I would just default to wanting another Post TMP story by Christopher, though all your critiques of what that would mean for the story do stand. Like I said I'm only 1/3 finished though.
Just curious as to what you think that would have changed or added. Personally don't see how it would have been much different. You'd have had a somewhat colder Spock and would have skipped that emotional insight/bonding/romance angle (depending on how post-TMP, I guess)
, some continuity-dropping would have been different (Chekov wouldn't be about to go to Security training, no Arex or M'Ress at the end), and picture on the front cover would be different. How else does the timeframe even play into the story?
You'd have an older, more mature ambassador, but then it's somewhat more troubling that he's made no progress in 20 years or whatever. In 3 years, it's explainable as the culture being cautious, his needing experience/tempering, etc. If he was still there and not making progress after 20 years, he'd be a dejected joke at best, or have long since been replaced in reality. Timeframe was about right for a follow-up, allowing the situation to breathe but not get too stale in-universe.
You'd have had a somewhat colder Spock and would have skipped that emotional insight/bonding/romance angle (depending on how post-TMP, I guess)
His presentation of Spock is almost a rebuttal to how other works have presented the post-TMP Spock as colder in direct contrast to his character arc in the movie itself.
I think the only book that actually showed Spock growing colder post-TMP was The Prometheus Design by Sondra Marshak & Myrna Culbreath -- which was pretty much the only book before Ex Machina that really tried to follow up on the ideas of TMP at all, even if it inexplicably did so by aggressively reversing Spock's growth therein. Most other post-TMP novels pretty much ignored the issue and wrote Spock more or less indistinguishably from his TOS characterization.
Makes me wonder why the Prometheus design writers turned Spock into 'Kolinaru of the year' mode...
I can see why other writers ignored following up TMP since the STWOK comes across as another reset of TOS.
Spock's strict following of the Vulcan way was the only thing keeping him out of Kirk's arms in Marshak and Culbreath's universe, and an emotional Spock would've just dived into bed with Kirk and ruined all the tension. Hence his being so extra Vulcan in their works.
I did too, yeah, and when I updated the "References" section over on Memory Beta for the novel early this week, I included it. Was "Ren'xaan of Arkoni" an original creation of yours (aside from the ENT-related species backstory)?By the way, has anyone caught the Covenant of the Crown nod I worked into The Face of the Unknown?
Was "Ren'xaan of Arkoni" an original creation of yours (aside from the ENT-related species backstory)?
Sounds like their Spock/Kirk is set in a Mirror universe where the Enterprise is the Love boat starring Captain Kirk and his Vulcan wanna be lover SpockAlthough their definition of "extra-Vulcan" doesn't exactly match up with anyone else's. You'd think it'd be utterly logical and emotionless, like Spock aspired to with Kolinahr, but it was more like utterly ruthless and cruel, more Romulan than Vulcan.
I quite like seeing these new, never-before-seen backstory-tidbits that imply a much larger history, similar to showing the exploits of other Starfleet crews and demonstrating that the Enterprise isn't the only starship out there that is out there accomplishing things during this time period.Yeah. I couldn't find a good candidate for a third early mission of Kirk's that involved a mentor figure, so I just made something up.
Ah, that's nothing. You should check out the first edition of the TOS novel Killing Time...Sounds like their Spock/Kirk is set in a Mirror universe where the Enterprise is the Love boat starring Captain Kirk and his Vulcan wanna be lover SpockOr they channelled Spocks' inner T'Pau.
Marshak & Culbreath had their own... idiosyncratic take on Kirk and Spock as characters. Maybe they felt that TMP ran counter to how they wanted to see Spock and so they chose to tell a story that refuted it so that they could keep writing Spock their own way.
Well, aside from M&C's Prometheus Design and Triangle, Howard Weinstein's The Covenant of the Crown was also written pre-TWOK and set post-TMP. It doesn't directly acknowledge TMP's events either, just uses trappings of the setting like the supporting characters' new titles (Dr. Chapel, Lt. Chekov, etc.) -- although it presages TWOK by having McCoy preoccupied with feeling old.
By the way, has anyone caught the Covenant of the Crown nod I worked into The Face of the Unknown?
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