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Cushman "These Are The Voyages" Season 3 - Who is "M.D.R."?

Bad, bad, bad idea. They're there to entertain, not discuss an unpleasant chapter in history, one neither may know about.
Agreed. Asking either of them that question will just make it awkward for everyone involved. What the hell do you expect them to say? "Oh, yes, this guy was totally a rapist"?

From the passage in Whitney's book, it sounds like Leonard Nimoy was the only person from TOS that Whitney took into her confidence on this.
 
For those that care, I have an answer to this one.

I won't use his real name, since it doesn't appear he used it professionally, but as a writer, M.D.R. went by the name "Del Rayburn."

As "Del Rayburn," he co-wrote an episode of Death Valley Days called "A Man Called Abraham" that aired on June 21, 1967 (Cushman doesn't make it clear that this script, mentioned in one of Rabyurn's letters to Roddenberry, was actually produced — probably because he didn't bother to check). Somewhat ironically, as "Del Rayburn," he also authored an educational cassette tape titled "How To Write Fiction That Sells" for Gordon McLendon's "Car-Teach," which quickly failed as a business venture (see page 198 of this book). He also appears to have written several pulp western stories in the mid-1940s (a quick eBay search will pull up a few examples).

None of this, honestly, is particularly relevant to Star Trek. M.D.R. is far from the only writer who sent an obnoxious letter to Roddenberry (though his may be the longest I've read) during the run of the series. His inclusion in These Are The Voyages, like many other things found in those books, is pointless filler to justify making the series a three volume set.
 
For those that care, I have an answer to this one.

I won't use his real name, since it doesn't appear he used it professionally, but as a writer, M.D.R. went by the name "Del Rayburn."

As "Del Rayburn," he co-wrote an episode of Death Valley Days called "A Man Called Abraham" that aired on June 21, 1967 (Cushman doesn't make it clear that this script, mentioned in one of Rabyurn's letters to Roddenberry, was actually produced — probably because he didn't bother to check). Somewhat ironically, as "Del Rayburn," he also authored an educational cassette tape titled "How To Write Fiction That Sells" for Gordon McLendon's "Car-Teach," which quickly failed as a business venture (see page 198 of this book). He also appears to have written several pulp western stories in the mid-1940s (a quick eBay search will pull up a few examples).

None of this, honestly, is particularly relevant to Star Trek. M.D.R. is far from the only writer who sent an obnoxious letter to Roddenberry (though his may be the longest I've read) during the run of the series. His inclusion in These Are The Voyages, like many other things found in those books, is pointless filler to justify making the series a three volume set.

Nice work! Did his obnoxiousness earn him a cameo as the ill-fated Rayburn in "What Are Little Girls Made Of?"
 
Ahhh...okay. Thanks.

Whitney never named her assailant, but when you look at her 1998 memoir and another interview she gave to StarTrek.com in 2011...
  • "I had the sexual assault from someone at Desilu, which I found out later was done by a lot of producers (during that era)." [Emphasis added]
  • "The Executive" was able to lure Whitney away from the wrap party (for "Miri") by telling her he wanted to talk about "some interesting possibilities" for her character (My Longest Trek, p.2). Wrote Whitney later, "I was always looking for ways to advance my career, to enlarge my part and get more lines" (My Longest Trek, p.2). In other words, "The Executive" was someone in a position to make Whitney's part bigger -- this limits the list of suspects to Star Trek's male staff (Gene Roddenberry, John D.F. Black, Gene Coon, Steven Carabatsos, Bob Justman) and the creative executives at Desilu (Herb Solow) and NBC (Stan Robertson).
  • "The Executive" have Whitney "a polished gray stone" that he made for her (My Longest Trek, p.8). If you've read Inside Star Trek: The Real Story (1996), you'll know which member of the production polished stones as a hobby.
  • For many years, Whitney believed "The Executive" had her "removed from Star Trek because he didn't want to be reminded of what he did to me that night" (My Longest Trek, p.15) This further indicates he was someone in the position to add or drop a regular actor from the show.
  • When she published her book, Whitney wrote, "Today, the Executive can no longer hurt me" (My Longest Trek, p.14), suggesting he was dead at that point (1998).
  • "I had known this man for a couple years, and had never known him to be violent. A womanizer, yes, but not a monster" (My Longest Trek, p.5)
  • "I mentioned the name of the woman he was involved with. 'You love her, don't you?' I asked. 'And she loves you. We can't do this behind her back!"
    'She doesn't care,' he shrugged defensively, guiltily, unconvincingly. 'She knows I'm with other women. She understands'" (My Longest Trek, p.5). This means that Whitney knew "The Executive" well enough to know the name of the woman he was involved with.

If any more evidence were needed, read a book called "Inside Trek" by Susan Sackett. Roddenberry seemed to have a predilection for a certain act that he harrassed people under his employ to perform.
 
If any more evidence were needed, read a book called "Inside Trek" by Susan Sackett. Roddenberry seemed to have a predilection for a certain act that he harrassed people under his employ to perform.
Oh, God... Do I want to know? I flipped through Sackett's book when it came out but never bought it, as it just seemed to be exploiting her affair with Roddenberry for profit.
 
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