I shall NOT refrain!(I'm tempted to go on a Star Wars tangent about the mark being missed in regards to rebel ship design not being more modular for cost reasons, but I shall refrain...)
Up though the Dominion War, the general idea seemd to be that Starfleet was relatively small and often short of ships, especial when a unanticipated emergency arose.Wouldn't it have been more efficient to simply build a new ship and ...
Not so much a refit as a "Discovery".Imagine if they'd gone with the "Planet of the Titans" look and called it a refit...
A visual reboot of the universe, if you will, freed of the restrictions of a 1960's TV budget. (Much like what Discovery's seemingly threatening to do, come to think of it...)
Strictly speaking, that's what the bridge designs in TFF and TUC basically were, in asmuch as the TMP design also was in the 1970s.This. I don't understand why "visual reboot" isn't talked about more. Why don't the producers come straight out and say "this is not a reboot, all prime canon will be respected, but it *is* a visual reboot, get over it".
Personally, I'd love someone to have taken NCC1701 and modernised it, I fantasise about those black bridge panels having jelly bean buttons that morph into different configurations depending on user settings - much like some of the more future looking phone manufacturers talk about in terms of haptic, and screens that grow bubbles, but I can understand why modern TV producers want to play with the full toyset. Still, a respectful updating of the TOS design ethos would surely be more like a modern restoration of a classic building or monument, far far more impressive if done sympathetically than a new modern office block!
From a graphic artists' point of view, you could probably make the case for it. But from a filmmaker's point of view, that's quite a different story.And for me, I really cannot understand people who think the Connie wouldn't wash for modern audiences. Not if they see Vektor's work which is beautiful.
Besides which, as I ask far too often around here: why would we WANT to use the original Constitution design?
From a graphic artists' point of view, you could probably make the case for it. But from a filmmaker's point of view, that's quite a different story.
The original airing of TNG basically confirmed this for me in "The Naked Now" when the mission logs from "The Naked Time" depicted the TMP refit;
"Enterprise" had an impossible mission, when you think about it. They have to make the tech look more advanced than what we have now while not making it look more advanced than TOS, and not make it look retro-futuristic.
Oh, I'm not saying that retro-futuristic is a bad idea. For instance, the game Alien Isolation did retro exceptionally well. In fact, you could probably set all of Star Trek in an alternative multiverse where where certain modern technologies and trends never happened, thus allowing true consistency across all the series.Wrong. They could have done it like Star Trek Continues. They didn't have the guts to go intentionally retro. If they had, I think the show would have been more successful by virtue of showing such balls of steel. They took the easy road out and then when they needed a rating boost they pulled the TOS Defiant out as fan-service, similar to DS9 with the Tribble episode. The fact is people DO like the retro and only some beancounters in Hollywood haven't gotten the memo.
Gene was trying to say "This is how it was always supposed to look."
I fantasise about those black bridge panels having jelly bean buttons that morph into different configurations depending on user settings - much like some of the more future looking phone manufacturers talk about in terms of haptic, and screens that grow bubbles,
Who says the panels couldn't do that?
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