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Discovery and "The Orville" Comparisons

No, there are some nice moments, and other parts are being carried by the visual spectacle, but the writing is more like a room full of kids who keep changing the story: "OK, now, pretend that we're doing this...OK, now pretend we do this instead!"
You may feel this way, but saying it about a dozen times a day still doesn't make it factual. I love all of you guys, the BBS is like one big family where everyone can disagree or simply just think 'wtf?!' sometimes...
 
Right, because I personally made up the legal and moral definitions of war crimes.

You could learn the little that you'd need to learn, in order to find that you are on the wrong side of this, with about five minutes of your own research. You're not going to do that, because you really don't want to know what's true and what's not.

If a man shot you and others, you are laying among corpses playing dead, and the very same people who shot you, not the army but the same EXACT people within the same exact moment start to collect their dead, and you're only way to escape considering your own injuries was to booby trap one of the corpses in hopes it kills the very same men...

That isn't a war crime.

:: edit ::

Lorca leaving Mudd behind? that may be.
 
Right, because I personally made up the legal and moral definitions of war crimes.

You could learn the little that you'd need to learn, in order to find that you are on the wrong side of this, with about five minutes of your own research. You're not going to do that, because you really don't want to know what's true and what's not.
Read back okay, I never claimed to know what is or what is not considered a war time today. It wouldn't change my perception on the specific scene either.
 
If a spy is captured they have no rights whatsoever and often they are just executed, whereas a soldier is granted POW status and will be simply held in an internment camp until the end of the war.

Spy's who get caught by their enemies don't live very long.

War crimes are a separate matter that is decided at the end of a war by whomever wins, if the Axis powers (specifically Germany) had won WW2 its highly unlikely there actions would have been considered war crimes (even though they obviously were).

The victors get to decide these things and what to do about them.
 
If a spy is captured they have no rights whatsoever and often they are just executed, whereas a soldier is granted POW status and will be simply held in an internment camp until the end of the war.

Spy's who get caught by their enemies don't live very long.

War crimes are a separate matter that is decided at the end of a war by whomever wins, if the Axis powers (specifically Germany) had won WW2 its highly unlikely there actions would have been considered war crimes (even though they obviously were).

The victors get to decide these things and what to do about them.

Whether or not a spy has rights may be more of a question of acknowledgement.

If a nation will not recognize one of it's own spies if said spy was captured, a foreign nation usually gains nothing advertising it has caught a spy.

If it were however publically revealed that a nation, say, the USA was torturing a captured "spy" it would likely be found that we were violating said spy's rights.
 
You may feel this way, but saying it about a dozen times a day still doesn't make it factual. I love all of you guys, the BBS is like one big family where everyone can disagree or simply just think 'wtf?!' sometimes...
To me, I feel that the writing has not been consistent and has lacked a focus. In going with one theory, that once the Bryan Fuller ideas were cleared away via the episodes, something more coherent started to show through and point more of a way toward what's been established in ENT and TOS.

And I agree, the BBS here is great, because I can talk about Trek (good or bad) and be understood with the references and history of it.
 
There was no option for it in that situation, the Krill created the situation by their own actions...
That was my argument as well, that the light bomb was a weapon of last resort because they had exhausted all their options and the enemy was closing in. So I'm not sure what you're disagreeing with.

He was shown to be working with the enemy and so he did in fact pose a threat to escape hence why Lorca disabled him, Mudd's story couldn't be verified at the time and as such he couldn't be trusted, I sure as hell wouldn't have taken him with me, I could have been busy dealing with a Klingon and received a shot in the back for my trouble.
So, if you feel you can't trust him to act in his own best interest and help you escape, let him out of the cell and tell him to find his own way off the ship. But leaving him locked up to suffer and die is inhumane.

Also we have to take into consideration what the script writers have in store for Mudd, to serve future plot lines Mudd had to stay on the ship, we know he doesn't die so we will see him again.
That's an out-of-universe explanation. We were dealing with purely in-universe explanations.
 
Whether or not a spy has rights may be more of a question of acknowledgement.

