The final thing that happened to Juliet wasn't a bad thing either.
Also the ending? What the hell? Talk about random. Who is the "she" that the FBI lady wants, Trubel or Juliette?
I think we've seen that woman before, right? And there was a bit earlier when we heard a female voice talking to Trubel on her phone and she pretended it was Nick. Presumably this is who it was. But yeah, very awkwardly tossed into the mix.
This show is such a mess.
"Grimm" ended its fourth season in a cacophony of terror. As the series heads into Season 5, the biggest question isn't is Juliette really dead, but rather when is anyone in the Portland police department going to get in trouble for the massive number of murders on the show?
I think the entire writing staff of the show should be suspended.
I think the entire writing staff of the show should be suspended.
I've wondered about the keys as well (they're even still featured in the show opening). Then there's the zombie Nick issue that lasted for a couple of episodes then was forgotten except for the odd occasions when Nick suddenly has super hearing. It seems there have been a few other story lines they just dropped, but I can't remember them at the moment.^I didn't mind season 2, though the Juliette amnesia thing was dragged on way too long -- which wasn't the fault of her character, but the fault of the writers for handling the character poorly, marginalizing her rather than bringing her into the loop. A perennial problem this show has always had is that it drags its story arcs out way too long, throwing in all sorts of delaying tactics to postpone any real progress -- sometimes to the point of abandoning them altogether. (Wasn't there a thing about the royals wanting to get their hands on those keys? Now that the royals are all dead, has that just been abandoned?)
I really didn't like them turning Juliette evil. That seemed so out of character for her and it just didn't sit well with me. It always seemed to me that they went that way just because they wanted to do something daring; never mind that it didn't fit her. When she became a hexenbiest, I thought they would have her actually contribute as part of the gang. She did for a couple of episodes, and I have to admit I liked that. I'm not sure how that would have worked in the long run, but I think it worked for the time they did it.For me, it's the past two seasons that have been badly written throughout. The second had its problems, but it's just been a lame show for half its life now. That's hardly Juliette's fault. She was a good character when the writers handled her decently, when she was allowed to be close and supportive to Nick and to be a smart, caring person who could make a contribution as part of the team. It was when the writers artificially undermined her relationship with Nick, first by making her forget him, then by turning her evil, that the character suffered.
That's hardly Juliette's fault.
That's hardly Juliette's fault.
But if Juliette didn't exist we wouldn't have had those bad storylines.
Conversely, look at Castle. It's fallen apart in the past couple of seasons, but before that, it managed to balance procedural and romance quite well. And so have others. Plenty of procedural heroes have been happily married and included their spouses in their work -- see McMillan and Wife, for example. You can't attribute this to a blanket generalization about all shows, because every show is different.I think Police Procedurals handle it the best, by having the love interests in the background. Look how Hotch's wife was barely mentioned or seen on Criminal Minds. They certainly didn't make her part of the main cast. Instead those kind of shows tend to focus exclusively on the case of the week over the personal drama.
You could just as well say that Xander on Buffy didn't fit into the Slayer's world, because he was too ordinary. There's a place for normal people in shows about the weird. It provides grounding and perspective, and just a contrast from all the people with powers and secrets and whatnot.I've just never been a fan of the Juliette character. She never fit in the Wesen world, unlike Hank or Wu who were fellow cops that could help Nick out on various cases.
Now, that I entirely agree with. Except I think it would've been a much better show if Adalind had never existed at all -- or at least had been played by an actress who was actually appealing and/or scary rather than insipid.Also Grimm would have been much better show if Adalind never returned after the first season.
That's hardly Juliette's fault.
But if Juliette didn't exist we wouldn't have had those bad storylines.
That's a nonsensical thing to say. Any character can have good or bad storylines around them. Juliette has had good storylines in the past, when the writers haven't been making up contrived ways to drive wedges between her and Nick. And if she didn't exist, then these writers would just be giving us bad storylines about someone else, just like they've given us terrible storylines about Nick and Adalind and the Royals for the past couple of seasons.
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