This is true. This is also not a basis for calling her a girl. Since, you know, she was taking responsibility for herself. Fending for herself. Living independently for herself.She took responsibility for herself and suvived not really living or moving beyond herself, until BB and Finn came into her life.Still no.No, she had a doll in her home she playfully put on the helmet and she was awaiting the return of her family. She was even too afraid to touch the lightsaber, but in the end she took up the lightsaber and faced down the man who killed Han and injured Finn.
Calling her a "girl" is a categorically incorrect assessment of the character. The doll was shown, never interacted with and the helmet? Really? What the hell was there to do for amusement or distraction for her in her own home? Heck, I know plenty of adults who put on helmets to amuse themselves in privacy of their own homes - not to mention the public displays at conventions. That's hardly a reliable criterion for calling her a girl.
No, while she clearly was stuck in the past (the doll, the dying plant, the waiting for family), and while she certainly was languishing in her life (as evidenced by her reflection on the old woman doing the same task as her), Rey was most definitely mature and independent at the beginning of the film (scavenging for herself, bartering for herself, fending off attackers for herself, etc.).
As such, an assessment calling her a "girl" is flat out misguided at best.
There's no confusion, there's simply the (correct) objection to the subversive implication of the original statement. Put simply, "girl" carries a specific childlike connotation, particularly when used thusly: "Rey goes from being a girl to a woman." By comparing "girl" to "woman," that sentence is clearly using "girl" in a childlike context.Leia and Padme were strong independent women too. And you're confusng a child-like with girl. Being independent doesn't mean not needing other people as Finn was leaving she tried to stop him from going. She clearly wants and needs other people, even if she might not need them for her survival.
ETA: She's refered to a girl in the movie, no doubt Kylo won't refer to her that way in the next movie though. BTW Luke is refered to a a boy in TESB.
She clearly wants and needs other people, even if she might not need them for her survival.
This is true. This is also not a basis for calling her a girl. Since, you know, she was taking responsibility for herself. Fending for herself. Living independently for herself.She took responsibility for herself and suvived not really living or moving beyond herself, until BB and Finn came into her life.Still no.
Calling her a "girl" is a categorically incorrect assessment of the character. The doll was shown, never interacted with and the helmet? Really? What the hell was there to do for amusement or distraction for her in her own home? Heck, I know plenty of adults who put on helmets to amuse themselves in privacy of their own homes - not to mention the public displays at conventions. That's hardly a reliable criterion for calling her a girl.
No, while she clearly was stuck in the past (the doll, the dying plant, the waiting for family), and while she certainly was languishing in her life (as evidenced by her reflection on the old woman doing the same task as her), Rey was most definitely mature and independent at the beginning of the film (scavenging for herself, bartering for herself, fending off attackers for herself, etc.).
As such, an assessment calling her a "girl" is flat out misguided at best.
Just because her character grows and evolves doesn't mean she started the movie as a girl.
There's no confusion, there's simply the (correct) objection to the subversive implication of the original statement. Put simply, "girl" carries a specific childlike connotation, particularly when used thusly: "Rey goes from being a girl to a woman." By comparing "girl" to "woman," that sentence is clearly using "girl" in a childlike context.Leia and Padme were strong independent women too. And you're confusng a child-like with girl. Being independent doesn't mean not needing other people as Finn was leaving she tried to stop him from going. She clearly wants and needs other people, even if she might not need them for her survival.
ETA: She's refered to a girl in the movie, no doubt Kylo won't refer to her that way in the next movie though. BTW Luke is refered to a a boy in TESB.
Also, using to Luke and Rey pejoratively being called "boy" and Rey "girl" in their respective movies hardly removes the rather "childlike" connotation of the original statement.
I agree completely that her character grows and evolves and even matures. But adults can mature, grow and evolve. So what that is called absolutely matters.Again they is some confusion, Rey at the end of the of the movie even carries herself differntly. She's no longer waiting for her family to return for her. I would not be surprised if there's a romantic relationship betwen Finn and Rey in the next movie. THoughout much of the movie things are happening so fast but once she takes command of the duel with Kylo she is different, she ven walks and carries herself differently. Call if whatever want.
I agree completely that her character grows and evolves and even matures. But adults can mature, grow and evolve. So what that is called absolutely matters.Again they is some confusion, Rey at the end of the of the movie even carries herself differntly. She's no longer waiting for her family to return for her. I would not be surprised if there's a romantic relationship betwen Finn and Rey in the next movie. THoughout much of the movie things are happening so fast but once she takes command of the duel with Kylo she is different, she ven walks and carries herself differently. Call if whatever want.
So while Rey at the end of the movie is very different, and I would say a more well-rounded person, characterizing her as a "girl" who becomes a "woman" fundamentally diminishes the independence and maturity of the character at the start of the film.
Independence and self-reliance and ability to fend for herself = immature?I agree completely that her character grows and evolves and even matures. But adults can mature, grow and evolve. So what that is called absolutely matters.Again they is some confusion, Rey at the end of the of the movie even carries herself differntly. She's no longer waiting for her family to return for her. I would not be surprised if there's a romantic relationship betwen Finn and Rey in the next movie. THoughout much of the movie things are happening so fast but once she takes command of the duel with Kylo she is different, she ven walks and carries herself differently. Call if whatever want.
