I think part of this issue is driven by modern cameras being much smaller and manoeuvrable than vintage gear. Older camera tech pretty much forced a "stage perspective", even with quite dramatic camera work whereas modern cameras allow the recreation of POV, up close to the action. Because of the wider array of camera angle options, along with (speculation on my part) the likely desire to avoid being "old-fashioned" (unless there is a deliberate reason for it--like the filming technique in Tinker, Tailor, Soldier, Spy, for example), more directors opt to "bring us closer to the action", rather than offer a more remote perspective.
Bah? Abrams is the master of quick shots only, in his Trek movies the camera rarely lingers on any one thing for longer than twenty seconds during an action scene.
His music was much better in Beyond where Enterprising Young Men was reined in and didn't dominate the film.But keep Michael Giacchino! His music has been home run followed by home run.
Abrams is the definition of not directing plot well, at least as a tentpole franchise director. (This is puzzling because he could handle plot competently in something like Cloverfield, but even as someone who liked his efforts in The Force Awakens the comparative deficiency in plot competence is glaring, it's just that it doesn't bother me as much in a comparatively kid's-stuff franchise like Star Wars. For me that applies in spades to his Trek movies.)For two reasons
1. JJ Abrams action scenes are better because they are more intense
2. He can take on a heavy plot and direct it well.
Please does anyone feel the same way?
but he mostly seemed to think the best way to generate tension was to dangle Chris Pine off of something.
Abrams did not direct Cloverfield.Abrams is the definition of not directing plot well, at least as a tentpole franchise director. (This is puzzling because he could handle plot competently in something like Cloverfield[...]
I spotted one. It was during one of the Enterprise exterior shots.
And I laughed.
Abrams' style can be hyperkinetic, but his movies, despite their notable flaws, feel like they're about something important. Beyond may have peril and big themes in theory, but the effect is too lightweight and inconsequential.I'd prefer Justin Lin to return. While I liked ST09 and Into Darkness. Those movies were just so fast paced and not given time to breathe properly.
BEYOND showed that Lin and Pegg showed a more earnest respect for Trek. For me, they delivered on making a summer spectacle while staying true to the spirit of Trek and its characters. I was so happy that Pine finally got a chance to play Kirk as the respectful commander that was more introspective about his place, his never ending concern for his crew and his realization of what he earnestly wants to do in Starfleet. No more obnoxious frat boy Kirk from the first two. STID almost fixed him, but the writing didn't really deliver on it in the end as hard as Pine tried to make it work.
BEYOND is about the importance of unity, that everyone has a purpose which is what Kirk discovers for himself.
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