Fine. I'll be the confident one.
Yes. In fact it could have worked better.
After that pilot NBC asked Roddenberry for two major changes: Get rid of the guy with the ears and don't make your girlfriend the first officer. Had he done both those things, but fought for a female Number One played by someone else, what you'd be left with is a progressive, unique-for-its-time science fiction series with a crew that a broader audience could have related to.
Fine. I'll be the confident one.
Yes. In fact it could have worked better.
After that pilot NBC asked Roddenberry for two major changes: Get rid of the guy with the ears and don't make your girlfriend the first officer. Had he done both those things, but fought for a female Number One played by someone else, what you'd be left with is a progressive, unique-for-its-time science fiction series with a crew that a broader audience could have related to.
1) The Cage crew was a bunch on not so diverse white people
Unless you made it clear that you were going to tell Human stories and backed it up with the Human crew your Human audience could best relate to. What people have been saying is true: Spock doesn't break out without being paired with Kirk, and they had to kill off Mitchell to make it happen. Think about it. I say if you needed a Kirk just to make Spock look great, then if I have Pike, I don't need Spock.2) Spock was the break out character, so cutting him probably wouldn't be a good idea.
Unless you made it clear that you were going to tell Human stories and backed it up with the Human crew your Human audience could best relate to. What people have been saying is true: Spock doesn't break out without being paired with Kirk, and they had to kill off Mitchell to make it happen. Think about it. I say if you needed a Kirk just to make Spock look great, then if I have Pike, I don't need Spock.2) Spock was the break out character, so cutting him probably wouldn't be a good idea.
No, because Hunter was never the kind of actor with that soulful, appealing range that moves between stern commander and a world of earthly appeal as friend, romantic lead, or playful. This ties right into the Number One matter: if Hunter continued the same performance as Pike, why would Roddenberry think of changing the other cold, flat personality, when he has fine with it in the pilot?Let's also say Jeffrey Hunter decides to stick around for the second pilot and for the series.
Does Hunter come out of his shell and feel more fleshed out as things progress?
NBC was right--without question. The contrast in thought-provoking characters & story with appeal overflowed from WNMHGB, over merely being a thought-provoking story as presented in #1. This cannot be underestimated in how it hard-set the foundation and drive of what would become the regular series. 1960s Sapce Race culture need a group and plotting to compel people to believe in an inquisitive, soulful and daring group forever being the living example of Kirk's opening voice over.But could it have worked or were NBC's instincts inarguably right in insisting on the changes they wanted? All the basic elements were already there, but it can be argued NBC's criticisms forced GR and company to regroup and work out their ideas beter.
Did you skip this post?Roddenberry was told to cast reasonably, which meant no blacks and he said a Captain Pike show would have been a grand adventure.
Hence only Spock surviving to the next pilot, and that because the Trek staff fought for him.Herb Solow said:Then came their [NBC's] wants and desires...
"In varying degrees, we're not too happy with some of the cast. We support the concept of a woman in a strong, leading role, but we have serious doubts as to Majel Barrett's abilities to 'carry' the show as its costar. We also think you can do better with the ship's doctor, the yeoman, and other members of the crew. We applaud the attempt at a racial mix: it's exactly what we want. Hopefully, there'll be more experienced minority actors available for next year. Jeffrey Hunter was okay, and if you want to use him again, that's fine with us.
"Leonard Nimoy isn't a problem, the role he plays is a major problem! If you want to lose Nimoy, that's also fine with us..."
NBC TELEVISION NETWORK
August 17, 1966
Mr. Gene Roddenberry
DESILU STUDIOS
Hollywood, Calif.
Dear Gene:
Census figures, in the mid-1960s, indicate that one American in every eight is non-white. It is reasonable to assume that this percentage also applies to the television audience.
I choose this statistic to call to your attention once again to NBC's longstanding policy of non-discrimination. Our efforts in the past to assure the fact that the programs broadcast on our facilities are a natural reflection of the role of minorities in American life have met with substantial success. I would like to congratulate those producers who have extended themselves in this regard and I invite all of our creative associates to join us in an even greater effort to meet this fact of American life.
NBC's employment policy has long dictated that there can be no discrimination because of race, creed, religion or national origin and this applies in all of out operations. In addition, since we are mindful of our vast audience and the extent to which television influences taste and attitudes, we are not only anxious but determined that members of minority groups be treated in a manner consistent with their role in society. While this applies to all racial minorities, obviously the principle reference is to the casting and depiction of Negroes. Our purpose is to assure that in our medium, and within the permissive framework of dramatic license, we present a reasonable reflection of contemporary society.
We urge producers to cast Negroes, subject to their availability and competence as performs, as people who are an integral segment of the population, as well as in those roles where the fact of their minority status is of significance. An earnest attempt has been made to see that their presence contributes to an honest and natural reflection of places, situations and events, and we desire to intensify and extend this effort.
We believe that NBC's pursuit of this police is pre-eminent in the broadcasting industry. It is evident in both the daytime and nighttime schedules and particularly in such popular programs as I SPY, THE ANDY WILLIAMS SHOW, THE MAN FROM U.N.C.L.E., RUN FOR YOUR LIFE, and many other presentations. While we have made noticeable progress we can do better, and I ask you for your cooperation and help.
Sincerely,
MORT WERNER
[Programs Vice President]
* As reproduced on pages 76–77 of the book Inside Star Trek by Herbert F. Solow and Robert H. Justman, 1996 by Pocket Books
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