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Did Star Trek's high quality help Lost in Space?

Comparing STAR TREK and LOST IN SPACE is like comparing HILL STREET BLUES and MR. ROGERS' NEIGHBORHOOD.
 
They did and, arguably, it made more sense on Land of the Giants. Smith tried to kill them all a few times in the first few episodes, but he and Will, for no reason whatsoever, became good friends. Barry and Fitzhugh grew closer because they were the outcasts and Barry's late father was a Navy officer. Fitz masqueraded as one in the pilot and wore the uniform throughout the series. Barry was an orphan who had no father figure in his life, but Will had the perfect family. There was no reason for Will to latch on to Smith like that.

Will hanging around responsible John, Maureen and Don did not open the door to screaming, mocking one-liners and stupidly walking into alien threats every week.

Land of the Giants
had its faults, but most of its episodes were of the serious variety. In no surprise, the worst episode featured Jonathan Harris as a dimension-hopping, Pied Piper of Hamelin. He did not do the series any favors.
 
. . .I wonder how Stefan Arngrim's agent managed to get him third billing over the majority of the adult actors.
I just looked at his IMDB page, and it's a mystery to me. No awards, no nominations. He did some guest spots on well known TV shows when he started his career at 10, through 14. But the year Giants came out, he did appear in a TV movie that got a directors guild nomination, and a nomination in an Emmy category. He might have gotten a boost from that. I'm only 4 years older, I might have heard his name before Giants.
 
. . .I wonder how Stefan Arngrim's agent managed to get him third billing over the majority of the adult actors.
I just looked at his IMDB page, and it's a mystery to me. No awards, no nominations. He did some guest spots on well known TV shows when he started his career at 10, through 14. But the year Giants came out, he did appear in a TV movie that got a directors guild nomination, and a nomination in an Emmy category. He might have gotten a boost from that. I'm only 4 years older, I might have heard his name before Giants.

In the case of Lost in Space, the actors' billing was influenced by the order in which they were signed for the show. Harris signed on last, and they compensated for his low billing by calling him the "Special Guest Star." And of course, he quickly became the absolute star of LIS in every sense.

It seems likely that the kid on LOTG, who has a very troubling history, simply got signed early to do the show. I never heard that he was especially talented.
 
Actually, billing isn't based on when you sign, but what you negotiate. The billing for LIS was likely negotiated for the pilot. Since Harris was added to the show once they went to series, he could not command billing above the existing cast, hence his being credited last.
 
Actually, billing isn't based on when you sign, but what you negotiate. The billing for LIS was likely negotiated for the pilot. Since Harris was added to the show once they went to series, he could not command billing above the existing cast, hence his being credited last.

That's entirely compatible with what I said. LIS's billing order was all wrapped up by the time Harris came along. The kid on LOTG got a higher spot because his rep negotiated for it before that show was locked down. :bolian:
 
Actually, the theme didn't change until the third season. The predominantly silly second season retained the original theme.

They ran the third-year theme for Tom Snyder's radio show around 1990 when he interviewed June Lockhart and Angela Cartwright. ''That's one funky theme!'' he commented. ''No wonder they were lost!'':borg:

And as I recall, they played the Tee-Vee Tunes version of the theme, which sounded like crap. For whatever that's worth. :)
 
And as I recall, they played the Tee-Vee Tunes version of the theme, which sounded like crap. For whatever that's worth. :)

The aired versions of the LIS 3rd season, and LOTG 2nd season, main titles are very exciting pieces of music.
 
Comparing STAR TREK and LOST IN SPACE is like comparing HILL STREET BLUES and CAR 54 WHERE ARE YOU.

Fixed that for you.

Both comparisons work for me.

Not to offend the LIS fans here, but it always seemed to remind me of Gilligan's Island in space. Instead of the wacky Gilligan you had the wacky Dr. Smith... instead of the steady Skipper you had the steady Professor Robinson... and so on.
 