So while Rey at the end of the movie is very different, and I would say a more well-rounded person, characterizing her as a "girl" who becomes a "woman" fundamentally diminishes the independence and maturity of the character at the start of the film.
She has a set of values probably imparted to her from a guardian maybe Max Von Sydow's character, but she's not mature. Even after Han offers her a job she still wants to return to Jakku even thogh there's nothing there for her.
There's beena comoing of age aspect to the previous six Star Wars movies and I can certainly see it in Rey in this one. Despite her independence and resourcefullness I do think she goes though a coming of age.
I think her drive to stay on and later return to Jakku can actually be read as a sign of her maturity! She has taken on a responsibility that she takes seriously, living in a hostile environment and waiting for her parents, against all adversity and odds.She has a set of values probably imparted to her from a guardian maybe Max Von Sydow's character, but she's not mature. Even after Han offers her a job she still wants to return to Jakku even thogh there's nothing there for her.
She has a set of values probably imparted to her from a guardian maybe Max Von Sydow's character, but she's not mature. Even after Han offers her a job she still wants to return to Jakku even thogh there's nothing there for her.
She has a set of values probably imparted to her from a guardian maybe Max Von Sydow's character, but she's not mature. Even after Han offers her a job she still wants to return to Jakku even thogh there's nothing there for her.
You've just met the galactic criminal the idealised stories of whom adorned your childhood. He was smuggling the most dangerous beasts you have ever seen that nearly ate the new friend you have just made. He got you involved in a deadly fight with his dangerous criminal associates, who wanted to have you taken and sold out for a prize. You've not even yet talked to the man properly. You're being offered to join him in his endeavours.
What would a mature adult do?
1. Try to find another job. Any job. Really, any other job.
2. Follow fancy childhood fantasy and join him.
Also, you'll notice that Rey has that doll-like figure of a Republic pilot, which I assume she made herself..
She also wore an old X wing pilot helmet at her camp in that one scene.
I made the point that Rey was evidence of improvement originally - the existence of Rey & others is an objective truth & backs up what I said originally. The counter argument - if it can be called an argument - has revolved around opinions about art, which are not related to my point, they're just subjective desires that haven't been met.It is a 'problem' for people who want a certain number of fictional characters in media to be a certain way. But that is a subjective issue, as I said.For it to subjective, it would have to be far far less obvious a problem than it presently is.
Everything is subjective. How is that even a valid point?
Ok, so that's all well & good, but doesn't actually refute my point. People want more role-model type characters. People are making those characters, just not in high enough quantities to everyone's tastes. How many of these characters is "the right amount" has no basis in anything objective because this is a discussion about art, an entirely subjective topic. This is why I again assert that this isn't a refutation of my original point, that if creators want to make positive role-model characters for women, etc., they can & the objective proof of that point is the existence of Rey et al.The thing is that women and minorities are tired of being marginalized in mainstream media and/or pushed into specific archetypes that aren't even remotely close to resembling fully-fledged characters.
Representation in media is actually important for every kind of social group because it shapes how people see the world and that group.
Do you really think that the way African Americans were portrayed in or often excluded from mainstream media did not have any effect on the consumers of said media?
Presence in media is some form of acknowledgement and representation that is important to people. Hiding minorities in media on the other hand is a form of social exclusion that has psychological effects on the minority and the majority.
No, it means that one's opinion can be valid without also being usable as evidence in an argument. The evidence is the thing that informs the opinion, not the other way around. In this case, the opinion that there are not enough role models in entertainment is an opinion, and does not prove that sexist powers-that-be have a strangle hold on the media.Saying "Hey, that's understandable but obviously not an objective truth" is intellectually lazy and pretty much saying nothing at all because it would apply to everything.
Of course there is. In this case, as I have mentioned before, statistics regarding M/F hiring rates for applicants with equal experience would be an objective way to measure sexism in the industry, because that kind of statistic is not influenced by personal desires.In pluralistic societies "truth" is intersubjective and a product of discourse. There is no a priori objective truth.
I know I can't expect every trekbbs member to be an expert in constructivist epistemology, psychology or discourse theory but you could at least make an effort here.
Abrams is such a rush happy fool, I'm amazed she didn't literally grow up before our eyes a la Boyhood.I think though the course of the movie Rey goes from being a girl to a woman and that came from JJ Abrams.
She has a set of values probably imparted to her from a guardian maybe Max Von Sydow's character, but she's not mature. Even after Han offers her a job she still wants to return to Jakku even thogh there's nothing there for her.
You've just met the galactic criminal the idealised stories of whom adorned your childhood. He was smuggling the most dangerous beasts you have ever seen that nearly ate the new friend you have just made. He got you involved in a deadly fight with his dangerous criminal associates, who wanted to have you taken and sold out for a prize. You've not even yet talked to the man properly. You're being offered to join him in his endeavours.
What would a mature adult do?
1. Try to find another job. Any job. Really, any other job.
2. Follow fancy childhood fantasy and join him.
YellowSubmarine said:who wanted to have you taken and sold out for a prize.
Abrams is such a rush happy fool, I'm amazed she didn't literally grow up before our eyes a la Boyhood.
I heard a theory about Rey, which I thought was pretty interesting, I don't know if you guys have covered it in this thread already, but it's that she's the Reincarnation of Anakin Skywalker.
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