I always figured (and suggested in Watching the Clock) that most of what Daniels said about the future was just stuff he made up to avoid revealing future knowledge and just generally to mess with people.
I always figured (and suggested in Watching the Clock) that most of what Daniels said about the future was just stuff he made up to avoid revealing future knowledge and just generally to mess with people.
Hell, how often did Daniels evade Archer's questions saying "you wouldn't understand"?So, Daniels was a troll? I can buy that.![]()
That... makes a LOT of sense.Ironically, he'd been given full creative control over TAS, something he never had with any other incarnation; but he'd chosen to step back and entrust D.C. Fontana with the show instead. Which made it totally hypocritical for him to devalue it just because Fontana (and Filmation's Lou Scheimer) had been in charge of it instead of him. It occurred to me just the other day that this was only a couple of years after he'd gone out of his way to cheat Fontana and David Gerrold out of their right to co-creator credit for TNG, so maybe devaluing Fontana's other contributions was an extension of that.
Abrams being more concerned with being cool than scientific accuracy? Hell, I've known that since he wrote the movie Regarding Henry and admitted (hell, practically bragged) in an interview that he never did any research into gunshot wounds or head trauma victims. He just wrote what he thought would be the most dramatic. He's always struck me as a rather lazy writer.There is a story that Orci and Lindelof actually did try to inject some actual science into Trek XI but were overruled by Abrams who was more concerned with being cool than with scientific accuracy.
Makes me think of the ENT episode "Cold War". When I saw it the first time, I heard this dialog happening between Tucker and "Daniels" in engineering, but never found it on a rewatch:
T: <tinkers and poses question>
D: I'm from Illinois. Not the one you know. <significant look>
T: Good to know good ol' Earth still exists in the future.
D: That depends on how you define 'Earth'.
T: <flabbergasted>
Huh? You do know that the size of the moviegoing audience is maybe 100 times the size of the book-reading audience, right?
If the Romulan disaster isn't allowed to be mentioned, then what happens when Romulans are used? Also, (IMHO) that makes the NuTrek movies not part of anything and how Spock died doesn't count. Nothing in those movies would count. I can understand not allowing books to play in that universe, the the disaster took place in the prime universe so either it should be allowed to be written about or all of the NuTrek movies are BS.
Nothing unless you don't contradict or mention the new movies.If the Romulan disaster isn't allowed to be mentioned, then what happens when Romulans are used?
It's not about in-universe content but rather about legal stuff and as the prime universe parts of ST09 were in that movie it can't be referenced.Also, (IMHO) that makes the NuTrek movies not part of anything and how Spock died doesn't count. Nothing in those movies would count. I can understand not allowing books to play in that universe, the the disaster took place in the prime universe so either it should be allowed to be written about or all of the NuTrek movies are BS.
If the Romulan disaster isn't allowed to be mentioned, then what happens when Romulans are used?
Also, (IMHO) that makes the NuTrek movies not part of anything and how Spock died doesn't count. Nothing in those movies would count. I can understand not allowing books to play in that universe, the the disaster took place in the prime universe so either it should be allowed to be written about or all of the NuTrek movies are BS.
It's not a matter of individual opinion, it's a matter of objectively defined legal rights and business practices. The "universes" of Star Trek do not exist. They are merely imaginary concepts in works of fiction that are the legal property of real-world businesses. All Prime Star Trek is wholly owned and created by CBS Studios. But Kelvin Trek is created by Bad Robot and Paramount Pictures under license from CBS. CBS owns the franchise as a whole, but BR and Paramount have a copyright on the contents of the films it produced. So ideas original to those films cannot be used without BR and Paramount's consent. This would be true even if the Bad Robot movies had been set entirely in the Prime universe.
But, since CBS owns the main Trek Universe and Paramount has a license to play in that universe, wpuld that not mean then that the Romulus disaster in 2387 be fair game for authors?
But, since CBS owns the main Trek Universe and Paramount has a license to play in that universe, wpuld that not mean then that the Romulus disaster in 2387 be fair game for authors?
Once more: It's not about "universes," which are merely imaginary constructs within stories. The imaginary distinction between timelines or universes within the fiction is less important than the real-world distinction between CBS and Bad Robot. As far as the law and business are concerned, Star Trek is Star Trek. Period. It doesn't matter one damn bit whether a concept or story within the franchise takes place in Prime, Kelvin, Mirror, Myriad, "Yesterday's Enterprise," or any other "universe" within the fiction, because those are all equally part of the intellectual property known as Star Trek. The only distinction that matters is who has the copyright to a specific work of fiction in real life...Even aside from that, your question doesn't make sense.
You mean we need another Destiny to distract everybody??You know, I just realized, we went how many years without actually talking about how the Ascendants thing turned out, beyond the fact that it had, in fact, turned out? There is a precedent for just working around it, potentially indefinitely.
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