No, Professor Robinson is the Professor(of course). Major West is the Skipper. It's a stretch, but I think the Robot would have to be Mr. Howell.
 
Not to offend the LIS fans here, but it always seemed to remind me of Gilligan's Island in space. Instead of the wacky Gilligan you had the wacky Dr. Smith... instead of the steady Skipper you had the steady Professor Robinson... and so on.

Lost in Space did a lot of things well, but it didn't properly utilize all of its characters and consistently engage them in the story.

By contrast, Gilligan's Island is often interpreted as a microcosm of society in which the characters are representative of America. And I think each castaway has something that makes them resonate. They each speak a deep psychological truth. For instance, Ginger is fascinating because she wants to be loved by you. By you and nobody else but you. She wants to be loved by you, alone.
 
I wonder how Stefan Arngrim's agent managed to get him third billing over the majority of the adult actors.

In the 1993 LOTG book, The Giants are Coming, Arngrim sheds some light on being cast for the show:

I didn't read for it. I was cast, I gather, by Irwin Allen from my previous work. I don't recall even meeting anybody until I was called to the network (ABC) for what they call network approval, which is when all cast members are introduced to the head of the network, and the network approves them. I'm not sure what they base that on, but they approved me.

I didn't really want to do it at first, but they really wanted me and they came back a couple of times and then my agent made a very good deal, both moneywise and billing.
One could assume ABC wanted Arngrim to such a serious degree they would almost anything to retain him--including giving him billing over adult actors with as much--or more visibility / experience. It makes one wonder why, as it is not like he was the most in-demand young actor, or considered one on the fast tack to bigger things.

In any case, ABC was likely aware of how hesitant Arngrim was, so they jumped through a hoop. I'm not sure how wise a decision that was, as the Barry Lockridge character was never utilized on the level (i.e. getting your money's worth) as Mumy's Will Robinson.
 
Actually, the theme didn't change until the third season. The predominantly silly second season retained the original theme.

They ran the third-year theme for Tom Snyder's radio show around 1990 when he interviewed June Lockhart and Angela Cartwright. ''That's one funky theme!'' he commented. ''No wonder they were lost!'':borg:

And as I recall, they played the Tee-Vee Tunes version of the theme, which sounded like crap. For whatever that's worth. :)

To quote Dr. Smith: "oh, the pain....the pain"

Tee-Vee Tunes' versions (notably on Television's Greatest Hits) were horrible. That 1980s synthetic, soulless sound ruined all it re-recorded.
 
For instance, Ginger is fascinating because she wants to be loved by you. By you and nobody else but you. She wants to be loved by you, alone.

Boop-boop-a-doop.

I see what you did there. And Ginger didn't need a mind-fusion to regain her memory, neither.

Wait, it was Mary Ann that thought she was Ginger. Mary Ann didn't need mind-fusion, the Minnow was her ship, her ship. The Professor realized that Mary Ann was the imposter.…

Hold on, Mr. Howell had a duplicate formed by the meteor that was irradiating the island….
 
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And as I recall, they played the Tee-Vee Tunes version of the theme, which sounded like crap. For whatever that's worth. :)

The aired versions of the LIS 3rd season, and LOTG 2nd season, main titles are very exciting pieces of music.

I couldn't agree more,Zap! Both the music and the clips as well!
JB

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For instance, Ginger is fascinating because she wants to be loved by you. By you and nobody else but you. She wants to be loved by you, alone.

Boop-boop-a-doop.

I see what you did there. And Ginger didn't need a mind-fusion to regain her memory, neither.

Wait, it was Mary Ann that thought she was Ginger. Mary Ann didn't need mind-fusion, the Minnow was her ship, her ship. The Professor realized that Mary Ann was the imposter.…

Hold on, Mr. Howell had a duplicate formed by the meteor that was irradiating the island….

Oh, the pain.... the pain.....
 
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