time, but here shoved in before TOS where they barely fit? I can live with it, but I don't think these were the best decisions (like how Voyager undercuts the mystery/importance/impact of Borg first contact in TNG, at least in Enterprise they didn't know they were "the Borg"). For a prequel, especially a serialized prequel where you should have and know about your overarching themes and stories, do something more like in Enterprise season 4 where you pick an element of TOS canon previously unexplored (the Organians, the Vulcans/Surak, the Andorians and Tellarites) and focus on it and do it right.
Rant over. Conclusion: Discovery needs more room to breathe and better pacing and more thoughtful consideration of themes/events/decisions not just plot, plot, plot.
...Am hoping the standards I've seen continue - yes there are some tangents that seem to dominate pages of threads - but ultimately I'm enjoying the back-and-forth here. Hope others feel that way too. I laughed at the comment that without the random speculation this may as well be a load of kitten pics, but encyclopedic knowledge from others and consideration of wider issues many of us missed, it does, I hope provide *some* sources the writers might look at for S2. (We know most of S1 was done and dusted before we ever got going on speculation and criticism). Hoping this contributes to future improvements to future seasons.
I agree with your sentiments regarding thoughtful discussions on the board. Yay, everyone!
I really doubt anyone from Discovery visits here, but I hope that leading up to season 2 the showrunners do consider feedback. Not necessarily from the fans about canon points or stuff like that, but the basics on whether relationships grew organically and were fleshed out, whether themes were supported and explored by the substance and pacing of the show, whether important things were really shown or simply told to the audience, and whether the end points/redemptions were earned.
It must have been some kind of marker to show she's not general population.
Can't think of a reason wht they would mark out Starfleet personel to the civvie prisoners though.
I think she was marked just because all Starfleet prisoners are marked; she was simply going to another Starfleet detention location, she just shared a ride with gen pop prisoners.
I just watched this episode. One question:
When "Captain Georgiou" arrives on the bridge in the final scene, Cornwell's introduction of her seems to be trying to hide (from the rest of the bridge crew) that it's actually the Empress. But everybody on the ship already knows they've been to the MU, and surely they'd know it was MU Georgiou and not her prime counterpart (especially since the Empress hailed them directly at the end of "The Wolf Inside"). So why is Cornwell trying to hide it?
It would seem logical that everyone there would know about MU Georgiou, but Discovery plays fast and loose with plot points like this, so I guess that knowledge was just restricted to Saru and Burnham (though you think in the MU it would have been critical for Saru to inform his crew who they would be dealing with once they realized who Lorca was...but again, fast and loose with logic here on Discovery).
Just wanted to point out that is has been something more like 18 months - about 9 months between "Battle at the Binary..." and "Into the Forest I go", and 9 months since then.
The worst part has nothing to do with the cloak or the time frame. It's that a politically divided foe - basically 24 different houses acting independently - could defeat the Federation. It means that one 24th of the total Klingon fleet is enough to win essentially any engagement with the Federation. It also means the Klingons are not coordinating anything. Not strategy, not tactics, not even logistics. Any admiral worth their salt should be able to use this against the Klingons - to win the war through the Federation's superior coordination.
One point: for the first half of the war, the Klingons were united behind Kor, and they had the cloaking tech. Just as we were about to turn the tide by killing Kor and defeating the cloak, we lost the Discovery. The Klingons were able to prosecute the rest of the war with their cloaks intact, even if they weren't centrally guided as before, they were already winning at that point.