If a nation will not recognize one of it's own spies if said spy was captured, a foreign nation usually gains nothing advertising it has caught a spy.

If it were however publically revealed that a nation, say, the USA was torturing a captured "spy" it would likely be found that we were violating said spy's rights.
True but that rarely if ever comes up, if you capture an enemy spy on home turf they wont see the light of day again anyway and no one will know about them, there is no advantage to telling your enemy that you have one of their spies.

You would try to turn them first, that's when it can get complicated with double agents and triple agents.

Even if an enemy says they have captured one of your spies your government will just disavow them anyway, standard practice in the UK (MI6) and USA (CIA).

It still goes on today with a greater emphasis on hacking and smuggling of information.

Spies don't have any rights which is why they are either great spies or dead ones.
 
That was my argument as well, that the light bomb was a weapon of last resort because they had exhausted all their options and the enemy was closing in. So I'm not sure what you're disagreeing with.


So, if you feel you can't trust him to act in his own best interest and help you escape, let him out of the cell and tell him to find his own way off the ship. But leaving him locked up to suffer and die is inhumane.


That's an out-of-universe explanation. We were dealing with purely in-universe explanations.
I was agreeing with you. :techman:

Lorca suspected that he would not be harmed as he was in league with the Klingons, the fact he didn't even have a scratch on him and seemed well fed supported this, having Ash Tyler there beaten to a pulp only reinforces that view, you could argue that the Klingons did that on purpose to ensure that Lorca would take Ash Tyler not Mudd, I would do the same.

It happened that way because the script/plot in the future requires it, sometimes in universe explanations are not enough, eventually we will see why the events played put the way they did.
 
If a spy is captured they have no rights whatsoever....

That's evading the point.


I'm not sure that "war crimes" apply when the survival of your entire species in an intergalactic war is at hand.

None of that is actually happening, of course.

The writers make this stuff up, you know? The writers decided that it would be a good idea for the characters to commit crimes and other cruelty. They have an absolute choice. They clearly believe that meanness is what will attract the most viewers. That is the only consideration.

Frankly, it's despicable.
 
That's evading the point.




None of that is actually happening, of course.

The writers make this stuff up, you know? The writers decided that it would be a good idea for the characters to commit crimes and other cruelty. They have an absolute choice. They clearly believe that meanness is what will attract the most viewers. That is the only consideration.

Frankly, it's despicable.
You're assuming the writers want us to root for some of these characters in the sense they're good guys like all the other casts from previous shows.
 
That's evading the point.




None of that is actually happening, of course.

The writers make this stuff up, you know? The writers decided that it would be a good idea for the characters to commit crimes and other cruelty. They have an absolute choice. They clearly believe that meanness is what will attract the most viewers. That is the only consideration.

Frankly, it's despicable.

Portraying a character in a "mean" fashion as a way to attract viewers isn't despicable.

You seem to think they believe "people are mean, and they want to see mean things, so we'll make a mean character that they like"

I don't think it's so specific, they created a type of person, this is how that person acts, and there is an environment around that person. People want to see the show because they want to know what the characters will do, not necessarily because they "revere" the character.

Reality is life aint fair and the world is mean and I'm not even sure the "mean-ness' being discussed is even out of line.
 
You're assuming the writers want us to root for some of these characters in the sense they're good guys like all the other casts from previous shows.

Only TRUMP SUPPORTERS would like these characters and this show,

cause the Klingons are brown, and the captain is mean.

/srcsm
 
You seem to think they believe "people are mean, and they want to see mean things, so we'll make a mean character that they like"

No.

They believe - with reason - that people like to watch violence on television. They like to watch cruelty on television. They like to watch terrible people doing terrible things on television. So if the studio is spending eight million dollars an episode on Star Trek in order to get people to pay to watch it, it will be a war story filled with violence and cruelty and meanness.

They're being rewarded for that, to a point. They don't need to create a great show that creates a huge new following, after all. They just need to sign up a few million households, not even enough to keep a network TV series securely on the air.
 
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