The point is, each of those characters individually was seen by many people as lame and unsuitable for a movie. And each one was proven otherwise when the right way of telling the story was found.
If any random schmo could see in advance how to make a movie work, it wouldn't be as valuable a talent. It's the job of storytellers to find ways to surprise us, to find the answers we couldn't see and tell stories in ways we never could've imagined. That's why so very many great stories have been built around ideas that nobody believed could ever work. The ability to see how it could work when nobody else could was what made those stories' creators great.
Which is really the point. A great character can be done badly, and thus it follows that a "lame" character can be done well, in principle. If the Aquaman movie bombs, it won't be because of the character, it will be because of the choices made by the studio and the director and the writers.
I appreciate your passion for creativity. I am having trouble seeing the same passion existing at WB about Aquaman, I get the feeling they are just throwing stuff at a wall right now. We'll see if any directors jump on that movie with enthusiasm or not. Lacking that, we are left with the Aquaman I think is lame and nothing else.
I agree, and I didn't mean that Superman is to blame as a character. WB could do something as whimsical and powerful as All Star Superman if they gave a rats ass, which they do not.You say that like it's the character's fault. It's not. The fault is with the studio and the direction they take the characters. Superman is a cashcow just waiting to be milked; the problem is WB refuses to milk it, and instead demands that the people they hire instead start a soy farm and process the beans from that farm into disgusting soy milk that's nothing like the actual milk that would be given by the cash cow. (I kind of lost where I was going with that analogy, but hopefully you get the drift.)